Lee Sunday Evans is an Obie Award-winning Director + Choreographer and the Artistic Director of Waterwell.
Her recent productions include: Dance Nation by Clare Barron (Playwrights Horizons), Intractable Woman by Stefano Massini and Caught by Christopher Chen (The Play Company), The Things That Were There by David Greenspan (The Bushwick Starr), [Porto] by Kate Benson (WP Theater/Bushwick Starr), HOME by Geoff Sobelle and Farmhouse/Whorehouse by Suzanne Bocanegra (BAM Next Wave Festival), Miller, Mississippi by Boo Killebrew (Dallas Theater Center), The Winter’s Tale (The Public Theater’s Mobile Unit), Bull in a China Shop by Bryna Turner (LCT3), Macbeth (Hudson Valley Shakespeare Festival), Wellesley Girl by Brendan Pelsue (Humana Festival), D Deb Debbie Deborah by Jerry Lieblich (Clubbed Thumb), A Beautiful Day in November on the Banks of the Greatest of the Great Lakes by Kate Benson (New Georges/WP Theater). Additionally, she creates collaboratively devised work with CollaborationTown; their next production The Riddle of the Trilobites will premiere in Flint, Michigan in 2019. Her work has been presented/developed at Baryshnikov Arts Center, Sundance Theater Lab, BAX, CATCH, LMCC, Robert Wilson’s Watermill Center, and Juilliard among others. She received the 2017 SDC Breakout Award, and the 2016 Susan Stroman Directing Award from The Vineyard Theater.
Lee Sunday Evans, Oratorio For Living Things
Lee Sunday Evans, Dance Nation
Lee Sunday Evans A Beautiful Day in November on the Banks of the Greatest of the Great Lakes
Lee Sunday Evans has been nominated for Outstanding Direction of a Musical at the Drama League Awards for "Oratorio For Living Things." Additionally, they have received Special Citations at the Obie Awards for "Dance Nation" and "A Beautiful Day in November on the Banks of the Greatest of the Great Lakes."
Lee Sunday Evans has won Special Citations at the Obie Awards for "Dance Nation" and "A Beautiful Day in November on the Banks of the Greatest of the Great Lakes."
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