George Page

The full cast has been announced for the RSC's forthcoming production of Shakespeare's suburban comedy, The Merry Wives of Windsor.  Directed by Blanche McIntyre, the show runs in repertoire in the Royal Shakespeare Theatre, Stratford-upon-Avon between 5 June – 7 September.  

ActorsNET finishes its 26th season with a 1960s sitcom reboot of The Merry Wives of Windsor by William Shakespeare, a bright and breezy comedy of sexual jealousy and overbearing egos set against a landscape of summer resort leisure and the “dirty dancing” music trend. 

Capital Classics Theatre Company announced today the complete cast and artistic team behind Much Ado About Nothing, the centerpiece of the company's 2022 Greater Hartford Shakespeare Festival. The production will run for three weekends, July 14 through 31, 2022, on the grounds of the University of Saint Joseph (1678 Asylum Avenue in West Hartford, CT).

Written by Eric Tucker & Musa Gurnis and directed by Eric Tucker, “BEDLAM: The Series” twists Shakespearean characters and plots we know and love – King Lear, The Merry Wives of Windsor, The Merchant of Venice – into a new story of love, deceit, betrayal, and revenge

BEDLAM has announced BEDLAM: THE SERIES, an episodic New Media Series now in development. Written by Eric Tucker and Musa Gurnis and directed by Eric Tucker, BEDLAM: THE SERIES is an inventive and irreverent Shakespeare mashup that twists together characters and plots from King Lear, The Merry Wives of Windsor, The Merchant of Venice and other plays.

The Show Must Go Online today announced the full cast for their upcoming livestreamed reading of William Shakespeare's The Merry Wives of Windsor.

BroadwayWorld is checking in with the cast to uncover some little known facts about the political giants they play onstage. Today, watch as Ted Deasy gives us a lesson on the High Speed Ground Transportation Act of 1965.

Tony Award & Pulitzer Prize-winning playwright Robert Schenkkan will return to Broadway with the second of his two exhilarating dramas celebrating Lyndon B. Johnson's legacy: THE GREAT SOCIETY. Get to know the cast below as they begin Broadway performances!

The cast includes Martin Jason Asprey (Mr. Frank Ford), Steven Barkhimer (George Page), Gregory Boover (Master Fenton), MaConnia Chesser (Meg Page), Jordan Cobb (Anne Page), Tobias Goodman (Pistol/Simple), Nigel Gore (Sir John Falstaff), Cloteal L. Horne (Mistress Quickly), Jennie M. Jadow (Alice Ford), Madeleine Rose Maggio (Robert Shallow), Bella Merlin (Sir Hugh Evans), and Mary Shalaby (Nym/Rugby). Many of whom we recently enjoyed in the Shakespeare & Company production of Twelfth Night. The troupe is outstanding. Steven Barhimer, Gregory Boover, MaConnia Chesser, Jordan Cobb, Jennie M. Jadow are so at-ease and comfortable in their roles and make the audience feel likewise. Tobias Goodman and Mary Shalaby are especially noteworthy and accomplished particularly given that they are the youngest in the ensemble but keep pace and level with both more seasoned and professional members of the cast. Madeleine Rose Maggio and Bella Merlin both take on roles of the opposite gender with confidence and convection and both make it work well. Cloteal L. Horne is sassy and soulful providing enough attitude to keep things real and some surprise vocals that are impressive as well. Nigel Gore and Martin Jason Asprey seem to have been born to do Shakespeare. Both have well-developed sense of comedic timing. Asprey's banter directly with the audience delights and earns spontaneous mid-scene applause multiple times.

 Shakespeare & Company presents William Shakespeare's madcap comedy, The Merry Wives of Windsor directed by founding company member and Director of Education, Kevin G. Coleman.

Shakespeare's Globe announced the full cast for William Shakespeare's The Merry Wives of Windsor, directed by Elle While, and Ben Jonson's Bartholomew Fair, directed by Blanche McIntyre.

Hub Theatre Company of Boston launches its highly anticipated seventh season with Helen Edmundson's captivating drama The Clearing, directed by Daniel Bourque, running Friday, April 5 - Saturday, April 20 at First Church Boston, 66 Marlborough Street in Boston's Back Bay. Performances are Thursdays at 7:30 pm, Fridays and Saturdays at 8 pm, and Sundays at 5 pm. All performances are "Pay-What-You-Can."  Donations of non-perishable food items will be collected at each performance for local charities. For tickets and more information visit www.hubtheatreboston.org 

Hub Theatre Company of Boston launches its highly anticipated seventh season with Helen Edmundson's captivating drama The Clearing, directed by Daniel Bourque, running Friday, April 5 - Saturday, April 20 at First Church Boston, 66 Marlborough Street in Boston's Back Bay.

Hub Theatre Company of Boston launches its highly anticipated seventh season with Helen Edmundson's captivating drama The Clearing, directed by Daniel Bourque, running Friday, April 5 - Saturday, April 20 at First Church Boston, 66 Marlborough Street in Boston's Back Bay. Performances are Thursdays at 7:30 pm, Fridays and Saturdays at 8 pm, and Sundays at 5 pm. All performances are "Pay-What-You-Can."  Donations of non-perishable food items will be collected at each performance for local charities. For tickets and more information visit www.hubtheatreboston.org 

Hub Theatre Company of Boston launches its highly anticipated seventh season with Helen Edmundson's captivating drama The Clearing, directed by Daniel Bourque, running Friday, April 5 - Saturday, April 20 at First Church Boston, 66 Marlborough Street in Boston's Back Bay. Performances are Thursdays at 7:30 pm, Fridays and Saturdays at 8 pm, and Sundays at 5 pm. All performances are "Pay-What-You-Can."  Donations of non-perishable food items will be collected at each performance for local charities. For tickets and more information visit www.hubtheatreboston.org 

Following the live broadcast, catch The Merry Wives of Windsor in cinemas across North America (from October 5)

The Shakespeare Project of Chicago announces the lineup for its 2017-18 Theatrical Reading Season, featuring two beloved Shakespearean comedies, one of his rarely seen tragedies and a work by Shakespeare's contemporary Thomas Middleton.

Hub Theatre Company of Boston presents Wit by Tony nomincated and Pulitzer Prize-winning author Margaret Edson November 4-19 (Press performance is November 5, 2016, at 8 pm) at First Church Boston, 66 Marlborough Street in Boston's Back Bay.  Performances are Thursdays at 7:30 pm, Todays and Saturdays at 8 pm, and Sundays at 5 pm. All performances are "Pay-What-You-Can". For this production, donations of children's books will be collected at each performance and distributed to local charities.  For tickets and information visit, www.hubtheatreboston.org Like Hub Theatre presents WIT by Pulitzer Prize Winning Author Margaret Edson  on Facebook

Hub Theatre Company of Boston presents Wit by Tony nomincated and Pulitzer Prize-winning author Margaret Edson November 4-19 (Press performance is November 5, 2016, at 8 pm) at First Church Boston, 66 Marlborough Street in Boston's Back Bay.  Performances are Thursdays at 7:30 pm, Fridays and Saturdays at 8 pm, and Sundays at 5 pm. All performances are "Pay-What-You-Can". For this production, donations of children's books will be collected at each performance and distributed to local charities.  For tickets and information visit, www.hubtheatreboston.org Like Hub Theatre presents WIT by Pulitzer Prize Winning Author Margaret Edson  on Facebook

Now playing in Austin's oldest playhouse, The Scottish Rite Theater, THE MERRY WIVES OF WINDSOR delights theatre goers with its gender-bending cast and lively performance. Austin's Scottish Rite Theater is a most appropriate venue for such a play to be presented, giving the audience a passage through time within the Masonic grand hall adorned with decorative antiques around the house. THE MERRY WIVES OF WINDSOR, written by none other than William Shakespeare, commands any space with a high level of detail, and Scottish Rite Theater fits the bill.  Given the historic nature of the theater itself, first opening in 1871 as a German Opera house, the play THE MERRY WIVES OF WINDSOR was interestingly first published 269 years prior. The historic location introduces the audience immediately into another age and lends to the other worldly tone of the play's presentation. The experience within this show begins before the lights are up on the stage - a group of 'merry' players entertain the excited audience as they file in to find their seats. A bar, The Garter Inn, has an innkeeper polishing glassware as would any restauranteur on a Sunday afternoon. The mood is set well by The Weird Sisters Women's Theater Collective and when the curtain rises, the audience can disconnect and journey back into 15th century England.