Kate Smith News

Reprising their roles from the 2019-2020 season are Danielle Wade as Cady Heron, Megan Masako Haley as Gretchen Wieners, Jonalyn Saxer as Karen Smith, Mary Kate Morrissey as Janis Sarkisian, Eric Huffman as Damian Hubbard, Adante Carter as Aaron Samuels, Kabir Bery as Kevin G. and Lawrence E. Street as Mr. Duvall.

The imposing mezzo soprano Stephanie Blythe is known for her roles in Wagner, Verdi and Stravinsky. Why would she begin a Balboa Theatre recital for the San Diego Opera with Johnny Mercer’s 'Ac-Cent-Tchu-Ate the Positive?” Here’s what she said in a recent interview, “I’ve been a great fan of Johnny Mercer’s and I’ve been singing the music of his Great American Songbook for a very long time.” Rather than a concert-hall recital, Blythe was doing cabaret, and doing it far better than most of the opera singers who try to crossover. Her main problem had to be choosing which songs to include in her tribute to Johnny Mercer. He wrote 1500 of them, most often sticking to lyrics in collaboration with the A-list melodic composers of his era. At one point in the 40s he had five of the top ten on the popular radio show “Your Hit Parade.” (If you remember Snooky Lanson and Dorothy Collins, I wouldn’t mention it in your dating app bio.) Mercer’s honors include nineteen Oscar nominations with four wins. That got him a star on the Hollywood Walk of Fame.

San Diego Opera's safe return to indoor performances begins with three intimate concerts showcasing some of today's most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises.

San Diego Opera's safe return to indoor performances begins with three intimate concerts showcasing some of today's most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises.

San Diego Opera’s safe return to indoor performances begins with three intimate concerts showcasing some of today’s most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises.

It was another beautiful night in Andover, Kansas. The temperature was in the mid-80’s, there was a slight breeze, and not a rain cloud in sight. Many in the crowd were purchasing snacks from the food trucks parked behind the audience. Golf carts were transporting the super annuated and folx with mobility issues from the parking areas to the audience area. The VIP area was humming, and the atmosphere was super festive.

San Diego Opera has announced its 2021-2022 season, which returns to theatres indoors, after a reduced 2020-2021 season that saw the Company perform innovative drive-in productions during the global coronavirus pandemic.

Kate Smith (Skeleton Key Theatre) returns to direct your favourite multi-talented lawyers who are taking to the airwaves for two old-timey radio plays: Agatha Christie’s The Case of the Careless Client, the story of famed Belgian detective Hercule Poirot unravelling a murder case, and the American detective Dick Tracy in The Case of the Big Top Murders, where Tracy and friends must jump through hoops to tame a brutal criminal. 

Finding a brand-new way to open the doors of the King’s Theatre, despite the pandemic, Edinburgh’s favourite panto venue has teamed up with professional photographer Tom Duffin to create a virtual theatre tour. 

If you were planning the first in-person performance in the Kennedy Center in six months, a kind of historic cultural awakening after the darkness of the pandemic lockdown, you couldn't go wrong with a double bill of Renée Fleming and Vanessa Williams.

Capital Theatres, Scotland's largest theatre charity, has received £168,000 from The National Lottery Heritage Fund to support its three venues a?" Festival Theatre, King's Theatre and The Studio, through this period of closure.

BWW Reviewer Peter Nason chooses the 101 greatest protest songs from 1939-2020. See if your favorite songs or artists made the list!

Jon Bon Jovi will join NBC's annual “Christmas in Rockefeller Center” with a performance of his new song “Unbroken.' The song, which is featured in the Netflix documentary “To Be of Service,” is a compelling anthem that shines a spotlight on the thousands of veterans living with Post Traumatic Stress Disorder.

NBC celebrates the holiday season in style with its hugely popular “Christmas in Rockefeller Center” special on Wednesday, Dec. 4 at 8-10 p.m. ET/PT. 

Wow! When two brothers from East Africa dream their childhood dreams they imagine an Abyssinian circus. The Tesfamarian brothers, Bichu and Bibi, magical, marvelous circus arrives at the Minneapolis Children's Theatre Company (CTC) by way of Ethiopian culture, a country previously titled Abyssinia. In a traveling production performed worldwide, CTC Artistic Director Peter C. Ambrosius arranged for Circus Abyssinia: Ethopian Dreams to dazzle the Twin Cities. Created and produced by the two Tesamarian brothers, the circus also collaborates with Writer Cal MC Crystal and Choreographer Kate Smith to transfix the audience on the amazing 19 member cast.

Broadway legend Patti LuPone wows theatergoers with her dazzling DON'T MONKEY WITH BROADWAY cabaret act at BYU's de Jong Concert Hall. The opportunity to experience the world of an authentic Broadway star in a Utah seat is a rare privilege. And Audra McDonald and Bernadette Peters are set to perform at UVU's Noorda Center for the Performing Arts in the next few months.

From June 5th to June 8th, Great Canadian Theatre Company and the County of Carleton Law Association will be presenting the 20th Annual Lawyer Play Fundraiser. A cast of 23 local lawyers and judges will perform War of Two Worlds, a new work and adaptation by GCTC's Artistic Director and Managing Director, Eric Coates and Hugh Neilson, with apologies to Orson Welles. The production is a radio-play-within-a-play, following an ensemble of voice actors in the late 1940s as they attempt to save their radio station while recreating Orson Welles' The War of the Worlds.

Directed with grace and wit by Tennessee Women's Theater Project founder Maryanna Clarke, Sistas the Musical is now onstage through May 19 at The Z. Alexander Looby Theatre, located conveniently just off Rosa Parks Boulevard in north Nashville, a historically black enclave that has been central to the civil rights struggles of the citizens of Tennessee's capital city.

The only thematic message, apart from the goes-without-saying affirmation of LGBTQ life choices, is that we should not 'be afraid to play,' which is about as anodyne as they come. But since when need hilarity justify itself with a message?