Caroline, or Change - Off-Broadway Creative Team

Tony Kushner's other plays include A Bright Room Called Day; Angels In America, Parts One and Two; Slavs!; Homebody/Kabul and Caroline, or Change. His adaptations include Corneille's The Illusion, S.Y. Ansky's The Dybbuk, and Brecht's The Good Person of Sezuan and Mother Courage and Her Children (Public Theater). Kushner’s films include Angels In America, directed by Mike Nichols and Munich, directed by Steven Spielberg. His books include Brundibar, illustrations by Maurice Sendak; The Art of Maurice Sendak, 1980 to the Present; and Wrestling With Zion: Progressive Jewish-American Responses to the Palestinian/Israeli Conflict (co-edited with Alisa Solomon). Kushner has received the ... read more STEVEN BARGONETTI: (Guitarist/Composer) Steven is a graduate of Columbia University. Most recently was onstage performer/Music Director/Arranger for the critically acclaimed play, Father Comes Home From The Wars by Pulitzer Prize winner Suzan-Lori Parks. He recently played guitar/guitar synthesizer for the Broadway show Holler if Ya Hear Me featuring the music of Tupac Shakur. As lead guitarist for HAIR on Broadway, Steven was featured playing the Jimi Hendrix archetype. He is also an alumnus of numerous other Broadway shows, including The Color Purple, Caroline or Change, The Full Monty, Starlight Express, Hello Dolly, etc. Steven can be ... read more Lisa Dawn Cave is a stage manager who has worked on The Lion King, Frozen, Fun Home, Aladdin, West Side Story, and more. ... read more Broadway: Fun Home (Tony nom.), Tuck Everlasting, Shrek the Musical (Tony/Drama Desk noms), Cats 2016 (Dance Arr./Orch.). Off Broadway/Regional: Seattle 5th Ave: Jasper in Deadland; Public Theater: Fortress of Solitude, Fun Home (Drama Desk nom.); Secret Life of Bees (Horn arr., in dev.); Rhianna: NBA All-StarGame (String arr.); New Irish Tenors: Full Orchestra Arr.; Goodspeed: Just So. As drummer/or music director: Randy Newman, Corey Glover, Solange Knowles, Blood Orange, Chrissy Amphlett, Kasim Sulton, Alexa Joel, Constantine Maroulis, Bono & Edge, Spider-Man: Turn Off the Dark. ... read more Peter DuBois served as Artistic Director of the Huntington from 2008 - 2020, during which time his directing credits included Rosencrantz & Guildenstern Are Dead (2019), Romeo and Juliet (2019), Fall (2018), Tartuffe (2017), Stephen Sondheim’s Sunday in the Park with George (2016) and A Little Night Music , the world premieres of Gina Gionfriddo’s Can You Forgive Her? (2016), Lydia R. Diamond’s Smart People (2014), Evan M. Wiener’s Captors (2011), , Stephen Karam’s Sons of the Prophet(2011)(2012 Pulitzer finalist), Bob Glaudini’s Vengeance is the Lord’s and David Grimm’s The Miracle at Naples (2009); the regional premieres of A. Rey ... read more Ms. Eisenhauer and collaborator Jules Fisherhave collectively been awarded Broadway’s Tony Award for Best Lighting Design of a Musical seven times, including Stephen Sondheim’s Assassins (2004, Revival), Bring in ‘Da Noise, Bring in ‘Da Funk (1996), Jelly’s Last Jam (1992), The Will Rogers Follies (1991), Grand Hotel (1990), Bob Fosse’s Dancin’ (1978), and Pippin (1973), and once for Best Lighting Design of a Play for Ulysses in Nighttown (1974). For motion pictures, Fisher and Eisenhauer designed theatrical lighting for Rob Marshall's Chicago, Mel Brooks' The Producers, Richard Linklater's School of Rock and Bill Condon's Dreamgirls, and Disney's live-action remake of ... read more In a celebrated career spanning almost 40 years, Jules Fisher has lit over 200 Broadway and off-Broadway shows, as well as film, ballet, opera, television, and rock-and-roll concert tours. He has received 18 Tony nominations and won 8 Tony awards for Lighting Design, a record in this category. His most recent project, "Assassins", (2004 Tony award) also won him the Drama Desk and Outer Critic's Circle awards. His previous Tony awards were for "Bring in 'da Noise, Bring in 'da Funk," 1996; "Jelly's Last Jam," 1992; "The Will Rogers Follies," 1991; "Grand Hotel," 1990; "Dancin'," 1978; "Ulysses in Nighttown," 1973; ... read more Broadway: Spider-Man, Turn off the Dark; Spring Awakening; The Light in the Piazza; Caroline, or Change; The Full Monty; You’re a Good Man, Charlie Brown; Twelfth Night (Jeanine Tesori). Off-Broadway: Coraline (Stephin Merritt), Mother Courage and Her Children, Two Gentlemen of Verona, Songs From an Unmade Bed, The Immigrant (Steven Alper), Radiant Baby (Debra Barsha), Twelfth Night (Duncan Sheik), Love’s Fire (Adam Guettel). Education: Southern Methodist University and Manhattan School of Music. ... read more Vineyard, La Jolla Playhouse and Yale Rep productions of Indecent. Broadway: The Gin Game; The Gershwins' Porgy and Bess; The People in the Picture; Caroline, or Change (also Royal National Theater, London); Elaine Stritch: At Liberty (also National Tour, Old Vic London); Topdog/Underdog (Royal Court); Bells Are Ringing; Parade (directed by Hal Prince; Tony and Drama Desk nominations); Bring in 'da Noise, Bring in 'da Funk (also National Tour, Japan) and The Tempest. Recent: Grounded directed by Julie Taymor, The Library directed by Steven Soderbergh (The Public); La Mouette (Cour d'Honneur, Palais des Papes, Avignon Festival); Abigail's Party (Oslo National ... read more Please add a photo to Buryl Red's page. https://www.broadwayworld.com/people/Buryl-Red/ Thank you! ... read more Tazewell has designed Broadway shows, theatre, film and television, dance, and opera for over 25 years. Starting his Broadway career with Bring in 'Da Noise, Bring in 'Da Funk directed by George C. Wolfe, he has since designed the Pulitzer Prize- and Tony Award-winning Hamilton; Escape to Margaritaville; Summer; In the Heights; The Color Purple (2005); Dr. Zhivago; Memphis; Caroline, or Change; Elaine Stritch at Liberty; Russell Simmons' Def Poetry Jam; Lombardi; Magic/Bird; Side Show; A Streetcar Named Desire; Jesus Christ Superstar; Guys and Dolls; A Raisin in the Sun; and On the Town. In 2016, he received both a ... read more THE PUBLIC is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation's first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public's wide ... read more Paris and West End: An American in Paris. West End: Thoroughly Modern Millie; Rent; The Who’s Tommy. Broadway design credits include: Prince of Broadway; She Loves Me; Amazing Grace; An American in Paris; On the 20th Century; You Can’t Take It With You; The Bridges of Madison County; How to Succeed in Business…; The Color Purple; Caroline, or Change; Nine; The Green Bird; Thoroughly Modern Millie. Off-Broadway and Regional: Paradise Square (Berkeley Rep); Unmasked: The Music of Andrew Lloyd Webber (Papermill Playhouse); Footloose (Kennedy Center); Scotland, PA (Roundabout); Evita (Bay Street); Grey Gardens (Bay Street); The Last Five Years (Second ... read more Theatre directing credits include The Iceman Cometh, Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed (NY Drama Critics' Circle Award and Drama Desk Award for Best Musical); Lucky Guy; The Normal Heart (Drama Desk); Jelly's Last Jam (Drama Desk and Outer Critics Circle Award); Angels in America: Millennium Approaches (Tony Award and Drama Desk) and Perestroika (Drama Desk); Bring in 'da Noise, Bring in 'da Funk (Tony and Drama League Award); Topdog/Underdog (Obie Award); Twilight: Los Angeles, 1992 (Drama Desk); Elaine Stritch at Liberty (Tony for Special Theatrical Event); The Tempest; Caroline, or ... read more