Leo Rialp

Fundacion Centro Flamenco brings back its full-length original flamenco ballet La Luna Roja to the Carlos P. Romulo Auditorium this weekend, 23-24 November.

The musical pedigree of Ang Larawan, an official entry to the 2017 Metro Manila Film Festival (MMFF), traces back to Culturtain Musicat Productions' (formerly Musical Theatre Philippines) 1997 musical adaptation of Nick Joaquin's 1950 landmark play A Portrait of the Artist as Filipino. Why such a masterwork has stood the test of time is what this film adaptation wants you to fully grasp.

Sans the female lead Joanna Ampil (Candida), who's currently part of the UK/International tour of the musical Cats, the rest of the cast and the creative team behind the stage-to-screen adaptation of Nick Joaquin's A Portrait of the Artist as Filipino ( Ang Larawan ) recently met with the members of the Philippine press with one plea: urge the moviegoing public to catch the movie musical Ang Larawan during its first two days at the Metro Manila Film Festival (MMFF), which traditionally opens on Christmas Day and runs through the holidays.

Fundacion Centro Flamenco (Centro Flamenco), the country's premier flamenco dance school, will stage the full-length original flamenco ballet titled La Luna Roja (The Red Moon) at the Carlos P. Romulo Auditorium (RCBC building, Makati) on November 25-26.

Except his visually engaging take in the finale, legendary director Tony Mabesa remains faithful to Virgilio Almario and Jose Lacaba's Filipino translation of one of National Artist for Literature Nick Joaquin's shortest plays Fathers and Sons ( Mga Ama, Mga Anak ), which runs at the Wilfrido Ma. Guerrero Theatre at the University of the Philippines-Diliman until this Sunday, September 24.

Manila, Philippines-- Dulaang UP (DUP) celebrates its 40th theater season with the theme “20/20 Vision: Clarity . Originality. Perspective.” For its premiere offering, DUP presents #R

Theater and film actress Cherie Gil ('Master Class,' 'Full Gallop') makes her Philippine Educational Theater Association (PETA) debut via theater director-scenic designer Loy Arcenas ('Corpus Christi,' 'Love! Valour! Compassion!') and playwright Rody Vera's ('The Merchant of Venice,' 'D' Wonder Twins of Boac') reimagining of Anton Chekhov's masterwork 'The Cherry Orchard,' now titled 'Arbol de Fuego,' a flowering tree that bears no fruit, which frames the main entrance to the nearly bankrupt estate Balay Dako in Negros Occidental, Southern Philippines, during the '70s.

Theater and film actress Cherie Gil ('Master Class,' 'Full Gallop') makes her Philippine Educational Theater Association (PETA) debut via theater director-scenic designer Loy Arcenas ('Corpus Christi,' 'Love! Valour! Compassion!') and playwright Rody Vera's ('The Merchant of Venice,' 'D' Wonder Twins of Boac') reimagining of Anton Chekhov's masterwork 'The Cherry Orchard,' now titled 'Arbol de Fuego,' a flowering tree that bears no fruit, which frames the main entrance to the nearly bankrupt estate Balay Dako in Negros Occidental, Southern Philippines, during the '70s.

Show partners Repertory Philippines (Rep) and BroadwayWorld.com (BWW) are giving away a pair of tickets to the former's production of Tracy Letts' Pulitzer Prize-winning play AUGUST: OSAGE COUNTY on Saturday, March 15, 8 p.m. at Onstage Theatre (2/F Greenbelt One, Ayala Mall, Makati City)

Repertory Philippines' (Rep) take on the 2008 Pulitzer Prize-winning play AUGUST: OSAGE COUNTY, written by Tracy Letts ('Bug,' 'Killer Joe'), officially opened at Onstage Theatre (2F Greenbelt One Mall, Makati City) last night. The production, directed by Chris Millado--his directing debut at Rep--will run until Sunday, March 16.

Repertory Philippines (Rep) production of the 2008 Pulitzer Prize-winning play AUGUST: OSAGE COUNTY, written by Tracy Letts, will run from Friday, February 21 to Sunday, March 16, 2014 at Onstage Theatre (2/F Greenbelt 1, Paseo de Roxas corner Legazpi St., Makati City).

BroadwayWorld.com, the largest theater site on the Internet covering Broadway, London's West End, and beyond to 100 U.S. cities and 30 countries worldwide, and whose contents are catalogued in the Library of Congress, has recently announced its annual theater awards nominees from more than 50 regional markets across the globe, including the Philippines.

Dulaang UP closes its 37th season with a bold and daring new play, 'Collection,' written by visionary playwright Floy Quintos.

'Collection,' an original Filipino play, written by multi-awarded playwright Floy Quintos ('Shock Value,' 'Ang Bagong Harana') and directed by avant garde director Dexter Santos ('Rizal X', 'Orosman at Zafira') is DUP's final offering for its 37th season. The production runs until Wednesday, March 6 at Wilfrido Ma. Guerrero Theater, University of the Philippines.

Dulaang UP, together with its media partner BroadwayWorld Philippines and exceptional photographers Dino Dimar and Jojit Lorenzo, brings you a first look at the stellar cast of 'Collection,' a new dark comedy by multi-awarded playwright, TV and stage director Floy Quintos ('Ang Bagong Harana,' 'Isang Panaginip na Fili').

Dulaang UP, together with its media partner BroadwayWorld Philippines and exceptional photographers Dino Dimar and Jojit Lorenzo, brings you a first look at the stellar cast of "Collection," a new dark comedy by multi-awarded playwright, TV and stage director Floy Quintos ("Ang Bagong Harana," "Isang Panaginip na Fili").

I just have to write about Lara Fabregas; she's my kind of a leading lady of the theater: enigmatic, elusive, complex, sultry, and divine. If she were to star as Hedda Gabler, the original, quintessential "desperate housewife" in Henrik Ibsen's 1890 play, in the big city, which versatile and accomplished actresses Cate Blanchett and Mary-Louise Parker did in 2006 and 2009, respectively, I'd be the first to fall in line for show tickets. Alas, Ms. Fabregas' much-awaited stage comeback after almost seven years is happening back home in Manila. At times like these, I wish I were a bridge that could stretch across the Pacific.

I just have to write about Lara Fabregas; she's my kind of a leading lady of the theater: enigmatic, elusive, complex, sultry, and divine. If she were to star as Hedda Gabler, the original, quintessential "desperate housewife" in Henrik Ibsen's 1890 play, in the big city, which versatile and accomplished actresses Cate Blanchett and Mary-Louise Parker did in 2006 and 2009, respectively, I'd be the first to fall in line for show tickets. Alas, Ms. Fabregas' much-awaited stage comeback after almost seven years is happening back home in Manila. At times like these, I wish I were a bridge that could stretch across the Pacific.

XANADU, the Broadway musical comedy that opened in 2007, skates into Manila in a brand new production directed by Bobby Garcia (Broadway Asia's CINDERELLA, SPELLING BEE, HAIRSPRAY, AVENUEQ).