Lynette Rathnam News

The clever title of Idris Goodwin's play 'Bars and Measures' at the Mosaic Theater refers both to components of musical notation as well as the harsh realities of the American justice system.

The Washington Stage Guild has finally had the opportunity to stage D. W. Gregory's searing study of innocence, hardened cynicism and totalitarian self-delusion, 'Memoirs of a Forgotten Man.' In spite of the long hiatus from its premiere four years ago (pre-COVID), the play continues to challenge us, throwing the mirror up to our flawed natures.

The Washington Stage Guild will conclude its 2021-2022 season with Memoirs of a Forgotten Man by D.W. Gregory. The play, which had its world premiere at The Contemporary American Theatre Festival in 2018, takes place in the Stalinist Soviet Union, where a man’s inability to forget those whom the government has “erased” becomes increasingly problematic for him and his family.

1st Stage is delighted has announced that The Phlebotomist will now run through March 13, 2022.

'The Phlebotomist' is a fascinating look into how the world could be in the not-too-distant future, and it raises all the questions good science fiction can. 1st Stage’s production does the complex tale justice, and ensures that people will continue to ruminate on these topics for a long time – as we all should.

1st Stage continues the 2021-2022 season with The Phlebotomist, a dark, gripping science-fiction romance. In a sci-fi-inspired world where genomics is the norm, every person gets assigned a “rating” at birth  based on their genetic map. Bea, a phlebotomist, finds herself being pulled deeper and deeper into the dark side of the genetic testing underworld even as she falls in love with Aaron, a man she met by accident who has a near-perfect rating that far exceeds her own.

1st Stage will continue the 2021-2022 season with The Phlebotomist, a dark, gripping science-fiction romance.

The Kennedy Center's Performances for Young Audiences season is back, and it kicked off with a world premiere adaptation of the young adult fantasy classic A Wind in the Door. The whirlwind performance brings the novel's unique blend of sci-fi and whimsical poetry to life.

The seventh installment of Round House Theatre's Original Webseries Homebound is now live, with new episodes premiering every Monday through July 6th. The 10-episode series is written by a different local playwright each week, and features 9 DC-area actors who would have performed on the Round House stage this spring.

This rap-infused, woke update of Mark Twain's The Prince and The Pauper, a world premiere theater piece for young audiences commissioned by the Kennedy Center, has many charms and much humor, even if it goes more than a little heavy on the agitprop for audiences under the age of 10.

'Shame 2.0' is a workshop with tremendous potential and interesting stories to tell. It's a complicated show about a complicated issue, but it also brings out universal themes that transcend race, nationality, and political ideologies. It's certainly worth seeing, and, with time, will sharpen into a powerful piece of art.

Mosaic Theater Company of DC is proud to announce the second installment in its annual Voices From a Changing Middle East Festival, the world premiere workshop production of Shame 2.0 (With Comments From The Populace). Previews begin on January 30, 2019 with a press opening today, February 7, 2019 at 7:30pm in the Lang Theatre at the Atlas Performing Arts Center. The 19 performance run will be informed by a stripped down aesthetic and an emphasis on script updates through the lengthier than usual preview period and the evolving nature of the documentary-based rehearsal process.

Mosaic Theater Company of DC is proud to announce the second installment in its annual Voices From a Changing Middle East Festival, the world premiere workshop production of Shame 2.0 (With Comments From The Populace). Previews begin on January 30, 2019 with a press opening on Thursday, February 7, 2019 at 7:30pm in the Lang Theatre at the Atlas Performing Arts Center. The 19 performance run will be informed by a stripped down aesthetic and an emphasis on script updates through the lengthier than usual preview period and the evolving nature of the documentary-based rehearsal process.

Mosaic Theater Company of DC is proud to announce the second installment in its annual Voices From a Changing Middle East Festival, the world premiere workshop production of Shame 2.0 (With Comments From The Populace). Previews begin on January 30, 2019 with a press opening on Thursday, February 7, 2019 at 7:30pm in the Lang Theatre at the Atlas Performing Arts Center. The 19 performance run will be informed by a stripped down aesthetic and an emphasis on script updates through the lengthier than usual preview period and the evolving nature of the documentary-based rehearsal process.

Signature Theatre is proud to present the world premiere of 4,380 Nights by DC playwright Annalisa Dias. The production is directed by Kathleen Akerley (Artistic Director of Longacre Lea) and features Ahmad Kamal(Woolly Mammoth's KISS) as Malik Essaid/El Hadj El Kaim, Michael John Casey (Shakespeare Theatre's Othello, Folger Theatre's Henry V) as Bud Abramson/Man, Rex Daugherty (Signature's Shakespeare's R&J) as Luke/Colonel Pelissier, and Lynette Rathnam (Ford Theatre's Death of a Salesman) as Woman (complete cast and creative team bios are below). 4,380 Nights runs from January 16 through February 18 in Signature Theatre's ARK Theatre. 4,380 Nights is Signature's submission to the 2018 Women's Voices Theater Festival.

4,380 Nights is essentially two different plays, which makes it often hard to follow due to the lack of cohesion, but there are still glimpses of a play in which the message of hope rings quietly over fear and hate.

Signature Theatre is excited to announce the cast and creative team for the world premiere of 4,380 Nights by DC playwright Annalisa Dias. The production will be directed by Kathleen Akerley (Artistic Director of Longacre Lea) and will feature Ahmad Kamal (Woolly Mammoth's KISS) as Malik Essaid/El Hadj El Kaim, Michael John Casey (Shakespeare Theatre's Othello, Folger Theatre's Henry V) as Bud Abramson/Man, Rex Daugherty (Signature'sShakespeare's R&J) as Luke/Colonel Pelissier, and Lynette Rathnam (Ford Theatre's Death of a Salesman) as Woman (complete cast and creative team bios are below). 4,380 Nights will run from January 16 through February 18 in Signature Theatre's ARK Theatre. 4,380 Nights is Signature's submission to the 2018 Women's Voices Theater Festival.

Ford's Theatre Society announced full casting and the design team for Arthur Miller's "Death of a Salesman," directed by Stephen Rayne.

Ford's Theatre Society announced full casting and the design team for Arthur Miller's "Death of a Salesman," directed by Stephen Rayne.

Mosaic Theater Company of DC completes its whirlwind inaugural year with WHEN JANUARY FEELS LIKE SUMMER, a play that is relevant, engaging and sweetly funny.