While a student at Thayer Academy in Braintree, actor, singer, and director John Ambrosino saw his earliest Broadway shows – from “Sunset Boulevard” to “Victor/Victoria” and, in his senior year, “Titanic” with Brian D’Arcy James, brother of the school’s then Head of Drama, Anne James.
Center Repertory Company has unveiled its 57th season—an extraordinary lineup of six works to be presented September 2024 through June 2025. See full programming and learn how to purchase tickets.
Discover the upcoming 2024-25 season at CENTER REPERTORY COMPANY, featuring two World Premieres, a queer interpretation of a classic, and an EGOT winner's fireside chat. Also, learn about their new audience initiatives.
Compagnia de' Colombari is celebrating 20 years of generating spectacle, disrupting and reconstructing texts and spaces under the direction of Karin Coonrod with a robust Anniversary Season throughout 2024.
Houston Contemporary Dance Company will present Electrostatic Attraction to continue their 5th Season. This concert will include a world premiere by Houston Ballet Demi Soloist, Jack Wolff and a new solo created by Andrea Dawn Shelley on founding company member Genene Walis McGrath.
Stream The Debut Of HBO Original Limited Series “The Sympathizer,” Max Original Unscripted Series “Conan O’Brien Must Go,” HBO Original Comedy Special “Alex Edelman: Just For Us,” HBO Original Documentary Series “The Jinx – Part Two” And “The Synanon Fix,” HBO Original Documentaries “Brandy Hellville & The Cult Of Fast Fashion” and more.
Ensemble Arts Philly has announced the 2024-2025 Broadway series with a lineup of productions, including Broadway’s newest blockbusters, Philly’s favorite revivals, exclusive touring shows, and lively dance performances. Learn more about the full season lineup here!
On May 1, 2024, Palace Theater will host CommUNITY: UNIFYING & EQUALIZING THROUGH SPORTS. This event explores the power of sports in bringing communities together and promoting equality.
Helmed by veteran producer Brian McTernan, Vows features high-profile guest appearances from the likes of Daniel Fang and Brendan Yates of Turnstile, Thrice, Dallas Green of City and Colour and Alexisonfire, The Interrupters, and Popeye Vogelsang of Calling Hours and melodic hardcore greats Farside. Plus, check out tour dates!
Milwaukee Repertory Theater announces its 2024/25 Season, featuring award-winning titles, world premieres, and more. Get all the details in the press release attached.
“Judgement at Nuremberg” at Metropolitan Ensemble Theatre’s (MET) Warwick Theatre is a fictional rendering of the 1947 Judge’s War Crime Trial held at Nuremberg, Bavaria, Germany. “Judgement at Nuremberg” is a painful remembrance of an attempt to both punish those accountable for the barbarisms committed in the name of the German state and to be consciously impartial in the administration of an accused’s trial rights.
Eighteen million people died at the hands of the Third Reich and its National Socialist (NAZI) leaders. Six and a half million of the dead comprised two-thirds of Europe’s Jewish population. It was a determined and deliberate stated goal of genocide of a people.
Post war, many of Europe’s surviving Jews fled places they had lived for millenniums in favor of reestablishing a sovereign state in their ancestral homeland where they could finally feel safe. It is ironic that this play opened in Kansas City on the very day that South Africa brought an accusation of genocide against the descendants of the survivors, today’s Israelis, at the International Court of Justice.
The play centers on three main characters. One is Dan Heyward, a retired American District Court Judge called to lead a panel of three non-biased jurists in the trial of three NAZI era judicial officials. The second is a renowned German Judge named Ernst Janning. Janning had once sat in the chair similar to America’s Attorney General during pre-NAZI days. The third character is a youngish defense attorney named Oscar Rolfe, a volunteer defender of the estimable Ernst Janning. Janning initially refuses to recognize the authority of the court.
It is two years since the end of the war in Europe. The scope of the evil that was done has become clear. The question facing the court is how far down into the German Bureaucracy must consequences for the German people reach?
Usual suspects have already been tried, convicted, jailed, executed, or committed suicide. What is left to adjudicate are those who have allowed the worst to happen and why they allowed it. Were they true believers? Were they people who went along in hopes the system would self-correct? Is there any defense for crimes against humanity? Judge Heyward is our eyes as we attempt to understand how this monstrosity that was the Third Reich could have ever happened.
“Judgement at Nuremberg” by Abby Mann is sixty-three years-old, yet it mirrors the Donald Trump era in exquisite detail. The arguments put forward in the staged court and from Judge Heyward’s investigation are heard in today’s legal briefs almost word for word. This makes “Judgement” frightening and important for 2024 audiences to see. When you see this play, you will recognize modern, living associates of the past administration mouthing dialog written before they reached their majority.
MET has done an excellent job of casting. Director Karen Paisley has choreographed an exquisite twenty-four scene, two-act play in precise detail using minimal, yet effective set pieces. The few conceits adopted for this production work exceptionally well. Most acting is restrained and understated; except for two or three explosions from wholly appropriate characters when needed. Ms. Paisley has incorporated vintage documentary film from the era and what almost seems like a motion picture score backing up the action.
“Judgement” is the third iteration of this story by Abby Mann, born Abraham Goodman, a son of Russian Jewish immigrants to the United States. The story first appeared as a television episode of Playhouse 90 in 1957, a feature film in 1961, and this version, a Broadway play in 2001. The Broadway version of “Judgement” was performed a total of fifty-six times. The expanded filmed version recently became available on “Prime Video.”
The leading cast members in the MET production are John Clancy as Judge Dan Heywood, Tim Ahlenius as Ernst Janning, and Michael Dragen as Oscar Rolfe. They are backed up by a fine supporting cast.
All the characters in this play are products of the playwright’s imagination. They are inspired by similar, real life people. True, historic situations influenced the plot and the legal arguments.
“Judgement at Nuremberg” continues at the Warwick Theatre through January 21. Tickets are available at https://www.warwickkc.org/ or by telephone at (816) 569-3226.
Kate Amend, ACE, and Walter Murch, ACE will receive Career Achievement Awards for their outstanding contributions to film editing. Stephen Lovejoy, ACE will receive the ACE Heritage Award, in recognition of his unwavering commitment to advancing the image of the film editor, cultivating respect for the editing profession, and dedication to ACE.
Harry Lennix (The Blacklist, The DC Universe) and Tamara Tunie (Law & Order: SVU, I Wanna Dance with Somebody) will join the cast of its world premiere of Steppenwolf Theatre Company's Purpose.
Tickets for TheatreWorks Silicon Valley’s highly-anticipated, limited engagement of the hit solo show Hershey Felder as George Gershwin Alone will go on sale to the public 1pm PST, Friday, December 15, 2023.
The acclaimed production of Shayok Misha Chowdhury's 'Public Obscenities' returns to NYC. Learn how to purchase tickets!
Join Sydney Skybetter as he sits down with Dr. Catie Cuan, a pioneer in the field of choreorobotics, in this episode of the Dances with Robots podcast. Discover her personal and professional journey and delve into the question of why dance with a robot. Available now on listening platforms.
Dive into the fascinating world of art, technology, and dance with Dances with Robots podcast. Join host Sydney Skybetter, a choreographer and Dean at Brown University, as he explores interdisciplinary practices and the ways artists and technologists navigate the world.
The Conference for Research on Choreographic Interfaces (CRCI) presents Dances with Robots: a podcast exploring the intersection of art, technology, and activism. Hosted by Sydney Skybetter and Ariane Michaud, the podcast premieres on November 14, 2023. Join them as they navigate the world through interdisciplinary practice.
Hershey Felder brings the tour de force musical masterpiece 'Hershey Felder as George Gershwin Alone' to TheatreWorks in Feb. 2024.
This time, the reader question was: With Harmony sharing the real story of The Comedian Harmonists, I’m wondering- how often are Broadway musicals about real people who actually existed?
La Jolla Playhouse has unveiled its 2024/2025 season, featuring two world-premiere musicals. Learn more and see how to purchase tickets!
Shakespeare Theatre Company has announced the location, cast, and creative team for the highly-anticipated spring production of Macbeth. Directed by STC Artistic Director Simon Godwin, Macbeth stars Tony and BAFTA Award-winner Ralph Fiennes and Olivier Award-winner Indira Varma as the leading lord and lady. Learn more about the location, cast, and creative team here!
Woolly Mammoth Theatre Company and Theatre for a New Audience will present the Soho Rep and NAATCO National Partnership Project production of Public Obscenities. Learn how to purchase tickets!
Dropkick Murphys have announced their 2024 St. Patrick's Day Week hometown shows in Boston, which will all feature SoCal punk legends Pennywise as special guests, and opening acts to be announced soon. The run of shows begins Thursday, March 14 at Citizens House Of Blues Boston.
International Contemporary Ensemble has released Afterword: An Opera in Two Acts by George Lewis. Lewis's first opera premiered in 2015 and is now available on New Focus Recordings/TUNDRA.
Videos