Richard Mitchell

Langson IMCA presents 'Spiritual Geographies: Religion and Landscape Art in California, 1890–1930' exhibition exploring how various religions influenced representations of California's wilderness and countryside.

On Monday, April 25th, 2022, in New York City, TheaterWorks USA had their spring benefit at 'The Current' located at Chelsea Piers. The special honorees at the event included Bonnie Comley, Stewart Lane, Tom Costanzo, Daphne Rubin-Vega, and Schele Williams.

In light of current events, James Robert Webb's upcoming self-titled album release will be moved to May 1. Produced by GRAMMY-nominated producer Buddy Cannon, Webb successfully brings traditional country into the modern age. Pre-order the album here. James Robert Webb includes songs written by hit-making writers including Wynn Varble, Shawn Camp, Bob McDill, Casey Beathard, Marla Cannon-Goodman and more.

Country crooner James Robert Webb is gearing up to release his newest and best work to date, a self-titled LP, James Robert Webb. Webb worked with GRAMMY award-winning, iconic producer Buddy Cannon (Kenny Chesney, Willie Nelson, Reba McEntire) for his self-titled album. Having seen success with multiple singles off this album already, including “Now We're Gettin' Somewhere,” “Tulsa Time,” “April May” and “Think About It,'' Webb is ready for the rest to come to life. Pre-save the album here.

Walnut Street Theatre concludes its thrilling 210th season with the award-winning Broadway hit, LEGALLY BLONDE: THE MUSICAL. Directed and choreographed by Richard Stafford, the high-energy musical begins previews on May 14, opens May 22, and continues through July 14.

Walnut Street Theatre concludes its thrilling 210th season with the award-winning Broadway hit, LEGALLY BLONDE: THE MUSICAL. Directed and choreographed by Richard Stafford, the high-energy musical begins previews on May 14, opens May 22, and continues through July 14.

Plays & Players continues its collaboration with Power Street Theater Company with follow-up readings of El Nogalar by Tanya Saracho, Dark Matters by Oliver Mayer and To Catch the Lightning by Carmen Rivera. These three plays, representing 30/30/2, 30/30/3 and 30/30/4, were selected from a group of finalists chosen during the 30/30/1 full day event held with local theater and Latino community leaders in March, as part of a nation-wide event. The readings hope to serve as a further contribution to the already-growing conversation about the Latina/o voice and identity in the Philadelphia theater community.

Frank Wildhorn returned to his roots at the Pantages Theatre, where he got his start in the lobby of the Pantages and played to a group that included J. Nederlander 'on a completely out of tune piano,' with the most recent Actors Fund's Musical Monday installment entitled FRANK WILDHORN & FRIENDS. BroadwayWorld has photos from the concert below!

Though the cast and crew all deliver move-in ready work, UNDER CONSTRUCTION is still, well, under construction. While it's commonplace to see productions in which the cast and crew underserve the material, here the material underserves the cast and crew. To the cast and crew, I say a very enthusiastic bravo. To Charles Mee, I say please drop your pen.

Ars Nova presents the world premiere of Ars Nova 2011 Composer-in-Residence Dave Malloy's Natasha, Pierre & The Great Comet of 1812. Directed by Rachel Chavkin, this production will play a limited Off-Broadway engagement, beginning previews this coming Monday, October 1 and running through November 10. Official Opening Night is set for Tuesday, October 16 at 7:00 PM. Get a first look at the cast below!

London Revival directed by Olivier-winners Jude Kelly (Singin' in the Rain) and choreographed by Stephen Mear (Mary Poppins).

Daniel Goldfarb's comedy of Jewish singles has a terrific cast, swift direction and plenty of good laughs. Just try not to let the plot get in the way.