Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in Tsarist Russia in 1905. It is based on Tevye and his Daughters (or Tevye the Dairyman) and other tales by Sholem Aleichem. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and Jewish religious traditions while outside influences encroach upon their lives. He must cope both with the strong-willed actions of his three older daughters-each one's choice of husband moves further away from the customs of his faith-and with the edict of the Tsar that evicts the Jews from their village.
This 'Fiddler,' helmed by the protective Bartlett Sher ('The King and I'), is bookended by scenes featuring a man we can interpret to be a present-day descendant of the tradition-cherishing milkman, famously 'blessed' with five daughters. This new 'Fiddler,' gorgeous and affecting, is a respectful staging of the Jerry Bock-Sheldon Harnick classic, with modernities here and there to keep us on our toes.
In perfect sync with that balancing act is Danny Burstein's portrayal of Tevye, the philosopher milkman first defined by the fabulously eccentric Zero Mostel and reconsidered in countless variations. Burstein, heretofore a star only to New York theater lovers, embodies a gentle, sweet yet powerful, profoundly likable man whose debates with God have the bemused inevitability of truth. Burstein also sings the role better than any Tevye in my experience.
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