NOËL COWARD, a one week festival devoted to the English playwright, actor, singer, composer, lyricist, director, screenwriter, and wit, will run at Film Forum from today, May 13 through Thursday, May 19.
NOËL COWARD, a one week festival devoted to the English playwright, actor, singer, composer, lyricist, director, screenwriter, and wit, will run at Film Forum from Friday, May 13 through Thursday, May 19.
Renowned British actor/writer/director Steven Berkoff will direct a rare production of Eugene O'Neill's 1922 expressionist play The Hairy Ape, opening May 14 at West L.A.'s Odyssey Theatre.
-This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera, theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights.
This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.
WaterTower Theatre Producing Artistic Director and Loop Executive Producer Terry Martin today announced the line-up for the 2016 Out of the Loop Fringe Festival, February 25 - March 6, 2016, at the Addison Theatre Centre. Six world premieres highlight this year's diverse Festival as well as 2 one-woman cabarets, 4 dance works, 1 circus act, 3 solo shows, 1 musical reading, 2 play readings, 9 theatre productions, 1 interdisciplinary piece, 1 spoken word performance, a 24-hour play festival, and many returning favorites. The Festival is made possible, in part, through the generous support of The Town of Addison and the Texas Commission on the Arts as well as media sponsors, TheaterJones.com and the Dallas Observer. The Festival is produced by Terry Martin and Kelsey Leigh Ervi.
Vassar and New York Stage and Film's Powerhouse Theater announces its 31st year of championing new works, with a full season of stories that take audiences from a South Sea island to center court at the US Open and beyond.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Next spring, Tony Award winners Audra McDonald, George C. Wolfe, and Savion Glover will team up to collaborate on SHUFFLE ALONG, Or, The Making of the Musical Sensation of 1921 and All That Followed, a musical about the events that led to the creation of the groundbreaking Eubie Blake-Noble Sissle musical Shuffle Along. Starring Audra McDonald as the 1920's star Lottie Gee, directed by George C. Wolfe -- with a book written by Wolfe -- and choreographed by Savion Glover, the musical marks the first time that the writer/director and choreographer will have worked together since their 1996 hit Bring in 'da Noise, Bring in 'da Funk. Previews will begin Monday, March 14, 2016. Opening night is Thursday, April 21, 2016 at the Music Box Theatre (239 West 45th Street).
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
The Jewish Museum and the Film Society of Lincoln Center are presenting the 24th annual New York Jewish Film Festival at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, January 14-29, 2015.
As the axis of this spinning vortex, Noel Coward's The Vortex, the talented Shannon Holt dominates as Florence.
While reviewing What Makes a Man (WMAM), now playing at the Berkley Street Theatre, it's tempting to comment on what's not there, what could and should be there, rather than what is there. What is on display is a marvelous musical stage portrait of Charles Aznavour, the world renowned French singer/songwriter, actor and political activist/diplomat. A man of the world, he is capable of singing in five languages. One of the last surviving 'showmen,' he still is capable of filling the world's most prestigious concert halls. For example, a year ago he performed for the first time in 25 years at London's Royal Albert Hall. Demand was so great, a second concert was booked there for this past June.
In this interview, Alley Theatre Artistic Director, Gregory Boyd and I discuss the deep roots and broad influence of DRACULA, the genius and uniqueness of Edward Gorey, and, just for kicks, what it's like to work with David Hyde Pierce.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.
From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.
Principal casting has been announced for the upcoming world premiere production of AN AMERICAN IN PARIS. The cast will include Robert Fairchild as Jerry Mulligan, Leanne Cope as Lise Dassin, Veanne Cox as Madame Baurel, Jill Paice as Milo Davenport, Brandon Uranowitz as Adam Hochberg, and Max Von Essen as Henri Baurel.
In May 1914, four brothers at a poker table sat down as Leonard, Arthur, Julius, and Milton, and stood up as Chico, Harpo, Groucho, and Gummo. In May 2014, MARXFEST celebrates the centennial of this momentous event with screenings, talks, parties, performances, and remembrances, all in the city of their birth.
In May 1914, four brothers at a poker table sat down as Leonard, Arthur, Julius, and Milton, and stood up as Chico, Harpo, Groucho, and Gummo. In May 2014, MARXFEST celebrates the centennial of this momentous event with screenings, talks, parties, performances, and remembrances, all in the city of their birth.
While some musical theatre Grinches may hold fast to the stage rule 'never work with children or animals,' most producers of 'Annie' know why the opposite is true. Leading into the holiday season, there may be no better reminder of love and family than a little girl's bravery to strike out into the nasty world of Depression-era Manhattan alone in search of just that. The level of optimism written into the tried and true legit score is unparalleled and, when performed with honesty and integrity by the Maltz Jupiter Theatre's cast, audiences find themselves rooting not only for the child but also for the generosity of a community.
Off-Broadway's award-winning Irish Repertory Theatre proudly announced the extension of its critically-acclaimed revival of Sean O'Casey's JUNO AND THE PAYCOCK, directed by Irish Rep Artistic Director Charlotte Moore. With a cast that features, among others, J. Smith-Cameron as Juno Boyle, Ciaran O'Reilly as 'Captain' Jack Boyle, and John Keating as Joxer Daly, JUNO AND THE PAYCOCK will now be performed through Sunday, December 29th on the Francis J. Greenburger Mainstage of the Irish Repertory Theatre (132 West 22nd Street).
Commonwealth Shakespeare Company and Boston Landmarks Orchestra will present a concert version of Cole Porter's Kiss Me Kate with Broadway's Marc Kudisch* as Fred Graham/Patruchio and Kerry O'Malley* as Lilli Vanessi/Katherine. Steven Maler, Founding Artistic Director of Commonwealth Shakespeare Company and Associate Artistic Director, Adam Sanders, will direct with Boston Landmark Orchestra's Music Director Christopher Wilkins, conducting. The free event will be held tonight, August 21st at 7:00PM at DCR's Hatch Shell on the Esplanade.
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