A DELICATE BALANCE, Edward Albee's Pulitzer Prize and Tony-winning masterwork returns to Broadway with an extraordinary cast.
In A DELICATE BALANCE, Agnes (Glenn Close) and Tobias (John Lithgow), a long-married couple, must maintain their equilibrium as over the course of a weekend they welcome home their 36-year-old daughter (Martha Plimpton) after the collapse of her fourth marriage, and give shelter to their best friends (Bob Balaban and Clare Higgins), all the while tolerating Agnes' alcoholic sister Claire (Lindsay Duncan).
The Daily News calls A DELICATE BALANCE "a beautiful play- easily Albee's best and most mature, filled with humor and compassion and touched with poetry." It "proves that old-fashioned stage virtues- originality of voice, depth of feeling, richness of language- can still provide a thrill" (TIME Magazine). "If you really care about serious theatre, brilliant theatre, great acting, and great playwriting, this is the only play to see on Broadway" (New York Post).
This new 'A Delicate Balance' is like a Christmas fruitcake that's been left out too long: It's boozy and loaded with goodies -- Glenn Close! John Lithgow! -- but it's also on the dry side. The booze you can almost taste because Edward Albee's characters are constantly liquoring up, probably to make up for their boredom. It's a feeling you too may share during Pam MacKinnon's bloodless production. She did a much better job with 'Who's Afraid of Virginia Woolf?' two years ago...As the play turns to the absurd, Albee's writing brims with black humor and red-hot loathing. The show, by contrast, is a benign beige. Lithgow is best when Tobias is playing along with the women in his life, but his big letting-it-all-out scene feels forced. And Close's one-note, tight-lipped performance keeps the audience at arms' length, the way Agnes distances herself from family and friends. A delicate balance? By the end of Act 3, it might refer to the one between wakefulness and sleep.
At least Glenn Close is entertaining and fun to watch in the new, blunt revival of Edward Albee's 'A Delicate Balance'...Close has this way of turning her black-button eyes into tiny holes that don't so much see out as burrow their way into her skull...Her performance is also why this 'Delicate Balance,' directed by Pam Mackinnon, is blunt and unsubtle. And turning Agnes into an uncompromising gargoyle is only part of the monochromatic scheme at work here. Not entertaining and fun are Plimpton's merely loud Julia and Duncan's monotonous Claire, a performance that exposes a serious flaw in Albee's play: Claire, besides being clairvoyant and delivering a few amusing wisecracks, serves no function in act three...Back in the 1960s, Albee was accused of turning his female characters into harridans. Mackinnon's work with these three actresses, unfortunately, makes that case...Lithgow and Balaban give some semblance of playing human beings. Lithgow's delivery of Tobias' famous cat speech is especially multi-faceted.
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