Larry Paulsen

Augie is the understudy for one of the most demanding roles in the theater, King Lear--and he may have to go on tonight. Anna, his wife, is ready to help him. But she has a secret (or two), and he has a problem...

Dear Readers, I’m going to set the “Way Back Machine” to 2011 where I was first introduced to the works of playwright Tarell Alvin McCraney as the Seattle Rep had produced his stunning “The Brothers Size”, a show that hit me so hard in the gut that I think about it to this day. And while I was still reeling from it in 2012, he presented his astounding “Choir Boy” at the Royal Court Theatre in London. Eventually it made its way to Broadway in 2019 to a huge outpouring of critical acclaim. Sadly, I missed that run but then ACT announced they would be bringing it to Seattle … in 2020. Yup, you guessed it. It didn’t happen then thanks to the pandemic. But now, thanks to the theatre gods, ACT, in conjunction with the 5th Avenue Theatre, have made good on their promise of presenting this amazing work and let me tell you, it was worth the wait.

The best play about the United States in 2021 was written in Scotland in 1994. In a time when words and ideas are divisive, and when someone from another country—or the other side of town—can seem both exotic and threatening, come join the feast that is David Greig's powerful play about two outsiders who change a small town. Two refugees arrive at a train station in a small border town where the trains no longer stop. They are not looking for love; they are not looking for trouble. They find both. 

The DCPA Theatre Company, the regional producing theatre arm of the Denver Center for the Performing Arts (DCPA), is proud to announce the full casting and creative team for Twelfth Night.

The drama works because of the intriguing way the characters' ideas about how to act in response to Marian Anderson's two provocative exclusions (first from Nassau Inn and then from Constitution Hall) shift repeatedly in response to new information, so that consensus is almost impossible to achieve, at least until the play's very end. Anderson seeks progress through song, unimpeachable behavior and an avoidance of politics; Albert Einstein wants an end to both racism and antisemitism, and by the end is very worried about the Bomb; Mary Church Terrell embraces confrontation because all else seems to fail; and Abraham Flexner tries hard to protect the Institute as a means of keeping the Holocaust from consuming absolutely all Jews, even though he can save only a few.

This, as the opening line of Alabama Story tells us, is a story about two rabbits. It's a story about 1959 Montgomery, where cotton is king, where conservative white men call all the shots, and where books that might be about integration are censored. It is a battle of wills between a segregationist senator and a cultivated state librarian regarding a children's book wherein one rabbit happens to be black and one happens to be white. It is a story of childhood friends Lily and Joshua who encounter one another later in life and reminisce over their shared memories while illuminating the dramatic differences in their human experience. It is based on a true story. It is reflective of many true stories.

Alabama Story continues The Rep's Mainstage season with a potent collision of art and politics. Running January 2-27, this new play by Kenneth Jones is directed by Paul Mason Barnes.

Gulfshore Playhouse's production of SCAPINO, based on Moliere's Scapin, brings an exciting, local twist to a play that is hundreds of years old. The show, adapted by Jeffrey Binder, has something for everyone--humor, romance, scheming, and much, much more.

With a story as epic and revered as Hamlet, a theatre company has to either go big or go home. And with its first-ever production of William Shakespeare's iconic tragedy (running October 11 through November 5), The Repertory Theatre of St. Louis is most definitely going big with an all-star cast and production team.

With a story as epic and revered as Hamlet, a theatre company has to either go big or go home. And with its first-ever production of William Shakespeare's iconic tragedy (running October 11 through November 5), The Repertory Theatre of St. Louis is most definitely going big with an all-star cast and production team.

Santa Cruz Shakespeare is proud to present Hamlet by William Shakespeare, the second play in its 2016 repertory season. One of Shakespeare's most popular tragedies, Hamlet opens on Friday, July 29, 2016, at 8:00 pm in its new home, The Audrey Stanley Grove at DeLaveaga Park in Santa Cruz. Performances run throughAugust 28, 2016. 

Santa Cruz Shakespeare opens its 2016 summer repertory season on Friday,July 15, 2016, at 8:00 pm with Shakespeare's A Midsummer Night's Dream in its new home, The Grove at DeLaveaga Park in Santa Cruz. Performances run through August 28, 2016.

Rehearsals have begun for a scorching new revival of Tennessee Williams' Cat on a Hot Tin Roof directed by Kurt Beattie in his final season as Artistic Director. The first play to kick off ACT's 50th Anniversary harkens back to our inaugural 1965 season when Cat on a Hot Tin Roof had its Seattle Premiere directed by ACT founder Gregory A. Falls.

Vanya and Sonia and Masha and Spike by Christopher Durang opens tonight, September 26, at Syracuse Stage. Directed by Marcela Lorca, the show runs through October 12, 2014. BroadwayWorld has a first look at the cast in action below!

The 14/15 Season at Syracuse Stage starts tonight, September 24, with Vanya and Sonia and Masha and Spike, winner of the 2013 Tony Award for Best Play. In this 'ripped and roaring' comedy by Christopher Durang, Sonia and Vanya have frittered their lives away in the family farmhouse. Enter their sister, self-absorbed movie star Masha with her 20-something boy toy Spike, and a dysfunctional family's reunion turns into a weekend of hilarity.

The 14/15 Season at Syracuse Stage starts September 24 with Vanya and Sonia and Masha and Spike, winner of the 2013 Tony Award for Best Play. In this "ripped and roaring" comedy by Christopher Durang, Sonia and Vanya have frittered their lives away in the family farmhouse. Enter their sister, self-absorbed movie star Masha with her 20-something boy toy Spike, and a dysfunctional family's reunion turns into a weekend of hilarity.

The McCarter Theatre Center presents two all-new adaptations of Pierre Beaumarchais' comic masterpieces that inspired Rossini and Mozart's operas: The Barber of Seville and The Marriage of Figaro. Filled with material rarely seen by modern theatregoers (due to being cut by censors for the operas), The Figaro Plays will contain fresh surprises, unexpected laughs, and new insight for 21st century audiences. Click below to go behind the scenes with the cast and creative team!

McCarter Theatre Center presents two all-new adaptations of Pierre Beaumarchais' comic masterpieces that inspired Rossini and Mozart's operas: The Barber of Seville and The Marriage of Figaro. Filled with material rarely seen by modern theatregoers (due to being cut by censors for the operas), The Figaro Plays will contain fresh surprises, unexpected laughs, and new insight for 21st century audiences. BroadwayWorld has a first look at The Marriage of Figaro below!

McCarter Theatre Center presents two all-new adaptations of Pierre Beaumarchais' comic masterpieces that inspired Rossini and Mozart's operas: The Barber of Seville and The Marriage of Figaro. Filled with material rarely seen by modern theatregoers (due to being cut by censors for the operas), The Figaro Plays will contain fresh surprises, unexpected laughs, and new insight for 21st century audiences. Scroll down for a first look at The Barber of Seville!

He may not have money, he may not have power...but where there's a wit, there's a way. Figaro is a comic chameleon unmatched across history: clever, insubordinate, restless, lustful, agent of chaos, champion of love, jack of all trades, and man for all seasons. For more than two hundred years, this wily valet has spoken words that have incited revolution and performed deeds that make audiences fall in love with him time and again.