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Hollywood Star George Wendt to Headline DEATH OF A SALESMAN in St. Jacobs


The tranquil village of St. Jacobs will become Hollywood North this fall with the arrival of an iconic television actor.

BWW Review: MRS. WARREN'S PROFESSION is Sophisticatedly Scandalous


The Shaw Festival brings to life one of George Bernard Shaw's very own MRS. WARREN'S PROFESSION. Directed by Eda Holmes, the production tells the story of a young woman's discovery of her mother's line of work - prostitution, and the events that follow. Led by Nicole Underhay as the title character and Jennifer Szialoszynski as her daughter Vivie, the smart comedy brings this historically taboo play into 2016 with poise and a high level of sophistication.

A WOMAN OF NO IMPORTANCE Begins This Weekend as Part of Shaw Festival


A Woman of No Importance, Oscar Wilde's stylish comedy that exposes the cynicism and hypocrisy that underlies high "society", begins previews Sunday, May 29 at the Festival Theatre. This dangerous drama, directed by Eda Holmes, is the fourth major Wilde play to be presented under Artistic Director Jackie Maxwell's tenure - completing Wilde's brilliant, scalpel-like study of the world around him.

Julie Martell, Patrick McManus, Charlie Gallant, Fiona Reid and More Set for Shaw Festival's 2015 Season; Cast, Creatives Announced!


The Shaw Festival today announced principal casting and creative team details for its 54th season.

BWW Reviews: THE PHILADELPHIA STORY at the Shaw Festival


The Philadelphia Story, on stage at the Shaw Festival, takes the audience back to 1939, to the wealthy who have survived the Great Depression. Survived? It looks like they flourished! The audience applauds the luxurious set as the curtain is raised. Everything is gold, silver and white - a lavish grand piano and gold satin cushions in a room piled high with elegantly wrapped wedding gifts.

Theatre @ York to Present STRONGER VARIATIONS, 11/10-16


Theatre @ York presents a new imagining of Theatre Rusticle's critically-acclaimed The Stronger Variations, inspired by Swedish playwright August Strindberg's 1889 playette, The Stronger. Theatre Rusticle's artistic director Allyson McMackon directs the production, running November 10 to 16 in the Joseph G. Green Studio Theatre at York University.

Theatre @ York Presents Francis Beaumont's THE KNIGHT OF THE BURNING PESTLE, Now thru 1/26


Theatre @ York presents a sparkling new adaptation of The Knight of the Burning Pestle, a hilarious parody by 17th century playwright Francis Beaumont, re-imagined for contemporary audiences by director Timothy Askew. Lavish period costumes, romance, treachery and sword-fighting lay siege to York University's Joseph G. Green Studio Theatre tonight, January 20 to 26.

Theatre @ York to Present Francis Beaumont's THE KNIGHT OF THE BURNING PESTLE, 1/20-26


Theatre @ York presents a sparkling new adaptation of The Knight of the Burning Pestle, a hilarious parody by 17th century playwright Francis Beaumont, re-imagined for contemporary audiences by director Timothy Askew. Lavish period costumes, romance, treachery and sword-fighting lay siege to York University's Joseph G. Green Studio Theatre January 20 to 26.

HIS GIRL FRIDAY Begins Shaw's Festival Previews


His Girl Friday, John Guare's inspired combo of Ben Hecht and Charles MacArthur's original play The Front Page and the screen version His Girl Friday, began previews Sunday at The Shaw's Festival Theatre

PGC And York University Announce Their Partnership


Playwrights Guild of Canada (PGC) and the Department of Theatre in York University's Faculty of Fine Arts have established a formal internship program to provide undergraduate students with hands-on experience in arts administration in a professional setting.

Photo Flash: The Shaw Festival


In the Spirit of George Bernard Shaw, the Shaw Festival provokes the mind and stirs the soul through a theatre experience so compelling that, year after year, ever broadening groups of artists, audiences and supporters are drawn to our work in Niagara-on-the-Lake and beyond.

Photo Flash: BORN YESTERDAY Ends Its Engagement At The Shaw Festival Theatre On 11/1


For its 2009 season, The Shaw takes on a monumental and historic project with full productions of each play in Noel Coward?s famous Tonight at 8:30 collection. The Shaw?s 2009 productions represent the first time all ten short plays have been performed in repertory by a professional company since they were first produced by London?s Phoenix Theatre in 1935-36. The plays will be performed in sets of three, one on each of the Festival?s Niagara-on-the-Lake stages, with the tenth, the rarely produced Star Chamber, being the lunchtime production in the Royal George. And to celebrate this idea for the event that it is, on two separate occasions, we will present all ten in one day ? an event we are appropriately naming ?Mad Dogs and Englishmen?.

Photo Flash: BRIEF ENCOUNTERS Runs At The Shaw Festival Theatre Until 10/24


For its 2009 season, The Shaw takes on a monumental and historic project with full productions of each play in Noel Coward?s famous Tonight at 8:30 collection. The Shaw?s 2009 productions represent the first time all ten short plays have been performed in repertory by a professional company since they were first produced by London?s Phoenix Theatre in 1935-36. The plays will be performed in sets of three, one on each of the Festival?s Niagara-on-the-Lake stages, with the tenth, the rarely produced Star Chamber, being the lunchtime production in the Royal George. And to celebrate this idea for the event that it is, on two separate occasions, we will present all ten in one day ? an event we are appropriately naming ?Mad Dogs and Englishmen?.

Photo Flash: Shaw Festival Presents BORN YESTERDAY, MOON FOR THE MISBEGOTTEN, & SUNDAY IN THE PARK


For its 2009 season, The Shaw takes on a monumental and historic project with full productions of each play in Noel Coward's famous Tonight at 8:30 collection. The Shaw's 2009 productions represent the first time all ten short plays have been performed in repertory by a professional company since they were first produced by London's Phoenix Theatre in 1935-36.

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