Known for her confessional lyrics and raspy, smoky vocals, Melissa Etheridge has lit up airwaves and arenas across the world for more than two decades with instant classics like “I’m the Only One,” “Come to My Window,” “I Want to Come Over”, and more. Now, the Grammy and Academy Award-winning rockstar arrives on Broadway with her acclaimed event, Melissa Etheridge: My Window, an intimate experience like never before, inviting theatergoers into an exhilarating evening of storytelling and music. From tales of her childhood in Kansas to her groundbreaking career highlights – with all of life’s hits and deep cuts between – Etheridge opens her heart and soul on stage to fearlessly dazzle audiences of all generations.
Perhaps there’s not a false word in that realization, but, reached, on stage at least, so soon on this lickety-split path of grief, there’s not much complexity or depth there either. Her recovery from unimaginable grief seems blessedly brief, and in real life we wish her for nothing less. That it doesn’t ring true on a dramatic stage is a problem, though. Melissa Etheridge: My Window is a performance built as much on candor as it is on musical talent, and until the big, rushed moment towards the end, Etheridge succeeds on both counts. One suspects its just too soon to deal with the latest tragedy, and Etheridge, her co-writer and her director just haven’t yet found a way to turn this ultimate heartache into art.
Despite the occasional tangent on, say, plant-based medicine (cannabis versus chemo), My Window is a straightforward artist’s journey of self-expression and survival, lovingly ladled to a fan-filled crowd in itself worth watching. Two women behind me gossiped unabashedly through most of the second act but clammed up every time Etheridge launched into one of her chart-toppers: “Bring Me Some Water,” “I’m the Only One” and the title heartbreaker. Let’s be real: that voice is why we’re here, raspy compound of whiskey, gravel and gasoline. Like its owner, it has mellowed, lessened in force and range, but still calls to our window from the darkness, an alley cat wail of raw desire and the will to never back down.
2023 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Projection and Video Design | Olivia Sebesky |
2024 | Drama League Awards | Disinguished Performance | Melissa Etheridge |
Videos