Everybody's favorite ghost-with-the-most has finally made it to Broadway. Beetlejuice appears on stage in this hilarious new musical that subverts all of Broadway's conventions. Based on Tim Burton's classic, other-worldly film, this hilarious new musical is an absolute killer.
Beetlejuice tells the story of a strange and unusual teenager whose whole life is upended when she meets a recently deceased couple in her father's new house. Then, when a dastardly demon with a thing for stripes wants to use her for his own nefarious purposes, she has to figure out what is truly important. With an irreverent book, an astonishing set, and a score that will have you tapping your toes long after you’ve shuffled off this mortal coil, Beetlejuice is musical unlike anything you will see in this world (or the next).
And under its uproarious surface (six feet under, to be exact), it’s a remarkably touching show about family, love, and making the most of every Day-O!
Most of the cast overplays (Butler, Kritzer) or underplays (McClure, Dannheisser), but the talented Caruso, with a Cyndi Lauper-like voice, strikes the right balance. This is a challenge for all involved, especially in the second half of Scott Brown and Anthony King's jumbled book. Indeed, if the actors took their scripts, threw them into the air, picked up the pages and performed them in their new order, Act 2 would be about the same. Director Alex Timbers' hyperactive staging and David Korins' huge-but-ugly set don't help matters much.
The cast is solid, including a pepped-up and gravely-voiced Brightman, assertive Caruso and delightfully dorky McClure and Butler. By not taking it seriously, 'Beetlejuice' may very well offer a reasonably fun time at the theater. But don't we expect better than that?
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