Review: JEKYLL AND HYDE, Royal Lyceum
Gary McNair's one-man adaptation of Jekyll and Hyde faces a daunting obstacle: most of us know how it ends. Consequentially, the piece's challenge shifts from the story itself to how it is told - it not only needs to be immensely engaging, it needs to present a new perspective to combat overfamiliarity. It achieves the former, but the latter is less convincing.
Review: FARM HALL, Jermyn Street Theatre
After Hitler’s death and the German defeat, the Führer’s top nuclear scientists are being held in the English countryside while the Pacific continues. With nothing to do but read redacted newspapers, skim through familiar books, and write censored letters, the six men wallow in their boredom, unaware that they’re being recorded.
BWW Review: THE TAXIDERMIST'S DAUGHTER, Chichester Festival Theatre
Chichester Festival Theatre welcomes their 60th Anniversary season with The Taxidermist’s Daughter, a gothic tale of revenge set across the Sussex marshes in 1912. Adapted from her best-selling novel, author Kate Mosse has transported her literary vision to the stage in the very heart of the town that she grew up in. The novel is oozing with narrative potential and moody landscape, but surprisingly Chichester’s adaptation felt underwhelming.
Photo Flash: On the Green Carpet at Opening Night of THE BOY IN THE DRESS
Last night (Thursday 28 November 2019), the Royal Shakespeare Company celebrated the opening night of the new musical, The Boy in the Dress, based on the novel by David Walliams, adapted by Mark Ravenhill, with music and lyrics by Robbie Williams and Guy Chambers and directed by RSC Artistic Director Gregory Doran.
BWW Review: THE BOY IN THE DRESS, Royal Shakespeare Theatre
Pure magic are the two words I would use to describe The Boy in the Dress. Appearing for the first time on stage, David Walliams' book has sold over 32 million copies worldwide. Most recently the BBC adapted it for screen, which went down very well and ensured that the story reached even more people. Now, it is the RSC and Mark Ravenhill's turn to bring it to life, under the direction of the venue's Artistic Director Gregory Doran. It's an adventurous challenge and clearly there has been no expense spared to ensure that the musical remains as authentic to its origins as possible.