Edith Bell

Signal Ensemble Theatre opens the new year with the second production in their Tenth Anniversary 2012-2013 season, the world premiere of Successors, January 26 - March 2, 2013 at Signal Ensemble Theatre, 1802 West Berenice Ave. Successors is written by Signal Ensemble member Jon Steinhagen and is directed by Signal Ensemble member and Co-Artistic Director Ronan Marra. Performances will regularly run Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. Preview performances are on Thursday, Jan. 24 and Friday, Jan. 25 at 8 p.m., followed by opening/press night on Saturday, Jan. 26 at 8 p.m. Regular ticket prices are $20 for single tickets, $15 for industry/students/seniors/groups and $10 for previews. Tickets may be purchased by calling 773.698.7389 or by visiting www.signalensemble.com.

Signal Ensemble Theatre presents the first production in their 10th Anniversary, 2012-2013 season, the Chicago premiere of Princes of Waco tonight, August 16 - September 22, at Signal Ensemble Theatre, 1802 West Berenice Ave. Princes of Waco is written by Robert Askins and directed by Signal Ensemble Member Bries Vannon.

Signal Ensemble Theatre presents the first production in their 10th Anniversary, 2012-2013 season, the Chicago premiere of Princes of Waco, August 16 - September 22, at Signal Ensemble Theatre, 1802 West Berenice Ave. Princes of Waco is written by Robert Askins and directed by Signal Ensemble Member Bries Vannon.

Signal Ensemble Theatre announces their 2011-2012, 9th anniversary season, continuing to perform in their own space, a permanent, leased venue in Chicago's North Center/Lincoln Square district. The group will also debut an initiative called The Ensemble Project, where Signal ensemble members can produce their own projects - including theatre, art, music, and other disciplines - at the Signal space, although not as an 'official' Signal production. The first Ensemble Project event will be Beckett's 'Krapp's Last Tape,' produced and directed by ensemble member Aaron Snook (see below).

Signal Ensemble Theatre announces their 2011-2012, 9th anniversary season, continuing to perform in their own space, a permanent, leased venue in Chicago's North Center/Lincoln Square district.

Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.

Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.

Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.

Signal Ensemble Theatre presents the first show of its eighth season, Tom Stoppard's comedy 'The Real Inspector Hound,' the ensemble's inaugural presentation in their permanent theater space at 1802 W. Berenice Ave., a 50-seat venue in Chicago's North Center neighborhood. Theatre critics Moon and Birdboot attend the premiere of a new murder mystery and are swept into the whodunit they are viewing. As Moon laments his status as a second-string reviewer, and Birdboot considers adultery with one of the shows actresses, they soon find themselves inside the play-within-a-play, implicated in the lethal activities of an escaped madman. In a hilarious send-up of Agatha Christie-style melodrama, Stoppard's 1968 work is just as rooted in absurdism as it is in satire. Kicking off Signal's 'Season of Comedy,' this play set in the theater will appropriately open Signal's new performance space. The show will run about 65 minutes with no intermission.

Signal Ensemble Theatre, a Chicago company, announces the addition of three new ensemble members, starting in the 2009-2010 season, including scenic designer Melania Lancy, playwright/actor Jon Steinhagen and actor/director Bries Vannon.

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?