USA Network's REAL COUNTRY Announces Contestants
by Kaitlin Milligan
- Oct 30, 2018
Today, USA Network revealed the 21 artists competing in its new music showcase series REAL COUNTRY and the prizing they will be vying for. Set to premiere November 13 at 10/9, each contestant was hand-selected by the show's permanent panel of artists – five-time GRAMMY Award®-winning trailblazer Shania Twain, platinum-selling singer-songwriter Jake Owen and GRAMMY Award®-winning music legend Travis Tritt.
BWW Review: Paterson Joseph is Sensational in SANCHO
by Juan Michael Porter II
- May 4, 2018
As a character piece, Sancho: An Act of Remembrance is an absolute triumph. The emotional work that Paterson and his co-director Simon Godwin have invested into this piece is exquisite.
Yonder Window Theatre Company's THE DREAM PROJECT Comes To Dumbo
by A.A. Cristi
- Feb 27, 2018
Shakespeare's A Midsummer Night's Dream is deconstructed and reinvented in The Dream Project. Yonder Window Theatre Company's multilingual, interdisciplinary piece speaks to the current climate of North America. The production is a collaboration between artists from Mexico, United States, and Canada and includes Spanish, French, and English text.
BWW Review: Flawed Though Rousing; THE INTIMACY EFFECT
by Juan Michael Porter II
- Dec 4, 2017
That's the beauty of this play - well before the misdeeds of Weinstein, Lauer, Spacey, and Rose detonated in our laps, it was showing the poison of sexual violence in quiet spaces.
BWW Review: Excellence in Tame Circumstances on THE BENCH
by Juan Michael Porter II
- Nov 15, 2017
This remarkable feat is the sort of thing that old school actors and worshipers of the craft fetishize over for hours. Galinsky's accomplishment as an actor and writer are such that one regrets that the production is less than exciting.
BWW Review: NIGHT WITCHES Fails to Take Wing
by Juan Michael Porter II
- Nov 3, 2017
NIGHT WITCH's tour de force physical production made use of evocative physical theatre effects, minimal production elements, and wonderful staging by Kathleen Anne Hefferon but failed to overcome its soggy script.
BWW Review: The Flames of FERGUSON Fizzle
by Juan Michael Porter II
- Nov 1, 2017
Following a by-the-numbers formula, FERGUSON rolls out like the sketch of a LAW & ORDER episode during which the results are foretold without bothering to connect the dots.
BWW Review: Beneath the Melodrama, PETIE Pulsates with Warmth
by Juan Michael Porter II
- Oct 3, 2017
Set in modern-day Red Bank, Tennessee, PETIE is essentially a Greek tragedy and like the heroes of those classics, Bonnie is a sad portrait of proud thoughtlessness that corrodes over self-inflicted loathing.
BWW Review: Though Formulaic, NEIGHBORS is GRAND
by Juan Michael Porter II
- Sep 28, 2017
My jaw sat agape as tears of laughter rolled down my face for the full 5 minutes of UncleDave's Fight-House's gut busting fight choreography. Complete with Raul Abrego's gorgeous interactive set - the cloud by itself deserves awards - NEIGHBORS stands as the most fully realized production I have seen on or off-off-Broadway this year.
BWW Review: BLOOD BOUNDARY's Radiant Second Act Overcomes Awkward Opening
by Juan Michael Porter II
- Sep 27, 2017
Somewhere in the second act of BLOOD BOUNDARY there is an interesting play to be found with alert performances and a powerful storyline that seamlessly resolves. Of course one has to sit through the long slog of act one's 'exposition mountain' to get to there.
BWW Interview: Darshan Singh Bhuller, Inspired to Dance
by Juan Michael Porter II
- Sep 25, 2017
Though effectively retired from performing since 1996, Darshan Singh Bhuller recently started taking classes at Gibney Dance and rehearsing Mark Morris Dance Center in NYC. The reason? He is dancing at the upcoming gala celebration honouring Nadine Senior, the founding principal of the Northern School of Contemporary Dance who passed in January 2016.
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