Review: TURANDOT at LA Opera
A sharp blade wielded threateningly, forced perspective creating looming palatial walls, the rotting heads of failed suitors, and a princess literally shrouded in mystery quickly orient us within Puccini’s iconic fairytale.
Review: Plenty of High Notes at Unusually Low-Key Richard Tucker Awards Gala
An historic recording of golden age tenor Richard Tucker singing “Sound an Alarm” from Handel’s JUDAS MACCABEUS” set the tone for the Richard Tucker Music Foundation’s Gala concert at Carnegie Hall. There was wonderful singing ahead of us—but of a certain kind.
Like many other classical organizations, the Tucker Foundation, has found that, as Charles Dickens said in “A Tale of Two Cities,” “It was the best of times, the worst of times.” The “best” is for the quality of the singers that the foundation has supported through varying kinds of grants. The “worst”? Money from the usual donor pool is in shorter supply than usual, which meant a less elaborate evening
Review: Met Revival of BALLO IN MASCHERA Opens in Alden Production
One of the troubles of being a major institution like the Met is that when they produce a new production of a major opera--and Verdi’s UN BALLO IN MASCHERA, which opened in revival the other night, certainly falls into that category--it’s an expensive undertaking. It's true that sometimes a production can be pulled out of its death tumble, with a new cast or simply time making the absolutely awful suddenly make sense. In the case of the current run of the opera, with Angela Meade, Charles Castronovo and Quinn Kelsey heading the cast, even good and sometimes inspired singing can’t save the day. Alden’s take is simply too laden with concept for it to breathe.
Academy Of Vocal Arts Reveals 2023/24 Season Lineup
The season, which is AVA's 89th, kicks off with a stunning production of Gaetano Donizetti's masterwork Anna Bolena, followed by Benjamin Britten's hauntingly beautiful The Rape of Lucretia and ending with Gioachino Rossini's beloved comic masterpiece, Il barbiere di Siviglia ('The Barber of Seville'). Also returning this season is the annual Giargiari Bel Canto Competition, New Artists Recital, Winter Recital, and Farewell Recital.
Review: Splendid Donizetti Rarity POLIUTO Showed Its Great Bones via Crutchfield's Teatro Nuovo
Usually, when long-neglected works somehow find their way to the forefront, we find there’s a pretty good reason for the lack of interest. Happily for us, this does not apply to Donizetti’s POLIUTO, which Will Crutchfield’s Teatro Nuovo performed last weekend at Montclair State’s Kasser Theatre and on July 19th at Jazz from Lincoln Center’s Rose Theatre. It’s filled with wonderful music that the current performers--particularly the suave tenor of Argentine Santiago Ballerini in the title role and the potent coloratura soprano Chelsea Lehnea--deliver with aplomb.
Metropolitan Opera Announces Cast Change For AIDA This May
Soprano Angela Meade will sing the title role of Verdi's Aida on April 27, 30 and May 6, 10, and soprano Leah Crocetto will complete the run on May 13 and 18, both replacing Michelle Bradley, who has withdrawn for personal reasons.
Review: An Old-Fashioned Sing-Off Celebrates ANGEL BLUE at Geffen Hall's 2022 Richard Tucker Gala
Award-winner Angel Blue started off the proceedings at the Richard Tucker Gala (after Barry Tucker’s usual introduction/ode to his father, the great tenor) with a bang: Puccini’s justly famous aria “Vissi d’arte” from TOSCA. For those of us who’ve only heard her as Bess in Gershwin’s PORGY & BESS at the Met, it was a revelation to hear her lush, velvety voice raise the rafters on the hall, with no warm up.