Ann Sonneville

Experience the joyous reunion of Jean Smart and Ann Sonneville as they come together for Fountain Theatre's 40th Anniversary Production of Last Summer at Bluefish Cove. Get a glimpse behind-the-scenes with these captivating photos from the special reunion night.

Unlike most stories told about the LGBT community in the ’70s and ’80s, this isn’t about homophobia, about the terror of coming out to loved ones, or about self-destruction or self-hatred. Chambers creates normalcy of life for her characters, and that makes them relatable to everyone. We know these women. We ARE these women.

First look photos! The Fountain Theatre has transformed the parking lot surrounding the set on its outdoor stage into an oceanfront experience for its 40th anniversary production of the groundbreaking comedy/drama, “Last Summer at Bluefish Cove” by Jane Chambers. Directed by Hannah Wolf, performances opened over the weekend and will continue through August 27.

Forty years ago, the Fountain Theatre presented the groundbreaking comedy/drama, Last Summer at Bluefish Cove by Jane Chambers, one of the first playwrights to depict love between women as happy, healthy, and well-adjusted. I decided to speak with the play’s director Hannah Wolf about the history and importance of the play, the challenges of presenting it outdoors, how she was selected to direct it, about the characters who make up the story, and why its message of acceptance speaks to the new generation of theater goers just as it did for those who saw Jean Smart in the original 1983-85 Fountain Theatre production.

Welcome to Bluefish Cove. The Fountain Theatre will transform the parking lot surrounding the set on its outdoor stage to create an oceanfront experience for its 40th anniversary production of the groundbreaking comedy/drama, Last Summer at Bluefish Cove by Jane Chambers.

Trap Door Theatre will extend the run of ALAS, a fragment of Matei Visniec's Cabaret of Words that was translated by Daniela Șilindean. After a positive critical reception and remarkable turnout, the show will close on September 24.

Trap Door Theatre will present ALAS, a fragment of Matei Visniec's Cabaret of Words that was translated by Daniela Șilindean. Chicago's ensemble has invited members of its sister company, Trap Door International in Barcelona, to join the digital production, which opens July 31. ALAS will be performed in a combination of Afrikaans, Catalan, Italian, Spanish, and English. 

Trap Door Theatre is adding three more performances to its run of a?oeLipstick Lobotomy,a?? written by Krista Knight and directed by Kate Hendrickson. Additional shows will be at 8 p.m. March 26, 27 and 28. The show features Dennis Bisto, Abby Blankenship, Natara Easter, Ann James, Eleanor Katz, Emily Lotspeich, Michael Mejia, Kirk Osgood, Ann Sonneville, Michaela Voit, Bob Wilson and Bernadetta Zawiejska. 

In the world premiere of a?oeLipstick Lobotomy,a?? John F. Kennedy's little sister, Rosemary Kennedy, and the playwright's Great Aunt Ginny develop a friendship at an exclusive high-end sanitarium for women in the fall of 1941. The women undergo the peculiar cutting-edge treatments on offer by a society desperate to find the cure for womanhood in this incisive comedy.

In the world premiere of 'Lipstick Lobotomy,' John F. Kennedy's little sister, Rosemary Kennedy, and the playwright's Great Aunt Ginny develop a friendship at an exclusive high-end sanitarium for women in the fall of 1941. The women undergo the peculiar cutting-edge treatments on offer by a society desperate to find the cure for womanhood in this incisive comedy.

Exit 63 Theatre has announced the cast and design team for the first production in its 2019 season, the Chicago premiere of DARK MATTERS by Roberto Aguirre-Sacasa (Riverdale and The Chilling Adventures of Sabrina) directed by Associate Artistic Director Nora Lise Ulrey.

Exit 63 Theatre has announced the cast and design team for the first production in its 2019 season, the Chicago premiere of DARK MATTERS by Roberto Aguirre-Sacasa (Riverdale and The Chilling Adventures of Sabrina) directed by Associate Artistic Director Nora Lise Ulrey.

Lookingglass Theatre Company, Court Theatre and Manual Cinema, Lifeline Theatre, and Remy Bumppo Theatre Company announce FRANKENSTEIN: Unearthed, a one-time-only event exploring the four productions of this classic tale coming to Chicago stages during the 2018-2019 season. FRANKENSTEIN: Unearthed takes place September 30, 2018 at 1:00 p.m. at Lookingglass Theatre Company. Tickets are $15 and can be purchased online at https://secure.acceptiva.com/?cst=85009b. Lookingglass is located at 821 N Michigan Avenue at Pearson.

LifelineTheatre presents Frankenstein, adapted by Lifeline Theatre ensemble member Robert Kauzlaric and directed by Lifeline Theatre ensemble member Paul S. Holmquist. In celebration of the 200th anniversary of the publication of Frankenstein; or, The Modern Prometheus, Kauzlaric and Holmquist, creators of The Island of Dr. Moreau in 2007 (winner of five Non-Equity Jeff Awards, including Production-Play and New Adaptation), return to the world of psychological suspense.

Red Tape Theatre announces the newest members to the growing company! Red Tape Theatre, located in the heart of Lincoln Square at 4546 N. Western Avenue, operates under the FREE THEATRE MOVEMENT, which began in January of 2018 along with partner theatre, Theatre Y. It is the company's belief that access to the arts is essential for our community's ability to engage in a free exchange of ideas. Red Tape strives to remove the barriers that exist between our community and an increasingly commodified culture. Red Tape is proud to offer all productions free of charge to the public. As they continue to grow our audiences, they are thrilled to announce the talented artists who are joining the company!

"Monsieur D'eon is a Woman" is a madcap romp following the extraordinary life and adventures of the Chevailere D'eon, an eighteenth century French diplomat, soldier, spy and a celebrated figure for Transgender and Women's rights.

'Round Heads and Pointed Heads' has been Jeff Recommended! 

THE TRAP DOOR THEATRE is proud to present The Locketeer Adapted from The Numbered by Elias Canetti, Adapted and Directed by Catherine Sullivan

THE TRAP DOOR THEATRE is proud to present The Locketeer Adapted from The Numbered by Elias Canetti, Adapted and Directed by Catherine Sullivan

The Locketeer is an adaptation of Elias Canetti's play from 1956, The Numbered wherein a nameless future state claims its power by imposing life spans on its citizens. This competition for status causes social paranoia and a tragicomic refusal of facts. The adaptation will be devised with the ensemble.