Kevin Corpuz News

The Tesseract Theatre Company’s production of THE INHERITANCE was a marvelous accomplishment thanks to the genius direction of Stephen Peirick and the out-of-body performances he evoked from each member of his cast. Peirick took the more than 300 pages of Lopez’s wordy script and swiftly paced the production, making it so succinct that the time in the theater melted away as rapidly as a piece of satisfying chocolate on the tongue.   Peirick artfully blocked his well-rehearsed actors on his small set design consisting of two small risers surrounded by the three walls of the small black box theatre. Paintings of familiar New York City scenes representing The Bethesda Terrace Fountain and theatre marquees were interspersed with artwork of cherry blossoms adorning the side walls. Decorating the back wall were vines of cherry blossoms in a crisscross pattern reminiscent of a NYC subway map. He judiciously used the performance space to move his actors between NYC, the apartment interiors, and an upstate New York estate while maintaining a lively pace to his sensational storytelling. 

A new musical written for students at the Missouri University of Science & Technology will have a brief run in New York City this month before having its World Premiere at the Tesseract Theatre Company in St. Louis this July.

Jennings took the stage and playfully launched into an extended version of the Toys ‘R Us jingle to establish the decade of his childhood. He told stories of his friendships, his favorite childhood TV shows, his first crushes as a boy, a magical first kiss (at least for him,) and the maturation that resulted in his growing appreciation for his mother.

Cinderella sings “I wish” as the opening lyric in Stephen Sondheim and James Lapine’s INTO THE WOODS. I wish that every performance of the current production of INTO THE WOODS at The New Jewish Theatre could be seen by a sold-out house, and that they’d be forced to extend the run due to audience demand. It is just that good.

The New Jewish Theatre will celebrate the Jewish musical theatre legend Stephen Sondheim with their production of Into the Woods November 30 through December 17. See photos of the production.

Tesseract’s THE MAD ONES connects with the audience to tell Sam’s moving coming of age story despite a few problems along the way. Corpuz direction and the cast’s acting performances are the reason this show succeeds. Each of the four actors create likeable and relatable characters that make this show worth seeing.

The New Jewish Theatre will celebrate the Jewish musical theatre legend Stephen Sondheim with their production of Into the Woods November 30 through December 17.

Experience the regional premiere of The Mad Ones, a captivating musical production, at The Marcelle in St. Louis. Follow Samantha Brown as she faces a life-changing decision while reminiscing about her past. Don't miss this highly anticipated show featuring talented performers Melissa Felps, Grace Langford, Sarah Gene Dowling, and Cody Cole.

Powerful and prophetic, Stray Dog Theatre’s Godspell is a welcome redux filled with great performances, excellent choreography, robust numbers, and even some smoke.

WELCOME TO ARROYO’S is the current production by The Tesseract Theatre Company that closed on May 7th.  Brittanie Gunn directs a funny and mostly effective production of Diaz’s uneven play. There are plenty of genuine laughs, more resulting from the energy, physical acting choices and rapping ability of Kevin Corpuz (Nelson) and Jacob Schmidt (Trip) than from the actual script itself. Corpuz and Schmidt play two DJs who advance half of the narrative with their hip-hop performance and their story telling. These two are the heart and soul of the play and never fail to captivate the audience when they are front and center.

The Tesseract Theatre Company will open the St. Louis premiere of Welcome to Arroyo's on April 28 at the .Zack Theatre.

The Tesseract Theatre Company will open Jason Robert Brown's Drama Desk winning musical The Last Five Years on February 17 at the .Zack Theatre.

The latest standings as of Monday, December 5th, have been released for the 2022 BroadwayWorld St. Louis Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The first live standings have been announced for the 2022 BroadwayWorld St. Louis Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

Set in 2027, Mark Hollmann and Greg Kotis' URINETOWN is an hilariously subversive fable of greed, corruption, love, revolution, and urination, in a time when water is worth its weight in gold and there's no such thing as a free pee. Set in a near-future dystopian Gotham, a severe 20-year drought has led to a government-enforced ban on private toilets. The citizens are forced to use public 'amenities' now, regulated by a single malevolent company that profits by charging admission for one of humanity's most basic needs. In this nightmare world, the punishment for an unauthorized pee is a trip to the dreaded Urinetown. But from the ruins of Democracy and courtesy flushes, there rises an unlikely hero who decides he's held it long enough, and he launches a People's Revolution to lead them all to urinary freedom!

Set in 2027, Mark Hollmann and Greg Kotis' URINETOWN is an hilariously subversive fable of greed, corruption, love, revolution, and urination, in a time when water is worth its weight in gold and there's no such thing as a free pee.

HEAD OVER HEELS returns to New Line's stage after being shut down early by the pandemic in 2020. The New Liners promised the show would be back, and it is, March 3-26!

New Line Theatre has announced it 30th Anniversary Season of adult, alternative musical theatre, including the return of Jason Robert Brown's brilliant, funny, and intense concept musical SONGS FOR A NEW WORLD, which New Line first produced in 1998 in its American regional premiere, running Sept. 30-Oct. 23, 2021.

New Line Theatre presents HEAD OVER HEELS through March 28.

HEAD OVER HEELS is the bold new musical comedy from the visionaries that rocked Broadway with American Idiot, Hedwig and the Angry Inch, Avenue Q, and Spring Awakening. Conceived by Jeff Whitty, with an original book by Whitty, adapted by James Magruder, originally directed by Michael Mayer, and set to the music of the iconic 1980s all-girl rock band The Go-Go's, this high-octane, laugh-out-loud love story includes hit songs like, “We Got the Beat,” “Our Lips Are Sealed,” “Vacation,” “Heaven is a Place on Earth” and “Mad About You.”