Peter Flaherty

Contra Costa Civic Theatre (CCCT) will launch its 2023-24 season with Sondheim on Sondheim, a captivating musical revue that delves into the life and artistry of one of the greatest composers in American musical theater history, Stephen Sondheim, from August 25 through September 10. 

Wagner’s ghostly drama Der Fliegende Holländer returns to the Met for four performances, May 30–June 10.

Check out footage of LOHENGRIN at The Metropolitan Opera starring Piotr Beczała and more!

The Met’s new production of Richard Wagner’s LOHENGRIN showcases startlingly good singing from tenor Piotr Beczala in the title role, supported ably and nobly by soprano Tamara Wilson’s Elsa, bass-baritone Evgeny Nikitin’s Telramund and bass Gunther Groissbock’s King Heinrich. And soprano Christine Goerke’s evil Ortrud nearly steals the show. With the Met’s orchestra and chorus in glorious form, led by music director Yannick Nezet-Seguin in the pit, the performance made you want to scream and yell for more.

​​​​​​​Wagner's soaring masterpiece Lohengrin returns to the Met stage after 17 years, in a new production by internationally renowned director François Girard. The production runs from February 26th-April 1st.

The Metropolitan Opera has announced the launch of The Met: Live at Home, a streaming platform that allows audiences to watch the Met’s acclaimed series of live simulcasts from any device in the comfort of their homes—the latest effort by the company to reach as broad a public as possible.

The Metropolitan Opera today announced its 2022–23 season, which features seven new productions, the most in ten seasons. Opening Night is September 27 with the company premiere of Cherubini’s Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar’s new staging, conducted by Carlo Rizzi.

On March 2, 2020 Alison Clancy a?oeMade Dance Historya?? (The Dance Enthusiast) performing an 11-minute dance solo at The Metropolitan Opera for the overture of Richard Wagner's Der Fliegende Holländer.

The Met had a wonderfully conducted performance of Wagner's DER FLIENGENDE HOLLANDER with a marvelous singer in the title role. Unfortunately, that was in 2017, when the Met's Music Director Yannick Nezet-Seguin was on the podium and Michael Volle was the forceful Hollander. This time around, when Francois Girard's new Expressionist production had its premiere the other night, with Valery Gergiev at the helm and Evgeny Nikitin as the Dutchman, things did not go so smoothly.

The Metropolitan Opera presents a new production of Wagner's early masterpiece Der Fliegende Holländer on March 2, 2020, with performances continuing through March 27. Valery Gergiev conducts the new staging from director François Girard, whose interpretation is centered on the young woman Senta's obsession with a portrait of the Dutchman.

The Metropolitan Opera will present a new production of Wagner's early masterpiece Der Fliegende Holländer on March 2, 2020, with performances continuing through March 27. Valery Gergiev conducts the new staging from director François Girard, whose interpretation is centered on the young woman Senta's obsession with a portrait of the Dutchman.

Alison Clancy – an accomplished contemporary dancer fluent both in high-brow and downtown style – will be making her debut as a soloist at The Metropolitan Opera during the overture of Richard Wagner's Der Fliegende Holländer. In this New York premiere, directed by François Girard and choreographed by Carolyn Choa, Clancy takes center stage at the venerable NYC institution in a dance prologue, created especially for this staging, in which she is a psycho-spiritual embodiment of Senta, the opera's leading lady.

Midtown Direct and Triple Birch Media present an exclusive preview reading of NOVEL: An Audio Drama Series, created by Aimee Parrott and William Bienes.

Sundance Institute will convene dozens of offscreen events, including inclusive and intersectional conversations on the next wave of storytelling, radical data transparency, the future of democracy at its intersection with the arts, behind-the-scenes panels on the art of filmmaking and musical performances that range from intimate to raucous at the 2019 Sundance Film Festival taking place in Park City, Salt Lake City, and Sundance, Utah, January 24 through February 3, 2019.

Sundance Institute spotlights work at the dynamic crossroads of film, art and technology with the New Frontier selections for the 2019 Sundance Film Festival, announced today. This curated collection of cutting-edge independent and experimental media works are by creators who are pushing artistic innovation across new mediums that include VR, AR, mixed reality (MR) and AI. Programmers assembled a global slate of work from a mix of invitations and submissions to an open call for VR work earlier this year.

Richard Wagner's last opera, PARSIFAL, is a tough nut to crack. With its highly religious overtones, lack of action and incredible length (it ran about 5 hours 40 minutes the other night), it's not exactly a 'light night' at the opera--even if for those of us who consider opera to be a 'light night'. Still, with the right cast and conductor, it can be transcendent. The Met's new revival came pretty close to getting us there.

Midtown Direct Rep (MDR) is delighted to present its second reading of its 2017-1018 staged reading series, Theater at The Woodland, with a presentation of FEAR, written by Matt Williams and directed by Mark Armstrong. This event will be performed for one night only on Sunday, December 3rd at 7:00pm at The Woodland (60 Woodland Rd. Maplewood, NJ), where MDR is the resident theater company. The reading is $20 (advance purchase), $25 (if purchased at the door) and open to the public. Student/Senior discounts are also available. Tickets can be purchased online through Eventbrite by clicking the link HERE.

Midtown Direct Rep (MDR) launches its 2017-18 reading series, Theater at The Woodland, with a free presentation of SOMETHING TO LIVE FOR, a new play with music, written by Rob Zellers, directed by Billy Porter, with music supervision by Zane Mark and musical direction by Darryl Ivey. 

Due to a professional scheduling conflict, Matthew Morrison has withdrawn from the previously announced performance of Sondheim on Sondheim on Sunday, July 23, at 7.30 pm at the Hollywood Bowl.

The Hollywood Bowl has announced that Sarah Uriarte Berry, Philip Boykin, and Jonathan Groff will complete the cast for a benefit performance of SONDHEIM ON SONDHEIM, with music and lyrics by Stephen Sondheim, conceived and directed on Broadway by James Lapine.