Drac is back and he’s ready to take a bite out of the Big Apple! DRACULA, A Comedy of Terrors is a Bram-new comedy that New Yorkers can really sink their teeth into. Filled with clever wordplay and anything-goes pop culture references, it’s a 90-minute, gender-bending, quick-changing, laugh-out-loud reimagining of the gothic classic, perfect for audiences of all blood types.
In the treacherous mountains of Transylvania, a meek English real estate agent takes a harrowing journey to meet a new and mysterious client, who also just happens to be the most terrifying and ferocious monster the world has ever known: Count Dracula! As famed female vampire hunter Jean Van Helsing and company chase Drac from Transylvania to the British countryside to London and back, their antics are guaranteed to increase your pulse and cause bloodcurdling screams—of laughter.
For the show to really work, it needs more moments like that one: simple, goofy and fast. That last quality is important in farce, but unfortunately, in this case, the second half of the evening drags a bit. Some scenes even slow down enough to suggest … emotions? In this context, that’s just like garlic to a vampire.
Mr. Greenberg and his designers — notable among them Tijana Bjelajac, who crafted the spare set and minimalist puppets, and Victoria Deiorio, who provides both flamboyant sound and mock-spooky original music — maintain a freewheeling, let’s-put-on-a-show vibe that makes these highly skilled performances seem effortless. The script, similarly, throws goofball pitches with a speed and dexterity plainly born of sophistication.
2023 | Off-Broadway |
Off-Broadway Premiere Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | The Lortels | Outstanding Featured Performer in a Play | Arnie Burton |
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