Red Bull Theater Announces THE WHITE DEVIL and MAC BETH
by Julie Musbach
- Feb 6, 2019
Red Bull Theater today announced details for two upcoming Off-Broadway productions at the Lucille Lortel Theatre (121 Christopher Street between Bleecker & Hudson Streets). Tickets are now on sale.
BWW Review: ETHEL Captures the Spirit of Circus Through Soaring Strings at BAM Harvey Theater
by Cindy Sibilsky
- Nov 17, 2018
ETHEL is comprised of Ralph Farris (viola), Kip Jones (violin), Dorothy Lawson (cello) and Corin Lee (violin) but when they come together their strings of a feather breathe as one. Perhaps two decades together has birthed such camaraderie, consistency and maturity with a good dash of daring and rebellious nature present in any typical twenty year old. Their sense of playfulness (with each other and the audience) is alive and well, but only becomes profound when teamed with their remarkable discipline and skill. Much like the circus artists -- they merely make it look easy when it is anything but.
BWW Review: HENRY V at Hartford Stage
by Joseph Harrison
- Oct 27, 2018
In Shakespeare's day his plays served multiple purposes. In some cases, they created an escape for the people to forget their troubles and laugh or revel with and through the characters on stage. In others, the stories served as cautionary tales that made audiences think about their own lives through the lens of the troubles portrayed. Yet it was Shakespeare's history plays that aimed to take a pivotal moment in history and not only bring it to life for the audience to witness (and hopefully understand better), but to ground those stories in the present and allow those in attendance (and possibly those in power) to learn from the mistakes of the past. Thus, is the case with HENRY V, the current production being mounted at Hartford Stage.
Review Roundup: HENRY V at Hartford Stage
by Alan Henry
- Oct 25, 2018
Henry V is the first Shakespeare production, and the second play overall, in Hartford Stage's 55-year history to be staged in the round. In addition to Grush, the ensemble cast - comprised of half men and half women - features Karen Aldridge as Exeter, Miles Anderson as Pistol, Kate Forbes as the Constable of France and Burgundy, Peter Francis James as the Chorus and Sir Thomas Erpingham, Felicity Jones Latta as the Archbishop of Canterbury, Nym and Alice, and Baron Vaughn as Fluellen and Mistress Quickly. Hartford Stage Associate Artistic Director Elizabeth Williamson will helm the production, which marks her Shakespeare directorial debut for the Tony Award-winning theatre.
La Femme Theatre Productions To Host A Post-Show Talkback WILLIAMS'S WOMEN
by A.A. Cristi
- Oct 15, 2018
La Femme Theatre Productions will host a talk-back entitled Williams's Women following the performance of Tennessee William's A Lovely Sunday for Creve Coeur, directed by Austin Pendleton on Thursday, October 18, 2018. The talk-back panel will include Charlotte Moore, who played Helena in the original production of this play and will be joins by the current cast of Kristine Neilson, Annette O'Toole, Jean Lichty, Polly McKie and director Austin Pendleton.
A LOVELY SUNDAY FOR CREVE COEUR to Host Talkback Entitled WILLIAMS'S WOMEN
by Julie Musbach
- Oct 15, 2018
La Femme Theatre Productions will host a talk-back entitled Williams's Women following the performance of Tennessee William's A Lovely Sunday for Creve Coeur, directed by Austin Pendleton on Thursday, October 18, 2018. The talk-back panel will include Charlotte Moore, who played Helena in the original production of this play and will be joins by the current cast of Kristine Neilson, Annette O'Toole, Jean Lichty, Polly McKie and director Austin Pendleton.
Photo Flash: La Femme Theatre Productions Presents A LOVELY SUNDAY FOR CREVE COEUR
by A.A. Cristi
- Oct 11, 2018
La Femme Theatre Productions will host a talk-back entitled Williams's Women following the performance of Tennessee William'sA Lovely Sunday for Creve Coeur, directed by Austin Pendleton on Thursday, October 18, 2018. The talk-back panel will include Charlotte Moore, who played Helena in the original production of this play and will be joins by the current cast of Kristine Neilson, Annette O'Toole, Jean Lichty, Polly McKie and director Austin Pendleton.
A LOVELY SUNDAY FOR CREVE COEUR Opens Sunday
by Julie Musbach
- Sep 20, 2018
La Femme Theatre Productions presents the revival of Tennessee William's A Lovely Sunday for Creve Coeur, directed by Austin Pendleton. After staging a string of successful co-productions with top Off-Broadway theater companies, La Femme is thrilled to debut its first solo production. Performances begin on September 14 and run through October 21, 2018, with opening night on September 23 at Theatre at the St. Clement's
Stephen Louis Grush to Lead HENRY V at Hartford Stage
by Julie Musbach
- Sep 17, 2018
Hartford Stage Artistic Director Darko Tresnjak and Managing Director Michael Stotts announced today the cast and creative team for Henry V, which will be performed Thursday, October 11, through Sunday, November 11. Stephen Louis Grushportrays the English king.
Heartbeat Opera Announces Radically Staged Versions Of Two Classics: DON GIOVANNI And FIDELIO
by A.A. Cristi
- Mar 8, 2018
After last season's much-buzzed-about Butterfly and Carmen, HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker-returns to Baruch Performing Arts Center with its fourth annual Spring Festival May 2-13, 2018. Heartbeat will premiere adaptations of two operatic masterpieces, both radically staged, trimmed down and re-orchestrated: Mozart's DON GIOVANNI and Beethoven's FIDELIO.
Photo Flash: DTC Mounts Dark and Twisted FRANKENSTEIN
by Julie Musbach
- Feb 16, 2018
2017 Regional Theatre Tony Award Recipient Dallas Theater Center (DTC), in association with the Theatre Division of Meadows School of the Arts at Southern Methodist University (SMU), presents Frankenstein at the Kalita Humphreys Theater. Directed by DTC's Associate Artistic Director Joel Ferrell, Frankenstein begins on Feb. 2 and runs through March 4. A Pay-What-You-Can performance will be Sunday, Feb. 4 at 2 p.m.
DTC and SMU Meadows Present FRANKENSTEIN at the Kalita Humphreys Theater
by Julie Musbach
- Jan 9, 2018
2017 Regional Theatre Tony Award Recipient Dallas Theater Center (DTC), in association with the Theatre Division of Meadows School of the Arts at Southern Methodist University (SMU), presents Frankenstein at the Kalita Humphreys Theater. Directed by DTC's Associate Artistic Director Joel Ferrell, Frankenstein begins on Feb. 2 and runs through March 4. A Pay-What-You-Can performance will be Sunday, Feb. 4 at 2 p.m., and Press Night will be Wednesday, Feb. 7 at 7:30 p.m. Tickets to Frankenstein are on sale now at www.DallasTheaterCenter.org and by phone at (214) 880-0202.
ETHEL String Quartet Announces Winter/Spring Season
by Julie Musbach
- Dec 19, 2017
String Quartet ETHEL, known for their enlivened playing and consistently groundbreaking redefinition of concert music, announces their upcoming Winter/Spring 2018 season. Described as an adventurous quartet with a rock band's zest by the New York Times and deemed a genre unto itself by the Village Voice, ETHEL's new season offers the world premiere of Circus: Wandering Cityin Sarasota, Florida.
BWW Review: Au Revoir, Figaro, GUILTY as Charged from On Site Opera
by Richard Sasanow
- Jun 22, 2017
Well, three cheers for On Site Opera, for completing its trilogy of works based on Beaumarchais' 18th century 'Figaro' plays and digging deep into the repertoire to deliver some lesser known works. First, a BARBIERE DI SIVIGLIA not by Rossini (theirs, by Giovanni Paisiello) and then a FIGARO not by Mozart (instead, Marcos Portugal). This week, the whip-smart company presented the American premiere, in partnership with the Darius Milhaud Society, of Milhaud's LA MERE COUPABLE (THE GUILTY MOTHER), based on the least known and, to some, the unknown, among the Beaumarchais plays.
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