Production Staff
Julius J. Epstein
Source Material
(based on play)
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Philip G. Epstein
Source Material
(based on play)
(based on play)
Bookwriter
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Julius J. Epstein
Bookwriter
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Stephen Sondheim
Composer
Lyricist
Jonathan Tunick
Orchestrator
Jonathan Tunick is an American orchestrator, musical director, and composer. Tunick’s stage career began with Take Five (1957). He went on to collaborate memorably with Stephen Sondheim, orchestrating shows such as Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd, Merrily We Roll Along, Into the Woods, Passion, and Putting It Together. Additional notable Broadway credits include Promises, Promises; A Chorus Line; Nick & Nora; A Funny Thing...; Elaine Stritch at Liberty; Nine; A Gentleman’s Guide...; and 110 in the Shade. In 1997, he won his first Tony Award, for his work on the musical Titanic. This accomplishment gave ... read more
Johnson-Liff Associates
Casting Director
Karen Evansouskas
Stage Manager
Rob Fisher
Musical Director
Carol Fishman
Managing Director
Alexander Fraser
Executive Director
Donald Holder
Lighting Designer
Donald Holder has worked extensively in Theatre, Opera, Dance, Architectural and Television lighting in the US and abroad for over 30 years. He has designed 58 Broadway productions and has been nominated for 13 Tony Awards, winning the Tony for Best Lighting Design for The Lion King in 1998, and for the 2008 revival of South Pacific. Recent Broadway productions include: Tootsie, Kiss Me Kate, Anastasia, Oslo, Straight White Men, She Loves Me, Fiddler on the Roof, The King and I, On the Twentieth Century, The Bridges of Madison County, Bullets Over Broadway and many others. Projects at the NY ... read more
Scott Lehrer
Sound Designer
Lehrer's recent credits New York include Carousel; Hello, Dolly!; Illyria; The Front Page; The Gabriels; Shuffle Along…; Fiddler on the Roof; Dames at Sea; The King and I (also London); Living on Love; Honeymoon in Vegas; Edward Albee’s A Delicate Balance; Love Letters; A Raisin in the Sun; Betrayal; Lucky Guy; South Pacific (first Tony Award for Sound Design); Death of a Salesman; The Apple Family Plays: Scenes from Life in the Country; and over 60 City Center Encores! productions including Chicago.
Recordings include An American in Paris (Grammy Award nomination), Loudon Wainwright’s High Wide and Handsome (Grammy Award), and ... read more
Kathleen Marshall
Choreographer
Director
Kathleen Marshall received 2011 Tony, Drama Desk and Outer Critics Awards for choreography and Tony, Drama Desk and Outer Critics nominations for direction for Anything Goes.
Also on Broadway, Kathleen directed and choreographed The Pajama Game, Wonderful Town and Grease and choreographed Boeing-Boeing, Little Shop of Horrors, Seussical, Follies, Kiss Me, Kate, 1776 and Swinging on a Star.
Off-Broadway credits include Two Gentlemen of Verona (New York Shakespeare Festival), Saturday Night (Second Stage), Violet (Playwrights Horizons) and As Thousands Cheer (Drama Dept).
For City Center Encores!, she directed and choreographed Bells Are Ringing, Applause, Carnival, Hair and Babes in Arms, ... read more
Derek McLane
Scenic Designer
Derek McLane received a Drama Desk Award and an Outer Critics Circle Award Honour for his work on Moulin Rouge! The Musical. He has designed over 350 productions for Broadway, Off-Broadway, internationally and for TV. His over 40 credits include Burn This, The Parisian Woman, Anything Goes, The Price, Fully Committed, Beautiful, Ragtime, I Am My Own Wife and 33 Variations (Tony Award). He has designed the Academy Awards for six years (Emmy Award) and has designed four live musicals for NBC, including “Hairspray” (Emmy Award). ... read more
Karen Moore
Production Stage Manager
Seymour "Red" Press
Musical Coordinator
Carole Rothman
Artistic Director
Rothman co-founded Second Stage in 1979 with the goal to create an open, creative space that served to introduce the community to new, emerging talent and to produce new plays by living American Playwrights. Over the past 45 years, Rothman has produced more than 250 inspiring plays and musicals, introducing the world to bold and diverse voices. Her taste as an artistic director, which the New York Times once called, “eclectic and unpredictable,” has resulted in a wide range of premieres and new interpretations of some of America’s best contemporary theater, as well as catapulted shows to hundreds of productions ... read more
Second Stage Theatre
Producer
Catherine Zuber
Costume Designer
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