Adam Standley News

Anne Washburn's hit play "Mr. Burns, a post-electric play", currently playing at ACT, does a fine job at exploring the genesis of mythology and still keeps itself very funny. But that exploration tends to draw itself out a little too long with too little payoff for the time spent.

A Contemporary Theatre is thrilled to present the imaginative dark comedy of MR. BURNS, A POST-ELECTRIC PLAY by Anne Washburn (The Internationalist, A Devil At Noon, and The Small). Spanning several years to several decades after the end of the world, survivors must begin again to create a new society. As the survivors bond by recounting the popular 'Cape Feare' episode of The Simpsons, the story evolves into its own mythos.

A Contemporary Theatre is thrilled to present the imaginative dark comedy of MR. BURNS, A POST-ELECTRIC PLAY by Anne Washburn (The Internationalist, A Devil At Noon, and The Small). Spanning several years to several decades after the end of the world, survivors must begin again to create a new society. As the survivors bond by recounting the popular "Cape Feare" episode of The Simpsons, the story evolves into its own mythos.

If you're going to tell a story, especially one based on a real event, you need to decide who the story is about, what you are trying to tell and why are you trying to tell it. And those are just a few of the downfalls with the new play from Ana Brown and Andrew Russell "John Baxter is a Switch Hitter" currently from Intiman Theatre.

When local gay softball league favorites the Seattle Fireflies go up against the champion San Francisco Hornets, an all-American pastime turns into an impromptu inquisition as one team halts the game to accuse their opponent of having too many 'straight ringers' on their roster.

When local gay softball league favorites the Seattle Fireflies go up against the champion San Francisco Hornets, an all-American pastime turns into an impromptu inquisition as one team halts the game to accuse their opponent of having too many "straight ringers" on their roster.

ArtsWest is pleased to welcome to the stage veteran actress Susan Corzatte in the role of Vera Joseph in Amy Herzog's Pulitzer Prize finalist, 4000 Miles. Susan is joined by the recently named City Arts 2015 Future List Thespian Adam Standley in the role of Leo, and accomplished Seattle actresses Adria LaMorticella as Bec, and Sara Porkalob as Amanda.

ArtsWest is pleased to welcome to the stage veteran actress Susan Corzatte in the role of Vera Joseph in Amy Herzog's Pulitzer Prize finalist, 4000 Miles. Susan is joined by the recently named City Arts 2015 Future List Thespian Adam Standley in the role of Leo, and accomplished Seattle actresses Adria LaMorticella as Bec, and Sara Porkalob as Amanda.

If you remember, Dear Readers, three weeks ago I said that Intiman's production of Part 1 of Tony Kushner's masterpiece, "Angels in America" still resonated through Kushner's script but the show felt under done and lacked focus. But I hoped it would settle into itself over time. I also hoped that the settling in to the characters would affect the power of the second part, "Angels in America Part 2: Perestroika". Alas, it did not. While it's still, again, Kushner's beautiful script, the show lacks the heart, punch and commitment to the piece to make it truly great. And while you may think that now this one needs to settle in, I think it stems from a larger issue.

20 Years ago a bright eyed theater nerd (as opposed to the bitter, jaded wretch I am today) was over the moon that the Intiman Theatre was able to get the rights to do one of the most exciting and talked about plays of the day, "Angels in America, Part 1: Millennium Approaches" so close on the heels of it's wowing Broadway and winning the Tony and Pulitzer. That fresh faced 25 year old was blown away by the artistry, language and sheer incredible storytelling prowess of author Tony Kushner and that amazing production solidified my love for this work. But can anything compare to your first time? Well the bloom may be a little off the rose and my cynical sensibilities of today may have missed some of the focus and wow factor of that original production in this current one being presented by Intiman Theatre, but the play still shows itself to be a masterwork and still deserves attention.

As the cornerstone of its annual theatre festival, Intiman Theatre presents Angels in America, Tony Kushner's epic masterpiece about finding hope in the face of crisis. One of the great plays of the 20th century, this two-play blockbuster explores gay culture, race, inequality, and the future of America through the lens of the AIDS crisis of the 1980s.

As the cornerstone of its annual theatre festival, Intiman Theatre presents Angels in America, Tony Kushner's epic masterpiece about finding hope in the face of crisis. One of the great plays of the 20th century, this two-play blockbuster explores gay culture, race, inequality, and the future of America through the lens of the AIDS crisis of the 1980s.

Seattle Theater Writers, a critics' circle of local theater writers and reviewers, today announces the 2013 slate of nominees of the third annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters.

I like absurdist farce, raucous hijinks and Italian commedia as much as the next guy and Dario Fo is certainly a master of all three. However when a production of one of his plays such as the Intiman's current production of "We Won't Pay, We Won't Pay" starts off going 100 miles an hour and stays there for the entire show, it becomes old and wearing and really not all that funny.

The Satori Group presents the world premiere of Martyna Majok's reWilding as the inaugural production in Satori's new home: the LAB@INScape. The production opens Friday, March 1 and runs through Sunday, March 17. reWilding has been in collaborative development for 18 months, with design and music as central elements of the process from the start. As a result, the production design is a full installation into the LAB, and the audience experience is an immersive one. With limited seating (30-40 seats per performance), this production invites our audience to join us in the world of reWilding.

ANTONY AND CLEOPATRA by William Shakespeare is directed by John Langs at the Intiman Playhouse, 201 Mercer Street, Seattle, Wash. The show opened last night, Friday, November 2, 2012 and will close on Sunday, November 18, 2012. Get a first look at the production in the photos below!

Seattle Shakespeare Company opens its new season at the Playhouse at Seattle Center with the epic romance Antony and Cleopatra. Director John Langs, who staged the company's block-buster production of Hamlet, helms the legendary and tragic affair of two charismatic world leaders caught between their own desires and the duty they owe their country.

Seattle Shakespeare Company opens its new season at the Playhouse at Seattle Center with the epic romance Antony and Cleopatra. Director John Langs, who staged the company's block-buster production of Hamlet, helms the legendary and tragic affair of two charismatic world leaders caught between their own desires and the duty they owe their country.

The Seattle Times has officially announced the winners of their 2011 Footlight Awards. Featured amoungst this year's winners are such favorites as Mike Daisey, Carolee Carmello, and many more! The full list of 2011 winners is as follows: