Charge It, Please! Photos - Off-Broadway

What is it about a good horror story that draws audiences by the cart load?  Is it the adrenaline surge of danger around every corner, even as the viewer remains safely out of danger? Or is it the exploration of the dark side of man’s psyche, feeding a vicarious blood lust in the deep recesses of our primordial hind brains? Or, is it a bit of schadenfreude, particularly if the victim is “deserving”?  All of things await the anxious theatregoer in Palm Canyon’s Theatre’s latest venture, Steven’s Sondheim’s macabre masterpiece “Sweeney Todd”.

They’re creepy and they’re kooky, mysterious and spooky, but they’re totally irresistible. Especially when you will be seeing some of Stamford’s most talented young actors and rising professionals.

The non-profit Kentwood Players, founded more than 70 years ago, is one of the longest-lasting community theatre companies in Los Angeles (and the nation.) Through the decades, Kentwood Players has staged more than 400 productions, touching the lives of tens of thousands of people throughout the region and beyond. It has been a haven for artists, a home for creativity and expression, and a reliable resource for high-quality community theatre in the southland, now showcased on the Kentwood Players Virtual Theater Series on You Tube.

The Kentwood Players Virtual Theater Series, offering new plays free of charge on its You Tube channel at https://youtube.com/c/kentwoodplayers, announces upcoming new plays presented November 2020 through April 2021.

During the thought-provoking 90-minute play, made even more visually intense via attention-grabbing historical projections of news headlines to forward the progression of time on Rachel Myers exquisitely transformational scenic design, Feldshuh and Faracy fully embody not only the physical presence of Ginsburg and O'Connor but also their dependency on each other to get their voices heard over the gender-biased male members of the Court. Their dedication to justice and the law was solid, although O'Connor felt the need to take it slowly like a tortoise while Ginsburg always felt the need to charge ahead like the hare when it came to issues of sexual harassment towards women.

Connecticut Repertory Theatre (CRT) stages it's second Studio Theatre production of the 2017-18 season with "She Kills Monsters" by Qui Nguyen. Madeline Sayet will direct. Performances will be held in the Studio Theatre from March 22-31, 2018. For tickets and information, please visit crt.uconn.edu or call (860) 486-2113.

Connecticut Repertory Theatre (CRT) will stage Sarah Ruhl's "Eurydice" to complete its Studio Works Series for the 2016-2017 season. Helene Kvale will direct. Performances will be held in the Studio Theatre from March 23rd through April 2, 2017. For tickets and information please visit crt.uconn.edu or call (860) 486-2113.

Guerilla Opera presents Let's Make a Sandwich, an experiment in opera production, which includes two world premiere operas with music and librettos by composers Rudolf Rojahn and Curtis K. Hughes, and stage direction by Copeland Woodruff and Giselle Ty. Through performance, this production investigates the culture of contemporary opera production and highlights where the influence of the composer ends and the director begins. Let's Make a Sandwich plays for one weekend only: Thursday through Saturday, September 25, 26 and 27, 2014, at 8 p.m. with an audience talk-back on Friday, September 26; all performances are in The Zack Box Theater at The Boston Conservatory, located at 8 The Fenway in Boston, MA. Tickets can be purchased beginning Wednesday, September 10, 2014, and are $15 general admission, $10 senior citizens and free for students with a valid ID (for at-the-door purchases only). Please call The Boston Conservatory Box Office at (617) 912-9222 or visit www.bostonconservatory.edu/tickets for more information. Let's Make a Sandwich is sung in English and is 90 minutes in duration.

The New York Musical Theatre Festival and Janet Billig Rich & Rebecca Roffman present a staged reading of the new musical IT'S ON!, the T.V. show theme song musical. Readings will take place on Tuesday July 10th and Wednesday July 11th at The Alice Griffin Jewel Box Theatre at the Pershing Square Signature Center located at 480 West 42nd Street. The official opening is Tuesday, July 10th at 8:00 PM.

Andrew Jackson, that guy on the twenty dollar bill and the United States' infamous seventh president, is alive and well in Houston. Remembered for the Indian Removal Act and initiating what would later be called Jacksonian Populism, this iconic badass president is the central character in Michael Friedman's comedic Wild West rock musical BLOODY BLOODY ANDREW JACKSON, which is being produced this month by Houston's Generations: A Theatre Company. George Brock, founding Artistic Director for Generations and Director of BLOODY BLOODY ANDREW JACKSON, assembled a panel of his cast, crew, and creative team to discuss the rip-roaringly raucous show and why you MUST see it!

Mayor Gavin Newsom proclaimed 'A WICKED Day in San Francisco,' welcoming the international phenomenon back to the city where it had its world premiere. At a special Homecoming Party in Union Square, WICKED Producer David Stone accepted a proclamation from Luis Cancel, Director of Cultural Affairs for the City and County of San Francisco on behalf of Mayor Newsom. Producer David Stone was in San Francisco for the Homecoming as tickets went on sale for the open-ended engagement of WICKED, which begins performances at the Orpheum Theatre January 27, 2009. He was joined by cast members performing in Union Square for a group of enthusiastic fans.