Production Staff
Peter Bellwood
Bookwriter
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Stanley Lebowsky
Composer
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Sinclair Lewis
Source Material
(Based on novel)
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Fred Tobias
Lyricist
Patrick Cummings (i)
Assistant Choreographer
Martin Allen
Associate Director
Joseph Cates
Producer
Jules Fisher
Lighting Designer
In a celebrated career spanning almost 40 years, Jules Fisher has lit over 200 Broadway and off-Broadway shows, as well as film, ballet, opera, television, and rock-and-roll concert tours. He has received 18 Tony nominations and won 8 Tony awards for Lighting Design, a record in this category. His most recent project, "Assassins", (2004 Tony award) also won him the Drama Desk and Outer Critic's Circle awards. His previous Tony awards were for "Bring in 'da Noise, Bring in 'da Funk," 1996; "Jelly's Last Jam," 1992; "The Will Rogers Follies," 1991; "Grand Hotel," 1990; "Dancin'," 1978; "Ulysses in Nighttown," 1973; ... read more
Dorothea Freitag
Dance Music Arranger
Ben Janney
Production Stage Manager
Stanley Lebowsky
Vocal Music Arranger
Fred Menowitz
Associate Producer
David Powers
Press Representative
Robert Pusilo
Assistant to Ms. Roth
Ann Roth
Costume Designer
Costume Designer
Roth is a Carnegie Mellon graduate who began her career as a scenery painter for the Pittsburgh Opera. She intended to remain in the field of production design until she met Irene Sharaff at the Bucks County Playhouse. Sharaff invited her to California to assist her with costumes on the film Brigadoon and suggested Roth apprentice with her for five films and five Broadway productions before setting out on her own.
Roth's first Hollywood film was 1964's The World of Henry Orient, where her designs included "monogrammed handmade yellow silk pajamas" for glamorous womanizer Peter Sellers.
Roth next designed costumes for ... read more
Jerry Schlossberg
Producer
Jim Tyler
Orchestrator
Robin Wagner
Scenic Designer
Wagner was born in San Francisco, the son of Phyllis Edna Catherine (née Smith-Spurgeon) and Jens Otto Wagner. His mother was from New Zealand and his father was from Denmark. He attended art school and started his career in theatres in that city with designs for Don Pasquale, Amahl and the Night Visitors, Tea and Sympathy, and Waiting for Godot, among others. In 1958, he relocated to New York City, where he worked on numerous off-Broadway productions before making his Broadway debut as an assistant designer for the Hugh Wheeler play Big Fish, Little Fish in 1961. His first solo ... read more
Onna White
Choreographer
Director
Director/Choreographer
Videos
