Lorraine is a saint of the suburbs. On top of trying to save her dying mother, miserable husband and estranged daughter, she's starring as Bloody Mary in the Jewish Community Center production of South Pacific. When her mother's home aide, Serbian immigrant Ljuba, asks for help finding a husband, Lorraine takes on her most challenging role to date: matchmaker.
Families, sisterly conflicts, alienation from parents, suicidal tendencies, dissociation, nostalgia for childhood mingled with mature reevaluation of it: all these themes and tropes are universal. And audiences of all backgrounds should find this show about them quite relatable, not to mention intriguing.
Andrew Lloyd Webber’s memorable musical CATS comes to the Saenger Theatre next week, beginning December 14.
The New Group announces that Susan Sarandon and Marin Ireland will appear in the upcoming world premiere of Jesse Eisenberg's Happy Talk, previously announced for the company's current 2018-2019 season with the title Yea, Sister!.
The New Group has just announced complete casting and the design team for Clueless, The Musical by Amy Heckerling. This world premiere production, with choreography by Kelly Devine, directed by Kristin Hanggi, features Ephie Aardema, Lori Alan, Sara Andreas, Gilbert L. Bailey II, Dove Cameron, Will Connolly, Danielle Marie Gonzalez, Tessa Grady, Talya Groves, Chris Hoch, L'ogan J'ones, Darius Jordan Lee, Justin Mortelliti, Brett Thiele, Dave Thomas Brown and Zurin Villanueva; with Scenic Design by Beowulf Boritt; Costume Design by Amy Clark; Lighting Design by Jason Lyons; Sound Design by Gareth Owen; Projection Design by Darrel Maloney; Music Supervision, Arrangement and Orchestration by Ethan Popp and Music Direction by Matthew Smedal. Previews begin November 20 in advance of an Official Opening Night on Tuesday, December 11. A limited Off-Broadway engagement is slated through January 12 at The Pershing Square Signature Center (The Alice Griffin Jewel Box Theatre, 480 West 42nd Street).
Tickets go onsale today, July 16, for The New Group's The True. Directed by Scott Elliott, The True begins performances September 4 in advance of an Official Opening Night on September 20. A limited Off-Broadway engagement is slated through October 21 at The Pershing Square Signature Center (The Alice Griffin Jewel Box Theatre, 480 West 42nd Street).
Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern have announced the upcoming 2018-2019 Season.
On Monday, June 25, Ellen Barkin, Eric Bogosian, Edie Falco, Gideon Glick, Josh Hamilton, Lee Pace and Mark Ruffalo appeared in a one-night-only reading of Larry Kramer's The Destiny of Me, to benefit The New Group. Trip Cullman directed with an introduction by Tony Kushner. Check out photos from the event below!
On Monday, June 25, Ellen Barkin, Eric Bogosian, Edie Falco, Gideon Glick, Josh Hamilton, Lee Pace and Mark Ruffalo will appear in a one-night-only reading of Larry Kramer's The Destiny of Me, to benefit The New Group. Trip Cullman directs with an introduction by Tony Kushner. This special event takes place at 7:00pm at the Lucille Lortel Theatre (121 Christopher Street).
The New Group has announced four world premiere productions for its upcoming 2018-2019 Season. The company's new season begins in Fall 2018 with Sharr White's The True, directed by Scott Elliott, with Edie Falco, Michael McKean and Peter Scolari. The company's season continues in Fall 2018 with Clueless, The Musical, by Amy Heckerling, with choreography by Kelly Devine, directed by Kristin Hanggi; followed in Winter 2019 by Jeremy O. Harris' 'Daddy,' a co-production with Vineyard Theatre, directed by Danya Taymor, featuring Alan Cumming; and in Spring 2019, Jesse Eisenberg's Yea, Sister!, directed by Scott Elliott.
London Theatre Company announces the first productions at its new Bridge Theatre, which opens this October on the river by Tower Bridge and City Hall.
A year and a half ago, it was in no way certain that the quirky musical comedy CRAZY EX-GIRLFRIEND was going to make it to television. After hitting a developmental snag as a 30-minute pilot for Showtime, creators Rachel Bloom and Aline Brosh McKenna repackaged the series as a 44-minute show for Showtime's sister network, The CW.
The Vancouver Academy of Music (VAM) shares Renia Perel's poignant musical drama SONGS OF THE WASTELAND on January 26, 2016 at 7:30pm at the Koerner Recital Hall (1270 Chestnut Street). Falling on the eve of UN International Holocaust Remembrance Day, the poetic work gathers a chamber ensemble of VAM faculty and leading Vancouver musicians to share a true story of survival and pay tribute to the millions who were killed and lost.
The Vancouver Academy of Music (VAM) shares Renia Perel's poignant musical drama Songs of the Wasteland on January 26, 2016 at 7:30pm at the Koerner Recital Hall (1270 Chestnut Street). Falling on the eve of UN International Holocaust Remembrance Day, the poetic work gathers a chamber ensemble of VAM faculty and leading Vancouver musicians to share a true story of survival and pay tribute to the millions who were killed and lost.
The Vancouver Academy of Music (VAM) shares Renia Perel's poignant musical drama SONGS OF THE WASTELAND on January 26, 2016 at 7:30pm at the Koerner Recital Hall (1270 Chestnut Street). Falling on the eve of UN International Holocaust Remembrance Day, the poetic work gathers a chamber ensemble of VAM faculty and leading Vancouver musicians to share a true story of survival and pay tribute to the millions who were killed and lost.
On Tuesday night, RODGERS & HAMMERSTEIN'S CINDERELLA opened a week-long run at Orlando's Dr. Phillips Center for the Performing Arts. Running through Sunday, I was fortunate enough to attend the tour stop's opening night, as was fellow BWW Orlando editor Kimberly Moy. As we did when we discussed THE PHANTOM OF THE OPERA, first show of the 2014-2015 Orlando Broadway Series, we had a back-and-forth conversation about CINDERELLA. While I tend to look at things from a more historical and critical point of view, Kim is an admitted fan girl.
'Iowa is God's country,' says Chris Soules, America's First Farmer Bachelor (or AFFB). Chris was the hands-down fan favorite from last season of 'The Bachelorette' starring Andi Dorffman, mainly because of his charm, All-American good looks, and seemingly complete normality on a franchise riddled with potential sociopaths. In the requisite introductory sequence, Chris drives a tractor, gazes lovingly at his crops, and tastes a plant (peas? beans? what is it??) as he declares that 'love is a lot like farming,' and uses the word 'journey' for the first of many times this season.
As I've said numerous times in my reviews and recaps, I don't think there is a show on television more important for the future of the arts than SO YOU THINK YOU CAN DANCE. In addition to exposing the public to a much more emotionally honest and raw form of creativity than we are used to seeing in today's overly packaged and focused-grouped world of entertainment, the show also makes stars out of the usually unsung heroes of the artistic community; dancers.
Thanks to medical shows like ER and GREY'S ANATOMY, I am terrified that my penchant for French fries as a meal in and of itself, mixed with tying my shoe laces too tight will cause an aneurysm to explode in my brain one day.
There's 36 hours to go until voting closes in this year's BWW:UK Awards - but can Miss Saigon hang on to the lead in all its categories?
Miss Saigon, Les Miserables and Urinetown are all leading the musical theatre categories in this year's BWW:UK Awards - with Saigon stars Eva Noblezada, Kwang-Ho Hong, Rachelle Ann Go and Jon Jon Briones all out in front in the performance categories.
I don't want to get too carried away, but this week's HOMELAND actually felt a bit like the HOMELAND of old. Now, it didn't have the intrigue of the early Brody days, but it did have an exceptionally stable and competent Carrie, emotions that make sense in the context of the greater story, and the hints of a great conspiracy afoot.
Those familiar with the busy halls of Grey Sloan Memorial Hospital know that this is a place where bad things happen fairly often. People stroke out after getting new hearts, they shove their hands into body cavities to stop bombs, they get hit by buses, they get held hostage, they're electrocuted; and then there are the actual medical issues that destroy your emotional stability and make you very wary of Web MD.
I recently spoke to the director of 'What If,' Michael Dowse, about the film's intelligent, cliche-defying approach to the familiar Rom-Com genre, and directing actors with extensive stage experience like Radcliffe, Kazan, and Driver. I also spoke to screenwriter Elan Mastai, and that conversation will be available on BroadwayWorld tomorrow, as will my review of the film, so check back with us on Friday for all the 'What If' you can handle.
Anyone who travels for work knows that living out of suitcases and sleeping in hotels every night can be taxing. Well, recently three members of the SISTER ACT First National Tour decided to liven up life on the road by creating 'Sunday Intermission Covers.' Every Sunday, Ashley Moniz, Chris Cooke, and Tad Wilson quickly change costumes and then set up in front of a camera to sing a new, stripped down song. Recently the three spoke to BroadwayWorld about the project and their challenge for the rest of the Broadway community.
Idina Menzel (Wicked, Rent, Frozen) sang 'Tomorrow' as part of the sixth annual Living For Today at Joe's Pub in New York City on Sunday, January 19, 2014. Check out her performance below!
2030 | Off-Broadway |
The New Group Off-Broadway World Premiere Off-Broadway |
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