Peter Stopschinski

Antigonick by Sophocles with a new translation by Anne Carson, will play the Mary Moody Northen Theatre at St. Edward's University. Get performance information here!

The Los Sundowns is a breezy record of Psychedelic Soul conceptualized by Beto Martinez (Grammy-winning Guitarist/Producer-Grupo Fantasma, Brownout, Money Chicha) and Daniel Villarreal (Drummer and DJ, Dos Santos).

The Los Sundowns is a breezy record of Psychedelic Soul conceptualized by Beto Martinez (Grammy-winning Guitarist/Producer-Grupo Fantasma, Brownout, Money Chicha) and Daniel Villarreal (Drummer and DJ, Dos Santos).

Rude Mechanicals Co-Artistic Producers Thomas Graves and Kirk Lynn created NOT EVERY MOUNTAIN as a part of a project the theatre company is working on called Perverse Results (a name derived from a corollary of Murphy's Law.) Through the unique, collaborative method the Rudes use to create a project, Graves brought the idea to Lynn in a desire to portray appreciation for the natural world in a dance piece that involved geometric shapes. Lynn had been working on a writing prompt every morning over the years that began with, 'Not Every Mountain...'. The result was first performed here in Austin, and the Rudes were given a residency for the piece at The Guthrie Theatre, and again at Theatre Nanterre-Amandiers and Pivot Arts Festival Incubator Arts Program.

Twenty-eight years ago, pissed-off twelve-year-olds around the universe discovered a new planet, a Black Planet. Public Enemy's aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even in the border town of Laredo, Texas, home of the future founders of the Latin-Funk-Soul-Breaks supergroup, Brownout. The band's sixth full-length album (out May 25th) Fear of a Brown Planet is a musical manifesto inspired by Public Enemy's music and revolutionary spirit.

Twenty-eight years ago, pissed-off twelve-year-olds around the universe discovered a new planet, a Black Planet. Public Enemy's aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even in the border town of Laredo, Texas, home of the future founders of the Latin-Funk-Soul-Breaks supergroup, Brownout. The band's sixth full-length album (out May 25th) Fear of a Brown Planet is a musical manifesto inspired by Public Enemy's music and revolutionary spirit.

Transgressive queer singer/performer CHRISTEENE returns with her second album 'Basura', which will be released worldwide on May 22nd and will be available digitally on all platforms and special edition limited vinyl.'Basura'was produced by Peter Stopchinski in Austin, TX, with contributions from veteran Austin musician/composer Graham Reynolds and Thomàs Suire of the French band Infecticide. Following up her raw and singular 2012 debut album 'Waste Up Kneez Down', this second album (the title of which translates from Spanish as 'trash') contains thirteen new songs that are unapologetically queer, primal, and celebratory.CHRISTEENE will play a special record release live show on May 26th in Austin, TX, at the Museum of Human Achievement,and appear in select live U.S. shows throughout the summer. On July 28, she will begin a European summer/fall tour at the Milkshake Festival in Amsterdam, and tour throughout Europe. A full U.S. tour will follow in 2019.

VIOLET is a 1997 musical with music by Jeanine Tesori and book and lyrics by Brian Crawley. It's based on the short story 'The Ugliest Pilgrim' by Doris Betts. The musical first premiered Off-Broadway in 1997 and won the Drama Critics' Circle Award and Lucille Lortel Award as Best Musical, it was later produced on Broadway but considered a revival. While it was Tony Award nominated, it did not win.

Austin Shakespeare will transform the Beverly S. Sheffield Zilker Hillside Theater into the world of a classic '50s sitcom for their Free Shakespeare in the Park production of The Merry Wives of Windsor. Produced in collaboration with the City of Austin Parks and Recreation Department for the 34th year, Shakespeare's famous comedy will be performed under the stars from May 3 - May 27 on Thursdays - Sundays at 8 pm, with a preview performance on Wednesday, May 2. Co-directed by artistic director Ann Ciccolella and Gwendolyn Kelso, this year's play will be a nostalgic tribute to shows like "I Love Lucy."

Yale Repertory Theatre presents the world premiere of FIELD GUIDE created by Rude Mechs, inspired by the novel The Brothers Karamazov by Fyodor Dostoevsky, January 26 February 17, at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 1.

Actor, novelist and award-winning playwright Jim Shankman, who recently debuted his newest play, Heartless Bastard, as part of the SubletSeries@HERE, has announced that his new musical, Billy and the Killers, will make its world premiere this November at HERE! Arts Center (located at 145 Sixth Avenue, New York, NY).

Actor, novelist and award-winning playwright Jim Shankman, who recently debuted his newest play, Heartless Bastard, as part of the SubletSeries@HERE, has announced that his new musical, Billy and the Killers, will make its world premiere this November at HERE! Arts Center (located at 145 Sixth Avenue, New York, NY).

Actor, novelist and playwright Jim Shankman, the recipient of the Best Playwriting Award at 2015 FringeNYC for his play The Screenwriter Dies of His Own Free Will, will debut his latest work, Heartless Bastard, at HERE Arts Center (145 Sixth Avenue).

Actor, novelist and playwright Jim Shankman, the recipient of the Best Playwriting Award at 2015 FringeNYC for his play The Screenwriter Dies of His Own Free Will, will debut his latest work, Heartless Bastard, at HERE Arts Center (145 Sixth Avenue).

In Myra Slotnick's new play The Shadow Child, an ever-present darkness permeates a family in 1960s Brooklyn until a young boy enters their lives, reawakening them and their haunted past. Wellfleet Harbor Actors Theater is proud to present a reading of The Shadow Child on December 3 at 7:30 PM. The reading is directed by Jeffry George.

THE RESISTIBLE RISE OF ARTURO UI is a 1941 play by German playwright Bertolt Brecht. Using satire, it tells of the rise of Arturo Ui, a ruthless fictional 1930's Chicago mobster and his takeover of 'the cauliflower racket' by disposing of all who oppose him. It is meant to be an allegory on the rise to power of Adolf Hitler and the Nazi Party in Germany. The play was written in Helsinki, Finland while Brecht was awaiting entry into the United States after fleeing Germany and was not produced on the stage until 1958. It would be 1961 before it was produced in English. Brecht intended all along that the play was to be produced for the American stage. The play is often compared to the film The Great Dictator (1940), which also featured an absurd parody of Hitler.

Texas Performing Arts continues to present world-class performances to The University of Texas at Austin and Central Texas audiences with the unveiling of the 2016/17 Essential Series.

With only 30 audience members per performance, your experience with the Rude Mech's NOW NOW OH NOW begins when you get your tickets. Each audience member must choose from one of six symbols. Your choice will group you into a tribe of five members. You are about to embark on an adventure with people you've never met before. Oh, the places you'll go…

59E59 Theaters welcomes Monk Parrots with the US premiere of the new musical WELCOME TO THE KINGDOM OF SAUDI ARABIA, book by Luke Landric Leonard; lyrics by Katie Pearl and Mr. Leonard; music by Peter Stopschinski; and directed by Mr. Leonard.

59E59 Theaters welcomes Monk Parrots with the US premiere of the new musical WELCOME TO THE KINGDOM OF SAUDI ARABIA, book by Luke Landric Leonard; lyrics by Katie Pearl and Mr. Leonard; music by Peter Stopschinski; and directed by Mr. Leonard.