Not So Fast 1923

For opera lovers around the world, Maria Callas was a gigantic figure well known for her unusual and daring performances. She was a singer who ruled the classical musical world for a large part of the 20th century and left an indelible mark with her talent and her larger-than-life personality.

Battery Dance will celebrates the 42nd Anniversary of its free summer festival from August 12-18, 2023, in partnership with Battery Park City Authority. The 42nd Annual Battery Dance Festival will feature in-person and live-streamed performances staged each night at Rockefeller Park, Battery Park City, New York City at 7PM ET, with a rain date on 8/19.

Looking for the best deals on Broadway shows? Welcome to our new weekly guide to the most popular shows listed on BroadwayWorld. Check out which shows are selling this week, May 8, 2023.

Following historic performances at Washington, D.C.'s Kennedy Center and the London Coliseum, The United Ukrainian Ballet will make its West Coast debut June 29 – July 2 at Segerstrom Center for the Arts, performing Alexei Ratmansky's Giselle.

This Week's New Classified Listings on BroadwayWorld for 3/25/2021 include new jobs for those looking to work in the theatre industry.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

With the roaring twenties fast approaching, it's time to reflect on all the shows that made an impact on us over the last decade, and on what we would like to see on stage in the decade to come. The 2010s gave us some groundbreaking new shows - Hamilton, Hadestown, Waitress - incredible revivals - Oklahoma, The Color Purple, Pippin - and breakout stars - Ben Platt, Alex Brightman, Cynthia Erivo, just to name a few. So many shows that graced the stage in the 2010s made lasting impact on audiences. Let's take a look at what shows we'd like to see a revival of in the 2020s!

 Due to popular demand, Patchogue Theatre for the Performing Arts has added an additional performance of The Ultimate Queen Celebration Starring Marc Martel on Sunday, August 11 at 8pm. 

Steve Martin's and Edie Brickell's Bright Star played Broadway in 2016. The show fared somewhat well, but did not seem to be an overall critics' choice. On the minus side, it is an all too familiar story about a backwoods pregnant girl and parental abuse in the 1920s, with far-fetched resolutions and a sweet, but for many, saccharine ending. In spite of this, I was delighted with the bluegrass music by Martin and Brickell.

Actor Ben Cherry provides his deep appreciation for this play with music that's reminiscent of his character Lemml's feelings for the play within the play. Read on and see this show before it closes March 24.

Irish Arts Center (IAC), the arts and cultural center dedicated to projecting a dynamic image of Ireland and Irish America for the 21st century, announces its Spring 2018 lineup, featuring a characteristically wide range of theatrical, musical, dance, literary, podcast, interdisciplinary and educational events.

Irish Arts Center Announces Spring 2018 Season

Steve Martin's and Edie Brickell's Bright Star played Broadway in 2016, garnering a Tony nomination for Carmen Cusack. The show fared somewhat well, but did not seem to be an overall critics' choice. On the minus side, it is an all too familiar story about a backwoods pregnant girl and parental abuse in the 1920s, with far-fetched resolutions and a sweet, but for many, saccharine ending. In spite of this, I was delighted with the bluegrass music by Martin and Brickell, with Walter Bobbie's fluid staging and with the performances. It's most definitely uplifting and an entertaining evening at the Ahmanson through November 19.

Indecent, the newest work by Pulitzer Prize-winner Paula Vogel (HOW I LEARNED TO DRIVE), opens tonight, April 18, at the Cort Theatre (138 West 48th Street, between Sixth and Seventh Avenues). Let's see what the critics had to say...

Langan has performed with such opera luminaries as Luciano Pavarotti, Placido Domingo and Marilyn Horne

Making his theatrical debut as the scribe in the New Yiddish Rep's GOD OF VENGEANCE, real-life lawyer and ex-Hasid Eli Rosen told American Theater's Simi Horowitz that he believes in 'transparency': 'The only way to effect change is to shine a light on what goes on behind closed doors.' Or in the case of Sholem Asch's controversial 1907 play, in the basement of a brothel owned by Yankl Shapshovitch, deftly played by Shane Baker, a Yiddish stage veteran with a Vaudeville background.GOD OF VENGEANCE is a large, sprawling text, full of complex characters whose motives invite debate. In this, Asch's play embodies the best traditions of Judaism, along with the brokenness he sees in Judaism's most extreme forms. Still, Asch did not want the play produced in the wake of the Holocaust, fearing it might fuel anti-semitism. The issue is not lost on modern interpreters of Asch's text, but the New Yiddish Rep approaches the play with all the rigor and sensitivity one would wish from a Rabbinic scholar poring over a verse of the Talmud.

Elmer Rice's play The Adding Machine premiered on Broadway in 1923, yet it speaks to the issues of the day: mechanization, corporation, immigration, sexism and bigotry--all at the expense of the individual human being. Fast foward: 2015. Nearly 100 years later, we're still there. So says Catherine Coke, director of The Adding Machine at University School of Nashville.

Ted Sod: Where were you born and educated? How did you become a costume designer?

On January 13, 1910, the first American public radio broadcast aired, featuring Enrico Caruso live from the stage of The Metropolitan Opera. On April 15, 1923 came the first commercial screening of a motion picture with sound-on-film. Although it was not the original intent of either, these events made the concept of "popular music" possible.

CONTACT!, the New York Philharmonic's new music series, is in its fourth season. In this second of two programs, Music Director Alan Gilbert conducts a program of recent European works.

The Film Society of Lincoln Center announced today the lineup for the upcoming 13th edition of FILM COMMENT SELECTS (February 18-28), Film Comment magazine's essential and eclectic film festival.

Tickets are $25 general; $20 students/seniors; $10 children, and may be purchased at www.metropolitanplayhouse.org/tickets or 212 995 5302.

TimeLine Theatre Company, dedicated to presenting plays inspired by history that connect to today's social and political issues, announces three of the four plays of its 2009-10 season, including the Chicago premiere of Aaron Sorkin's The Farnsworth Invention. A fourth play and the season's schedule are still to be announced.