Allison Standley

Everyone loves a good Romantic Comedy, and when people find a good one, they latch onto it. Such a RomCom was the 1937 play a?oeParfumeriea?? by Miklos Laszlo. Now, if you're not familiar with that one maybe you're more familiar with some of the films that were based on it. There was the 1940 James Stewart-Margaret Sullavan film a?oeThe Shop Around the Cornera??, or how about the 1949 Judy Garland-Van Johnson musical version a?oeIn the Good Old Summertimea??. No? Well I'm sure you remember the 1998 Tom Hanks-Meg Ryan feature a?oeYou've Got Maila??. And beyond those, the play also spawned one of the most underrated and underappreciated shows in American Musical Theatre, a?oeShe Loves Mea?? by Jerry Bock and Sheldon Harnick with a book by Joe Masteroff, currently playing at Village Theatre. a?oeShe Loves Mea?? has been revived on Broadway since it's 1963 beginnings twice, plus a concert version in 1977, but still there are too many people who don't know the glory of this show. Well, Dear Readers, let's try and change that.

Called a?oethe most romantic of all Broadway musicalsa?? by The Wall Street Journal, Village Theatre is delighted to bring She Loves Me to the stage beginning this January. The charming musical, which inspired the hit film You've Got Mail, has been revered by critics and audiences alike since it first debuted on Broadway in 1963 a?' going on to be nominated for over 50 awards including the Tony, Drama Desk, and Olivier Awards. She Loves Me will run at the Francis J. Gaudette Theatre in Issaquah January 16 a?' February 23, 2020 before moving to the Everett Performing Arts Center February 28 a?' March 22, 2020. 

On the surface, Craig Wright's a?oeThe Paviliona??, currently being offered from Strawberry Theatre Workshop, doesn't have all that much going for it. It's not a particularly enticing or thought provoking subject, a couple reconnecting at a reunion. But what it does have going for it is a cast of three performers, throwing their considerable talents into the roles, and that's what engages about this show more than anything.

Village Theatre kicks off the third year of the Beta Series with The Passage, a new musical written by David Darrow that will run at Village Theatre's First Stage Theatre in Issaquah from February 15-24, 2019.

With one week left until The 18th Annual Festival of New Musicals, Village Theatre is excited to announce this summer's casting and creative teams! Tony Award-winner Victoria Clark (The Light in the Piazza) will direct Hansel & Gretl & Heidi & Gu?nter, a hilarious family adventure of what happens after Hansel and Gretl escape. Village Theatre's new artistic director Jerry Dixon (If/Then, Once on this Island) will direct the kick-off show Elysium: An American Fable, the moving story of a family dying under the weight of their own secrets; and associate artistic director Brandon Ivie (Jasper in Deadland) will direct The Passage, a coming-of-age mystery about a boy battling a monster holding his father captive. Joining them will be music directors Jason Hart (American Psycho), Rona Siddiqui (Bella: An American Tall Tale), R.J. Tancioco (Here Lies Love), and resident music director Tim Symons (Romy & Michelle's High School Reunion), among others.

Village Theatre is excited to present ZM, a new Broadway-style musical comedy with music & lyrics by Mark Hollmann and book & lyrics by Greg Kotis - the creators of the Tony Award-winning show, Urinetown. ZM will run at Village Theatre's First Stage Theatre in Issaquah from June 1-10, 2018.

The 5th Avenue Theatre is a vibrant hive of musical theater activity as the projects of NextFest: A Festival of New Musicals have started rehearsals this week. A three-week musical theater intensive development cycle, NextFest has played a role in the creation of musicals ranging from Persuasion by Harold Taw and Chris Jeffries (Taproot Theatre, 2017) to  Come From Away by Irene Carl Sankoff and David Hein (Broadway). Nationally recognized for its contribution to the contemporary musical theater cannon, The 5th Avenue Theatre is a celebrated incubator for new musicals. Each year, the nationally renowned theater company connects writers at all stages of development with some of the region's most brilliant performers, giving life to the words on the page and allowing book writers, composers and lyricists to see their work in action. This year's various works are brought to life by Alexandria Henderson, Justin Huertas, Matthew Kacergis, Shaunyce Omar, Brandon O'Neill, Timothy Piggee, Hannah Schuerman, Billie Wildrick and many more.

I'll admit, Dear Readers, that when I saw the cast list for Village Theatre's current production of Stephen Sondheim and James Lapine's classic Into the Woods I was quite excited. It was (and is) quite a list of powerhouse talent and not the usual suspects for a Village show. But Sondheim's show, as much as it's done by every professional house, community theater, or school is by no means a bulletproof show and something egregious must have happened (or didn't happen) between then and now as the production I saw last night, while technically good with well sung songs lacked any kind of emotional resonance, heart, stakes, or even connection between the characters. And for a show like this, pretty singing is not enough.

Kicking off Village Theatre's 2017-2018 Season is the Tony and Drama Desk Award-winning musical, Into the Woods. "Happily ever after" will be just the beginning in this musical collision of the original Grimm fairytales. When Cinderella, Jack, Rapunzel, Little Red, and more venture into the woods after their heart's desire, they get a lot more than they bargained for. As princes seduce and giants roam the land, stories get intertwined and the plot thickens. With a jaw-dropping design team and a stellar cast of Village Theatre favorites, Into the Woods is sure to take you "into the woods, to get the thing, that makes it worth the journeying."

With one week left until The 17th Annual Festival of New Musicals, Village Theatre is excited to announce the casting for Nikola Tesla Drops the Beat, an electronic pop musical about one of the world's greatest inventors; Hart Island, a look at social justice and the people society has forgotten; Afterwords, a tale of art and love; Howl's Moving Castle, based on the novel by Diana Wynne Jones; and ZM, a hilarious romp through a zombie-filled future by the Tony Award-winning authors of Urinetown. Taking place in Issaquah on August 11-13, 2017, The Festival of New Musicals provides an essential platform for writers to incorporate a key component of live theatre - the audience. Each new musical will be rehearsed during the week, then present to the audience in staged reading format, performed in full using scripts.

Behold, a rare gem, a piece of art that combines two vastly different disciplines: theater, and math. Ironically, what makes David Auburn's Pulitzer Prize winning play, 'Proof' so entertaining isn't so much the math, but the chemistry between the characters. Get out your pens and pencils, students, because Strawberry Theatre Workshop's harmonious performances are noteworthy.

Most often when you go see a play there is a very plain narrative, a beginning, a middle and an end to convey your story. Some plays out there, however, make you work a little harder either with non-linear structure or an existential bent. And then there are some plays that go so far that you walk out of them thinking "What the hell did I just see?" Well Washington Ensemble Theatre's creepy and surreal "The Things Are Against Us", currently playing at 12th Avenue Arts, is firmly footed in that second camp but often dipped its toe into the third which resulted in a show that was creepy and fun but left my theater companion and me with a car ride home filled with statements like, "Well, I think this is what happened."

Broadway-bound new musical, Come From Away, presented by Seattle Repertory Theatre, wins four Gypsys, tying with another new musical, Lizard Boy, also produced by Seattle Repertory Theatreand also with four Gypsys, a company that has been known for years as a powerhouse dramatic straight-play playhouse! 

Seattle Theater Writers critics' circle is pleased to present the nomination slate of the fifth annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.

Dear Readers, I hope you've all fared well over the holidays and had a good time with your families. It's been a tumultuous year with lots of great theater for us to take in. And so I'm pleased to share with you some of the best things I saw this past year and the ones that I felt worthy of getting my Critic's Choice Awards for 2015. So settle in and allow me to expound on all the amazing I saw over the year. The envelope please.

Lerner and Loewe's "My Fair Lady" is one of those enduring classics that when done correctly can amount to a magical evening. But to do it correctly there's a shopping list of elements you must have such as a terrific and upbeat pace, lively and fun choreography, breathtaking costumes and of course a superb cast especially a sweet, strong, and loveable Eliza with the voice that can hit those impossible Julie Andrews notes. Without those elements, really, why bother? Well lucky for us director Brian Yorkey and the folks at Village Theatre seem to have gotten ahold of my shopping list and confidently checked off each item as their current production of the classic amounts in some ways to one of the best I've seen.

I have to say that when it comes to Kander and Ebb's "Cabaret" I prefer my Kit Kat Club dirty, my Sally Bowles damaged and my Berlin dangerous. And while the current production at Village Theatre has all of those elements, they're all very safe versions of those elements. And while director Brian Yorkey attempted a very thoughtful telling of the story, often times the pacing was so deliberately slow as to lose any urgency of the moment.

To launch their 25th season Book-It Repertory Theatre has dusted off one of their earlier gems. And in doing so have given us a charming and lovely bit of Ireland heritage to take home with us.

Seattle Theater Writers critics' circle presents the winners' slate of the 2013 Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters.

Seattle Theater Writers, a critics' circle of local theater writers and reviewers, today announces the 2013 slate of nominees of the third annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters.