Jane Kelley Watt

David Compton – one of the region's most accomplished and acclaimed and most beloved actors and directors – died early Wednesday morning, May 4, after a four-year battle with heart disease and cancer. He leaves his wife, Amanda Card Compton (whom he married on Tuesday, May 3, just hours before his death); his mother, Jo Compton of Badin, North Carolina; his sister Becky Compton Taylor; his brother Jim Compton; and countless other friends and family who are mourning his passing.

Director Kate Adams-Johnson, aka Nashville's busiest choreographer, is putting yet another cast through its paces in preparation for yet another opening night. Only this time, she's serious. Very serious. The show she's helming this time, you see, is every dancer's holy grail: A Chorus Line. In the cast, you'll find a blending of familiar faces and newcomers. During the run-up to the show's June 9 opening night, we'll introduce you to Kate's cast - and, as you'll see, some of them have much to learn about being interviewed by 'Nashville's favorite theater critic.' Next up is Donna 'The Pride of Irvine' Driver...obviously, this ain't her first time at the rodeo...

Amid threatening weather forecasts and a winter storm bearing down on the South, more than 150 hardy souls gathered to celebrate live theatre in Nashville and Middle Tennessee with the presentation of the BroadwayWorld.com Nashville Theatre Awards and First Night's Top Ten of Twenty-Ten on Sunday night, January 9. Street Theatre Company's new venue at 1933 Elm Hill Pike was the setting for the event that featured performances by Joann Coleman, Ben Van Diepen, Ann Street Kavanaugh, Laura Matula, Michael Kitts and Bakari Jamal King.

Despite portentous warnings of an approaching snowmageddon across the South, more than 150 members of the Nashville and Middle Tennessee theater community gathered at Street Theatre Company in Nashville Sunday night, January 9, for the announcement of the BroadwayWorld.com Nashville Theatre Award winners and the presentation of First Night's Top Ten of Twenty-Ten.

The individuals and productions that made 2010 such a memorable year in Nashville theater will be recognized Sunday night, January 9, with the presentation of the BroadwayWorld.com Nashville Theatre Awards and the unveiling of First Night's Top 10 of 2010. Street Theatre Company, located at 1933 Elm Hill Pike in Nashville, will provide the setting for the event, which is hosted by Jeffrey Ellis, the executive producer of the First Night Nashville Theatre Honors, who covers Nashville theater for the world's largest theater website.

A cast of more than 125 performers took to the stage of the Troutt Theatre at Belmont University to fete the eight members of the 2010 Class of First Night Honorees in a production that featured the best of the best of Nashville theater and included a surprise appearance by Joseph Mahowald, winner of a 1989 First Night Award, now playing the role of Franklin Hart Jr. in the national tour of 9 to 5: The Musical, which opened in Nashville at the Tennessee Performing Arts Center on Tuesday, September 21.

With a cast of 125 performers, a seven-member band, the show's running crew and a smattering of other people holding forth, the backstage scene at last Sunday night's First Night Nashville Theatre Honors was a virtual stage show in itself with all the hustle and bustle amid the hushed tones associated with the backstage area of a huge theatrical production.

Eight of the leading lights of Nashville theater were announced Monday night as the Class of 2010 Honorees for the First Night Nashville Theatre Honors, to be presented Sunday, September 19. The Hard Rock Cafe Nashville's Reverb Room was the setting for the preview party and announcement of honorees.

A revival of a much-earlier production during ACT 1's first 20 seasons, which was also directed by Seay, the cast featured some returning favorites including Riley Bryant, Caroline Davis, Douglas Goodman and Jordan Keller. The presence of these Nashville stage veterans made the production all the more appealing and, when supplemented by a talented group of newcomers, ensured that audiences would walk away humming a sprightly tune while contemplating the horrors of World War I. Who knew mustard gas could be so darn much fun?

The Troutt Theatre at Belmont University will play host to the First Night Nashville Theatre Honors this fall, following the announcement of honorees in August during a party now being planned. Jeffrey Ellis, who covers Nashville theatre for BroadwayWorld.com and was founder and executive producer of The First Night Awards, will return in his original role and will oversee the event. Jane Kelley Watt, longtime musical director of the awards ceremony, will also return in that capacity. John Northrup is stage manager for the event.

One of the most memorable shows in musical theatre history, Annie Get Your Gun is Irving Berlin's masterpiece, including some of the best songs ever written for the stage; unfortunately, it also has one of the creakiest books ever written to accompany those wonderful tunes. Although that script was updated and re-tooled for the 1999 Broadway revival, SCA decided to go with the older (probably from the 1966 revival), lamer and (we hate to say it) more racist version. It was not a good choice, particularly when the 1999 revival script is available; its judicious editing resulted in a tighter script and a quicker pace to make the show more palatable to contemporary audiences-especially in 2009.

Featuring a veritable 'greatest hits' list of Berlin's music-including 'There's No Business Like Show Business,' 'Moonshine Lullaby,' and 'Old-Fashioned Wedding'--Annie Get Your Gun is loosely based on the life story of sharpshooting star Annie Oakley and her husband, crack shot Frank Bulter. Debuting on Broadway in 1946, Annie Get Your Gun enjoyed long-running success in New York City and London and most recently was revived on Broadway with Bernadette Peters and Tom Wopat in the lead roles.

Featuring a veritable 'greatest hits' list of Berlin's music-including 'There's No Business Like Show Business,' 'Moonshine Lullaby,' and 'Old-Fashioned Wedding'--Annie Get Your Gun is loosely based on the life story of sharpshooting star Annie Oakley and her husband, crack shot Frank Bulter. Debuting on Broadway in 1946, Annie Get Your Gun enjoyed long-running success in New York City and London and most recently was revived on Broadway with Bernadette Peters and Tom Wopat in the lead roles.

Since returning to the world of theatre via BroadwayWorld.com about a month ago, after an almost seven year absence, I've had the invaluable opportunity of reconnecting with a number of old acquaintances and renewing long-dormant friendships and relationships with people connected to the theatre scene in Nashville and throughout Tennesseee.