Bill Largess

It’s the painting Girl with a Flute, long attributed to Vermeer, that adorns the program cover of the Washington Stage Guild’s world premiere production of “An Unbuilt Life.” 

Get the latest cast updates for the Washington Stage Guild's production of AN UNBUILT LIFE.

Get the latest updates on the area premiere of VICTORIAN LADIES’ DETECTIVE COLLECTIVE by the Washington Stage Guild. Stay tuned for more information about the show.

The Washington Stage Guild's 2023-2024 season continues with the playwright the company has most frequently produced (30 productions of 27 plays), G.B. Shaw and his play Arms and the Man.

The Washington Stage Guild opens its 2023-2024 season, a “Season of Truths Revealed,” with the area premiere of Dorothy’s Dictionary by E.M. Lewis, directed by Stage Guild founding member Laura Giannarelli (The Good Doctor). 

The Washington Stage Guild has revealed its 2023-2024 Season. See full programming and learn how to purchase tickets!

The Washington Stage Guild closes its 2022-2023 season, a “Season of Transitions,” with the area premiere of Ben Butler by Richard Strand, directed by Helen Hayes Award winner Kasi Campbell (The Dazzle, Rep Stage).

Now through February 19, the Washington Stage Guild presents Samuel Beckett’s eerie and philosophical single-act tragicomedy, ENDGAME, directed by Alan Wade. Bill Largess, Matty Griffiths, David Bryan Jackson, and Rosemary Regan captivate audiences as their characters grapple with existence within a desolate post-apocalyptic world.

Special Offer: The Irish are coming to D.C.!

The Washington Stage Guild will continue its 2022-2023 season, a “Season of Transitions,” with Endgame by Samuel Beckett, directed by Alan Wade. Performances begin January 26 - 28 with four Pay-What-You-Can previews and run until February 19, 2023.

-The Washington Stage Guild continues its 2022-2023 season, a “Season of Transitions,” with Major Barbara by George Bernard Shaw, directed by Associate Artistic Director Steven Carpenter.

The Washington Stage Guild will kick off its 2022-2023 season, a “Season of Transitions,” with The Good Doctor by Neil Simon, adapted from the stories of Anton Chekhov, directed by founding member Laura Giannarelli.

The Washington Stage Guild, having successfully and safely returned to in-person performances in the 2021-2022 season, announces its upcoming year's repertory, a season of plays that look, fittingly, at the challenges of transition.

The Washington Stage Guild will conclude its 2021-2022 season with Memoirs of a Forgotten Man by D.W. Gregory. The play, which had its world premiere at The Contemporary American Theatre Festival in 2018, takes place in the Stalinist Soviet Union, where a man’s inability to forget those whom the government has “erased” becomes increasingly problematic for him and his family.

DC’S little jewel of a theatre company Washington Stage Guild (WSG) was built on producing the works of George Bernard Shaw. In its long and distinguished history of producing high quality theatre the company has produced over thirty productions of Shaw’s work.

 The Washington Stage Guild continues its 2021-2022 season with a play we first produced in 1991, George Bernard Shaw’s MRS. WARREN’S PROFESSION.

The Washington Stage Guild at last brings to the stage the Washington premiere of Sam and Dede, or My Dinner with André the Giant by Gino DiIorio. Originally scheduled for our 2019-20 season, the production was halted and postponed indefinitely by the COVID-19 pandemic lockdown. We are delighted to be able to produce this fascinating play at last. 

The Washington Stage Guild will return to the stage with a masterwork by one of the modern theatre’s most important figures: My Children! My Africa!, the great South African playwright Athol Fugard’s meditation on education and its role in the struggle for justice, along with its sad limits in a culture of oppression and bigotry.

Streaming for free May 19-23, How He Lied to Her by George Bernard Shaw is presented by the Washington Stage Guild. Set in a London drawing room, the play is a witty look at the love triangle as only Shaw could envision it. The play has often been interpreted as a kind of satirical commentary on Shaw's own highly successful earlier play Candida, which one of the characters gets tickets to see.

A strong cast and steady pace make this rare performance of Shaw's first hit work a worthwhile free tune-in.