Max & Louie Productions Announce 2021 Season
Max & Louie Productions announces its “Comeback” with the St. Louis premiere of “Tiny Beautiful Things” based on the New York Times bestseller, “Tiny Beautiful Things: Advice on Love and Life from Dear Sugar” by Cheryl Strayed and adapted for the stage by Oscar nominee, Nia Vardalos, playing at The Grandel Theatre July 29-August 8,2021.
Signature Theatre Reschedules Summer Production of MAMMA MIA!
Mamma Mia! at The Anthem DC will not run June 25 - July 5, 2020 as previously scheduled. Signature Theatre has worked with their sponsors Amazon and Max Productions and their partners at The Anthem and have announced that they have been able to reschedule the performances to next summer, June 24 - July 3, 2021.
Max & Louie Productions Presents St. Louis Premiere of SONGS FOR NOBODIES
Fresh off sold-out tours in Australia and the UK, Songs For Nobodies by Olivier Award nominated playwright Joanna Murray-Smith, asks the question, 'What if an essentially unremarkable human being had an encounter or connection with a huge star that changed the course of their life?' Ten women, all played by one extraordinary actress in Songs For Nobodies is running January 23rd through February 2nd at the Kranzberg Arts Center Black Box Theater in the Grand Center Arts District. Visit maxandlouie.com or call (314) 534-1111 for tickets.
Royal Family Productions Presents MAX STOSSEL: WORDS THAT MOVE
After four recent sold-out performances in New York and San Francisco, Time Square's Royal Family Productions will present Max Stossel Live: Words that Move on Friday, March 29 at 7:30pm, the Royal Family Performing Art Space is located at 145 West 46 Street, 3rd Floor*. Tickets are $35 - $250 and can be purchased by visiting RoyalFamilyProductions.org.
Max & Louie Productions Launches 2019 Season
Max & Louie Productions proudly announce its tenth sensational season with two Saint Louis premieres. Love, Linda the one woman musical tour de force about the life of Mrs. Cole Porter runs January 17th through January 27th 2019 at the Marcelle Theater in The Grand Center Arts District.
Max & Louie Productions Presents END OF THE RAINBOW
It's 1968 and Judy Garland is about to make her comeback… again. In a London hotel room, with both her new young fiance and her adoring accompanist, Garland struggles to get "beyond the rainbow" with her signature cocktail of talent, tenacity and razor sharp wit. Featuring some of Garland's most memorable songs, this savagely funny play-with-music offers unique insight into the inner conflict that inspired and consumed one of the most beloved figures of our time.
Max & Louie Productions Presents END OF THE RAINBOW
It's 1968 and Judy Garland is about to make her comeback… again. In a London hotel room, with both her new young fiance and her adoring accompanist, Garland struggles to get "beyond the rainbow" with her signature cocktail of talent, tenacity and razor sharp wit. Featuring some of Garland's most memorable songs, this savagely funny play-with-music offers unique insight into the inner conflict that inspired and consumed one of the most beloved figures of our time.
Max & Louie Productions Presents The STL Premiere Of END OF THE RAINBOW
Max & Louie Productions present the St. Louis premiere End of the Rainbow written by Peter Quilter, starring Angela Ingersoll as Judy Garland, directed by David New, with music direction by Thomas Conroy. It will run at The Grandel in the Grand Center Arts District, June 21 through July 1, 2018. Individual reserved seating is now available. To purchase tickets call MetroTix at (314) 534-1111 or visit www.maxandlouie.com
BWW Review: Max & Louie Productions' Compelling LADY DAY AT EMERSON'S BAR & GRILL
Playwright Lanie Robertson's alternately harrowing and exhilarating work, LADY DAY AT EMERSON'S BAR & GRILL, is an intriguing take on Billie Holiday's final performance in 1959. Holiday was a jazz singer who could captivate an audience with her unique vocal style, which combined elements of Louis Armstrong and Bessie Smith, two performers she idolized growing up. She had a storied career and tumultuous life that was further undone by drug and alcohol addictions that would leave her dead from heart failure and cirrhosis of the liver. But, her legacy is undeniable, and this play allows us to see her talent, as well as the demons that haunted her. Max & Louie Productions is presenting a superlative production of this work which is smartly crafted and brilliantly performed.
BWW Review: Max & Louie Productions' Incredible GREY GARDENS
If you've seen the Maysles brother's documentaries GREY GARDENS and THE BEALES OF GREY GARDENS (which are actually collaborative efforts between David & Albert Maysles,Ellen Hovde, Muffie Mayer & Susan Froemke) then you have to see Max and Louie Productions' brilliant staging of the musical based upon these larger than life figures. If you haven't see either, then you desperately need to. Seriously, they're on HULU, watch them! Eavesdropping on Edith Bouvier Beale (big Edie) and Edie Beale (little Edie) in these films is an immersive experience, filled with snippets of songs, stories of missed opportunities and lost loves, a dilapidated estate, lot of cats, and more than one raccoon. Their love for one another is, somehow, crystalline clear, but lying beneath layers of scars that a life unfulfilled can produce. The musical tells it all, with a one act flashback to 1941 that fills in the blanks (book by Doug Wright) that led years later to their seclusion in squalor. This is masterfully achieved by the combined efforts of an exceptional cast and expert direction. I'll say it more than you once; you must see GREY GARDENS.
BWW Review: Lovely and Touching SUBLIME INTIMACY by Max and Louie Productions
In his director's notes Ken Page mentions that he had a conversation with a dear friend where they were trying to define 'the place that exists beyond ordinary relationships or sexual discovery.' That became the name of Page's latest play, SUBLIME INTIMACY. And, it's an apt title for this artistic endeavor that is lovingly crafted and executed. Page, a playwright, director, and an actor on stage and on screen, has produced another unusual and compelling work, much as he did with an earlier work, CAFE CHANSON. Both are decidedly different, but each turns a number of theatrical conventions on their heads with their mix of narrative, music, and in this case especially, dance. Max & Louie Productions have given us a rare treat that could only come from the mind of someone who is a genuine artist in the broadest sense. The result is a very engaging and magical show that features fine performances, some terrific paintings, and sharply honed direction that pulls together cherished memories to illustrate (sometimes literally) the emotional power that 'a poet of the body' can have on various individuals.
BWW Reviews: Max & Louie Productions' Brilliant THE KILLING OF SISTER GEORGE
If you've seen director Robert Aldrich's 1968 film version of THE KILLING OF SISTER GEORGE you're probably going to be greatly surprised when you see the actual play it was based on (written by Frank Marcus). The film was initially rated 'X' due to the era in which it was released, as well as the inclusion of a two minute sequence that's much more titillating than anything present in the original work itself. But, things are different these days. Television shows broadcast during what used to be referred to as the 'family hour' are far more racy with their content and dialog than anything you'll encounter watching Max & Louie Productions' superb staging of this play. Marcus crafted a brilliant, pitch black comedic farce that may have just been a bit too subtle for the motion picture industry, which, at the time, was just beginning to explore alternative lifestyles in a more graphic fashion. The film is good, but the play is much better. See it for yourself. It's required viewing as far as I'm concerned.