Vicki White News

Boiler Room Theatre celebrates the upcoming holiday season with not one, but two productions sure to delight audiences-the beloved children's classic A Year With Frog and Toad and Christopher Durang's loopy comedy Mrs. Bob Cratchit's Wild Christmas Binge.

The Boiler Room Theatre (BRT), Williamson County's original and longest-running professional theatre company, will celebrate this holiday season with not one, but two productions sure to delight audiences - the beloved children's classic A YEAR WITH FROG AND TOAD and Christopher Durang's loopy comedy MRS. BOB CRATCHIT'S WILD CHRISTMAS BINGE. The productions will both be performed through the holiday season, running from November 24th through December 23rd. It is all happening at the theatre's iconic namesake venue in the historic Factory at Franklin, 230 Franklin Rd., Building Six, in Franklin, Tennessee.

Ten years after its debut on a Nashville stage-which led to an off-Broadway run-Jay Kholos' A Stoop on Orchard Street this weekend returns to the stage in Wilkes-Barre, Pennsylvania, kicking off a three-month run that will take the company, including many of Nashville's best and brightest, to Philadelphia, New York and other points northeastward.

There is absolutely no doubt about it: The playwriting trio of Jessie Jones, Nicholas Hope and Jamie Wooten very clearly know the people about whom they write so prolifically. Their affection and respect for the Southern way of life is obvious in every honey-drawled word, as is their abundant understanding of Southern people and folkways themselves. It's something that fairly reverberates through every line, every script, every moment they create for the stage-and it provides a heartbeat that is as real as the smell of honeysuckle hanging heavily on the warm summer winds.

Bobby Wyckoff, a favorite of audiences at Chaffin's Barn Dinner Theatre, directs The Dixie Swim Club, the latest offering from the playwriting team of Jessie Jones, Nicholas Hope and Jamie Wooten, running August 23-September 30 at the dinner theatre located at 8204 Highway 100 in West Nashville.

Apparently, it is Elvis Week in Nashville (at least according to the fine folks at Loveless Cafe), so before we head out to the theater for a full weekend of show openings and the like, a trip to West Nashville for a slice of the Loveless' Elvis pie is in order (for the uninitiated, that's peanut butter, banana, bacon and homemade whipped cream-the four basic food groups, according to The King.), so before we slip into a diabetic coma, here's installment #7 of Music City Confidential, all the news that's fit to print from onstage, offstage, backstage and beyond…

Boiler Room Theatre presents an imaginative take on the Stephen Schwartz/Bob Fosse extravaganza, Pippin, running through July 28th in the historic Factory at Franklin. NPT Arts Break goes behind the scenes of the theatre's circus-themed musical. Watch the video below!

Led by the maniacally perfect Billy Ditty as the appropriately named "Leading Player," the 14-member ensemble deliver a thoroughly focused performance, never straying from the job at hand to endanger the success of the production. That focus is necessary, of course, given the intimate confines of the playing space and the amount of action that transpires on that postage stamp-sized stage. The action, in fact, never stops and choreographer Shepherd-obviously channeling the spirit and the nature of the master Fosse himself-gives the actors a lot to do. Quite frankly, this may be one of the best choreographed musicals ever mounted at the Boiler Room, so evocative is every movement and so expertly performed is every number.

The Boiler Room Theatre (BRT), Williamson County's original and longest-running professional theatre company, follows its successful run of Next to Normal with an imaginative take on the Stephen Schwartz/Bob Fosse extravaganza, Pippin. The production will run from July 6th through the 28th at the theatre's iconic namesake venue in the historic Factory at Franklin, 230 Franklin Rd., Building Six, in Franklin, Tenn.

Boiler Room Theatre continues its 2012 season with an imaginative take on the Stephen Schwartz/Bob Fosse extravaganza, Pippin, running July 6-28 at the theater in the historic Factory at Franklin.

Too Old For the Chorus (But Not Too Old To Be A Star), directed by a young whippersnapper named Martha Wilkinson (she's artistic director at Chaffin's Barn Dinner Theatre, which celebrates its 45th birthday this year, and she has a boatload of First Night Awards and enough glowing reviews to fill the fanny packs of every mall walker briskly making their way through Opry Mills) and featuring a top-notch cast of Nashville actors, is as gentle as the best stool softener and as kick-ass (when it needs to be) as a certain little blue pill favored by certain gentlemen in the age group (not me, but so I've been told).

The Boiler Room Theatre's Youth Education Program, YEP!, will be performing CHARLOTTE'S WEB on Saturdays in March at 10:00am.

The Boiler Room Theatre's Youth Education Program, YEP!, will be performing CHARLOTTE'S WEB on Saturdays in March at 10:00am.

Oliver! - the Lionel Bart musical about London street urchin Oliver Twist and the scores of ruffians and ragamuffins who make up something of a family for the orphaned boy - opens at Franklin's Boiler Room Theatre on Friday night, running through December 23, offering regional audiences the opportunity to fall in love with the 1960 musical once more.

Studio Tenn launches its eagerly anticipated sophomore season in its new home at the Franklin Theatre, kicking off the company's second act with a sparkling revival of one of musical theater's best-loved shows: Guys and Dolls, the 'musical fable of Bradway' based on a story and characters of Damon Runyon, with music and lyrics by Frank Loesser and a book by Jo Swerling and Abe Burrows.

Tennessee's best and brightest stage stars took to the stage at Franklin's Boiler Room Theatre Monday night, June 6, for First Night: The Tony Concert, to kick-off the 2011 First Night season in Nashville. Performing songs from Tony Award-winning musicals, the concert featured performers from throughout Tennessee - from Nashville to Crossville to Clarksville.

First Night: The Tony Concert, presented by Keeping Scores Concerts at Franklin's Boiler Room Theatre on Monday, June 6, at 7:30 p.m. Featuring some of Nashville's biggest and brightest theater stars performing songs from Tony Award-winning musicals, the concert is the kick-off of the 2011 First Night Season, culminating with First Night, The Nashville Theatre Honors, which will be presented at Belmont University's Troutt Theatre on Sunday, September 4.

A perfect dozen of Nashville's favorite - and best-singing - actresses will claim the role of the iconic Fanny Brice in Keeping Scores Concert's upcoming Funny Girl in Concert, the inaugural production of the continuing concert series to be staged at Franklin's Boiler Room Theatre. The twelve women portraying Fanny Brice at different times in her life - and in the musical's various scenes -include (in alphabetical order): Nancy Allen, Erica Haines Cantrell, Joann Coleman, Lindsay Terrizzi Hess, Catherine Mai Holder, Bonnie Keen, Cori Laemmel, Alex Maddox, Corrie Miller, Sondra Morton, Laura Thomas-Sonn and Heather Trabucco. Funny Girl in Concert will be presented for three performances at Boiler Room Theatre on April 29-30 and May 1. Joining Nashville's Funny Girls onstage for the concerts are Bakari King as Nicky Arnstein, Annette de la Torre as Mrs. Brice and Bryan Wlas as Eddie Ryan.

Of course, one way around that theatrical conundrum is to take the route that director Scott Logsdon and Keeping Scores Concerts at Franklin's Boiler Room Theatre have embarked upon for three performances this weekend: Cast 12 different actresses as Fanny Brice, each one well-qualified to take on a particular song, allowing her to interpret, both musically and dramatically, the character of Fanny. And for support of the 12 actresses taking up the Fanny challenge, you'll need an amazingly gifted ensemble. The result? A wonderfully entertaining night at the theater, replete with outstanding performances from some of your favorite Nashville actors - and the chance to hear a beautiful, memorable score brought to life as it was meant to be heard by the team of composer Jule Styne, lyricist Bob Merrill and librettist Isobel Lennart.

A perfect dozen of Nashville's favorite - and best-singing - actresses will claim the role of the iconic Fanny Brice in Keeping Scores Concert's upcoming Funny Girl in Concert, the inaugural production of the continuing concert series to be staged at Franklin's Boiler Room Theatre. The twelve women portraying Fanny Brice at different times in her life - and in the musical's various scenes -include (in alphabetical order): Nancy Allen, Erica Haines Cantrell, Joann Coleman, Lindsay Terrizzi Hess, Catherine Mai Holder, Bonnie Keen, Cori Laemmel, Alex Maddox, Corrie Miller, Sondra Morton, Laura Thomas-Sonn and Heather Trabucco. Funny Girl in Concert will be presented for three performances at Boiler Room Theatre on April 29-30 and May 1. Joining Nashville's Funny Girls onstage for the concerts are Bakari King as Nicky Arnstein, Annette de la Torre as Mrs. Brice and Bryan Wlas as Eddie Ryan.