A.C.T. Conservatory Director Melissa Smith announced today that honorary master of fine arts degrees will be conferred upon Grammy Award-winning musician Tracy Chapman and master playwright John Guare.
A.C.T. Conservatory Director Melissa Smith announced today that honorary master of fine arts degrees will be conferred upon Grammy Award-winning musician Tracy Chapman and master playwright John Guare.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.
Director-choreographer Mark Morris's much-lauded 2007 production of Gluck's Orfeo ed Euridice returns to the repertoire, with Stephanie Blythe taking on one of the pinnacles of the mezzo-soprano repertory, the role of Orfeo, for the first time in her career. Soprano Danielle de Niese, an acclaimed singer of eighteenth-century music and a graduate of the Met's Lindemann Young Artist Development Program, sings Euridice for the first time at the Met. Heidi Grant Murphy returns as Amor, which she performed at the production's premiere in 2007.
American Conservatory Theater (A.C.T.) continues its 2008-09 season Koret Visiting Artist Series with a conversation with leading American playwright John Guare, author of Six Degrees of Separation, The House of Blue Leaves and A.C.T.'s upcoming Rich & Famous. Guare will talk about four decades in the American theater and his new version of Rich and Famous that includes significant rewrites in preparation for the show's first revival since 1976. A.C.T. Dramaturg and Director of Humanities Michael Paller moderates. The conversation will be followed by a Q&A session with the audience. The event is free and open to the public and takes place on the A.C.T. stage on Saturday, December 13, 2009, at 10 a.m. Reservations are required and can be made by visiting www.act-sf.org/koret or by calling 415.749.2ACT.
American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.
American Conservatory Theater (A.C.T.) continues its 2008-09 season Koret Visiting Artist Series with a conversation with leading American playwright John Guare, author of Six Degrees of Separation, The House of Blue Leaves and A.C.T.'s upcoming Rich & Famous. Guare will talk about four decades in the American theater and his new version of Rich and Famous that includes significant rewrites in preparation for the show's first revival since 1976. A.C.T. Dramaturg and Director of Humanities Michael Paller moderates. The conversation will be followed by a Q&A session with the audience. The event is free and open to the public and takes place on the A.C.T. stage on Saturday, December 13, 2009, at 10 a.m. Reservations are required and can be made by visiting www.act-sf.org/koret or by calling 415.749.2ACT.
The UCLA School of Theater, Film and Television (TFT) announces the debut of its annual benefit gala: ONE NIGHT ONLY...With a Little Help From Our Friends, hosted by Rita Wilson and Tom Hanks, scheduled to take place at UCLA's prestigious performing arts theater, Royce Hall, on December 2nd at 7:30 pm.
The Academy of Motion Picture Arts and Sciences revealed Tuesday the 79th Academy Awards poster design, which features dozens of the most memorable and quotable lines from motion pictures, including a handful of films adapted from Broadway hits...
Lauren Ambrose, Ben Gazzara, Jonathan Hadary, Zoe Wanamaker and others will headline the Lincoln Center revival of Awake and Sing! on Broadway in spring of 2006
The New York Times reports that Ana Gasteyer has joined the cast of Roundabout's 'Threepenny Opera' for which previews will beging on March 24th.
The New York Times reports that Dale will return to Broadway after an absence of nine years to star as Mr. Peachum in the Roundabout production.
Performances of THE PAJAMA GAME will begin Friday, January 27th on Broadway at the American Airlines Theatre with the official opening set for Thursday, March 2nd. The limited engagement is scheduled to run 20 weeks through June 18th, 2006.
Robert Wright, whose musicals with George Forrest gave a Broadway voice to classical composers, passed away on July 27th at the age of 90
Alan Cumming, Edie Falco and Nelli McKay to appear in a new Roundabout production of The Threepenny Opera.
With those words and one last musical flourish, the final performance at Henry Miller's Theatre came to an end
| 1989 | Off-Off-Broadway |
Original Off-Off-Broadway Production Off-Off-Broadway |
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