Jessica Crandall News

'The Wayward Daughter of Judah the Prince' by Douglas Lackey begins in Palestine in the late second century C.E. Learn how to get tickets to the show, in which Hannah is the dutiful and learned daughter of Judah the Prince, compiler of The Mishnah--the core section of The Talmud.  She serves her father as his loyal daughter and scribe.

 Concrete Temple Theatre presents The Bellagio Experience: featuring a photography exhibition by Stefan Hagen, tours and panels on the topic of water, and the World Premiere play The Bellagio Fountain has been known to Make Me Cry, written by Renee Philippi, co-directed by Eric Nightengale and Renee Philippi, designed by Carlo Adinolfi, with original music composed by Joseph C. Phillips Jr. All events take place at Studio 301 at English Kills, located at 301 Ten Eyck Street between Waterbury and Bogarts Streets in Brooklyn, April 30 - May 3, 2015.

The Immediate Family presents Henrik Ibsen's PEER GYNT, adapted by Scott Raker, from the English translation by William and Charles Archer, directed by Haas Regen. PEER GYNT features original music written and performed by Mackenzie Shivers, inspired by Edvard Grieg's score. PEER GYNT will be performed Friday, December 5th through Saturday, December 20th, at the Alchemical Theatre Laboratory (104 W 14th Street, NYC). The press opening is scheduled for Sunday, December 7th at 3 PM. Tickets are $17.00 and are now on sale via Ovation Tix - https://web.ovationtix.com/trs/cal/34181.

The Immediate Family presents Henrik Ibsen's PEER GYNT, adapted by Scott Raker, from the English translation by William and Charles Archer, directed by Haas Regen. PEER GYNT features original music written and performed by Mackenzie Shivers, inspired by Edvard Grieg's score. PEER GYNT will be performed Today, December 5th through Saturday, December 20th, at the Alchemical Theatre Laboratory (104 W 14th Street, NYC). The press opening is scheduled for Sunday, December 7th at 3 PM. Tickets are $17.00 and are now on sale online at The Alchemical Theatre Laboratory's website - www.atlnyc.com, or via Ovation Tix - https://web.ovationtix.com/trs/cal/34181.

The Immediate Family presents Henrik Ibsen's PEER GYNT, adapted by Scott Raker, from the English translation by William and Charles Archer, directed by Haas Regen. PEER GYNT features original music written and performed by Mackenzie Shivers, inspired by Edvard Grieg's score. PEER GYNT will be performed Friday, December 5th through Saturday, December 20th, at the Alchemical Theatre Laboratory (104 W 14th Street, NYC). The press opening is scheduled for Sunday, December 7th at 3 PM. Tickets are $17.00 and are now on sale online at The Alchemical Theatre Laboratory's website - www.atlnyc.com, or via Ovation Tix - https://web.ovationtix.com/trs/cal/34181.

Broadway stars, producers and the Company of Jonathan Brielle's much acclaimed new musical, Himself and Nora about the tumultuous romance of famed writer James Joyce and his muse, lover and most ardent supporter, chambermaid Nora Barnacle, gathered to celebrate the release of the album produced by John Yap for noted theatrical music label Jay Records. Scroll down for photos from the event!

Trinity Repertory Company starts off the 2013-14 season with a solid, hard-hitting production of John Steinbeck's The Grapes of Wrath. Directed by Trinity's own Brian McEleney, this staging is thoughtful and streamlined with just the right touch of the company's unique creativity.

Trinity Rep kicks off their 50th Anniversary season with John Steinbeck's The Grapes of Wrath, the definitive American tale of the strength of family and the human spirit set in the aftermath of the Great Depression. The Grapes of Wrath is now playing until October 6, 2013 in Trinity Rep's Dowling Theater. BroadwayWorld has a first look at the cast in action below!

Trinity Rep kicks off their 50th Anniversary season with John Steinbeck's The Grapes of Wrath, the definitive American tale of the strength of family and the human spirit set in the aftermath of the Great Depression. The Grapes of Wrath begins previews tonight, September 5, 2013 and runs until October 6, 2013 in Trinity Rep's Dowling Theater.

Trinity Rep kicks off their 50th Anniversary season with John Steinbeck's The Grapes of Wrath, the definitive American tale of the strength of family and the human spirit set in the aftermath of the Great Depression. The Grapes of Wrath begins previews September 5, 2013 and runs until October 6, 2013 in Trinity Rep's Dowling Theater. Adapted for the stage by Frank Galati, this evocative and deeply affecting stage version promises to lift Steinbeck's novel to new heights of theatrical urgency, especially when married with director Brian McEleney's visceral storytelling style. Part naturalistic epic, part road novel, part inspirational gospel, The Grapes of Wrath boasts a 17 member cast and original folk-rock music from the show's band, 3pile. This production is sponsored by Taco/The White Family Foundation.

On Monday September 20, 2010, the IT Awards (New York Innovative Theatre Awards), the organization dedicated to celebrating Off-Off-Broadway, and host Lisa Kron, announced the 2010 recipients at the Sixth Annual IT Awards Ceremony at Cooper Union.

The New York Innovative Theatre Foundation, the organization dedicated to celebrating Off-Off-Broadway, announced the 2010 nominees at its annual sold-out event at the Carmine Street Recreation Center located at 25 Carmine Street. The 2010 IT Awards Ceremony will be on Monday, September 20, 2010.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

This production of Shakespeare's Romeo and Juliet is the directing work of Alex Torra, a third-year MFA directing student in collaboration with a cast of second and third-year acting students.