Adam Standley News

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Women and artists of color took center stage earlier this week at Theatre Puget Sound's 2017 Gregory Awards. Scroll down for the full list of winners!

With one week left until The 17th Annual Festival of New Musicals, Village Theatre is excited to announce the casting for Nikola Tesla Drops the Beat, an electronic pop musical about one of the world's greatest inventors; Hart Island, a look at social justice and the people society has forgotten; Afterwords, a tale of art and love; Howl's Moving Castle, based on the novel by Diana Wynne Jones; and ZM, a hilarious romp through a zombie-filled future by the Tony Award-winning authors of Urinetown. Taking place in Issaquah on August 11-13, 2017, The Festival of New Musicals provides an essential platform for writers to incorporate a key component of live theatre - the audience. Each new musical will be rehearsed during the week, then present to the audience in staged reading format, performed in full using scripts.

Are you adverse to fun or having a good time? If so, then just stop reading now and move on. If not, keep reading and then get yourself down to ACT to catch "The Legend of Georgia McBride" for some fabulous numbers, fake boobs and hell on heels all wrapped up in a fun and engaging story.

I want to start off, Dear Readers, by stating that I really did enjoy ACT's current production of "Tribes". There are some great performances and it's a funny, engaging play with rich dialog. But even with my level of enjoyment in the moments of the play I can't help but also see some glaring shortcomings in the piece itself specifically having to do with the characters and their arcs. But let's set the stage (so to speak) first.

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.

The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.

It's been a crazy year, Dear Readers. Lots of ups, lots of downs, and LOTS of emotions. And I'm not just talking about on stage. But let's not dwell on the bad things that may have happened in the world and focus on some of the amazing things Seattle theater companies gave us this past year, and let me tell you there were quite a few. So many in fact that in some categories I simply had to call out more than the usual Honorable Mentions as some performances just needed to be noted. You'll see what I mean especially when you get to the female categories as the ladies were certainly bringing it this year. But let's get started shall we? Out of the myriad shows I saw this year in Seattle, here are the shows and performances that truly stood out to me.

I'm perfectly fine when a play chooses to break the fourth wall and become self-referential. The ability for anything to be able to point out its own shortcomings is a sign of self-actualization. But when a play repeatedly does so and then pats itself on the back for its cleverness of doing so as does Aaron Posner's "Stupid F**king Bird", currently playing at ACT, then it becomes wearing almost to the point of insulting. And while Posner's play certainly has its funny moments, those repeated exposes onto itself started to feel like the play was flipping the audience the bird (and I don't mean a Seagull).

ACT - A Contemporary Theatre presents Stupid f**king Bird by Aaron Posner, where Chekhov's story of love, art, and a hapless bird gets a remarkably contemporary face. On the grounds of a country estate, a battle between young and old ensues in this heartbreaking, hilarious, sort-of-adaptation of Anton Chekhov's The Seagull. Winner of the 2014 Helen Hayes Award for Outstanding New Play, Stupid f**king Bird is about our longing to love and be loved.

Dear Reader (It only seems appropriate to start this review off with that), sometimes a show comes along that feels like a no brainer. A show that's fairly bulletproof and if a theater does it well enough with enough pieces in place then it'll be a crowd pleaser. 'How to Succeed in Business Without Really Trying' is one of those shows. You're bound to walk away from it with something you enjoyed. Which brings me to the current production at the 5th Avenue Theatre. They've managed to take this pleaser of a show so far beyond the bare minimum making this gem shine with so much brilliance that you may need sunglasses.

ACT - A Contemporary Theatre presents Stupid f**king Bird by Aaron Posner, where Chekhov's story of love, art, and a hapless bird gets a remarkable contemporary face lift.

Broadway-bound new musical, Come From Away, presented by Seattle Repertory Theatre, wins four Gypsys, tying with another new musical, Lizard Boy, also produced by Seattle Repertory Theatreand also with four Gypsys, a company that has been known for years as a powerhouse dramatic straight-play playhouse! 

Seattle Theater Writers critics' circle is pleased to present the nomination slate of the fifth annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.

The uproariously funny satire on corporate ladder-climbing, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, starts rehearsals this week at The 5th Avenue Theatre. This Pulitzer Prize and multi-Tony Award-winning musical takes place in TV's Mad Men era, following window washer J. Pierrepont Finch's journey from mail room to the top of the World Wide Wicket Company, all with the help of a cunning guide book. A sharp-witted send-up of the corporate rat race that will keep audiences rolling in the aisles, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING is gracing The 5th Avenue stage for the first time. Scroll down for a sneak peek at the cast!