Errol Flynn News

Ensemble for the Romantic Century is proud to announce that the 2018 - '19 season, ERC's 18th, will continue January 3rd with Maestroby Eve Wolf. Opening Night is set for January 14th.  This limited Off-Broadway engagement runs through February 9th only. Performances will be at The Duke on 42nd Street (229 West 42nd Street, between 7th and 8th Avenues).

Tennessee Shakespeare Company welcomes the festive winter season into its new home with a fun, interactive production of William Shakespeare's pastoral comedy As You Like It, the last show in TSC's Elizabethan Rep this year.

Tennessee Shakespeare Company welcomes the festive winter season into its new home with a fun, interactive production of William Shakespeare's pastoral comedy As You Like It, the last show in TSC's Elizabethan Rep this year.

Captivating violin virtuoso Karen Gomyo and guest conductor Fabien Gabel mark their return engagements with the Houston Symphony in a program featuring works by Tchaikovsky and two selections from iconic film scores. Titled Tchaikovsky's Violin Concerto, the program is at 8 p.m., Oct. 26-27, and 2:30 p.m. Oct. 28.

The Broadway at Birdland concert series is thrilled to announce that singer/songwriter Amanda McBroom will return to the historic club on September 10th 2018 with "My Favorite Things- Songs I've Longed to Sing.' The selections include words and music from the likes of Annie LaMott, Stephen Sondheim, Fran Landesman, Cole Porter, Jacques Brel, Michele Brourman, and, naturally, McBroom herself. The evening promises to be one to calm the jitters, raise the hackles, and hopefully heal the heart. Showtime is 7:30pm. The historic jazz venue Birdland, which has embraced the diversity of cabaret performing in recent years is located at 315 West 44TH ST. between 8th and 9th Avenues.

For those too young to remember the vaudevillian style lounge shows popular in the 50s and 60s in Las Vegas, where an iconic and often talented performer in their own right hosted other acts to keep gamblers entertained as they visited the lounge bar for a drink, looked for a companion for the night, or needed time to recover from a huge loss at the tables, you can now experience a little bit of old Vegas, right here in Hollywood. And I can tell you, I don't remember laughing as hard as I did the night I attended THE TONY MARTINI VARIETY HOUR at Three Clubs Cocktail Lounge, rumored to be the exact same place where Frank Sinatra would hang out with his assorted Rat Pack buddies, friends, and lovers during their own Las Vegas heyday. And that vibe still exists in the room where those great entertainers wowed the crowds so many years ago.

As BroadwayWorld sadly reported earlier this week, trailblazing dancer, director, and choreographer Dame Gillian Lynne passed away at the age of 92. 

The legend of Robin Hood is subject to personal interpretation and, given the times in which we now live, it only makes sense that playwright Adam Szymkowicz would devise his own treatment of the legend in ways both provocative and traditional. In Marian, Or The True Tale of Robin Hood, Szymkowicz posits that both Robin, the personification of the anti-hero, and his supposed love, Maid Marian are indeed the same person, devoted not only to taking from the aristocracy to provide for the peasantry, but also to foment ideas of class and gender equality at a time when such thought was considered heretical.

It has been announced today via her official Twitter that trailblazing dancer, director, and choreographer Dame Gillian Lynne has passed away.

It was announced today that Martin Sutherland, Chief Executive of Royal & Derngate and The Core at Corby Cube, will leave his role in Autumn 2018 to lead the team that will deliver UK City of Culture 2021 in Coventry.

The tale of Robin Hood has provided source material for several famous screen adaptations over the years, including the classic Hollywood film with Errol Flynn and the Disney animated feature that portrayed all the characters as animals. With the exception of Young Robin Hood at Round House Theatre a few years back, there really hasn't been a good stage treatment for the guy who steals from the rich to give to the poor...until now.

Phil Willmott's The Cherry Orchard picks up Chekhov's action and moves it forward a decade or so to 1917, when the balance of power in Russia was tilted rather differently.

Lyric Opera of Kansas City opened its excellent production of Verdi's 'Rigoletto' this weekend to appreciative audiences.  The voices are excellent, the orchestra is sublime, and the sets are both massive and ornate. 

Robin Hood is heading to the stage in a brand-new tale written by John Johnson of the Astral Theatre Collective. Wolf's Head: A Tale of Robin Hood and the Sheriff, based on the ancient ballads and history of Robin Hood, is gearing up to begin performances at the Alban Art Center in St. Albans, WV in March.

Doodle - The Musical starts with an unlikely idea that's spun out for nearly three hours - even some decent songs prove insufficient to rescue its poor script and dull characters.

The Next Stage Theatre Festival returns this January with a lineup of ten companies showcasing a cross-section of our exciting indie performance community. With many familiar faces from past Fringe Festivals, the 2018 programming is a true representation of the 'best of the fest'. The festival will take over Factory Theatre from January 3 to 14, 2018.

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE PRINCE OF EGYPT, KINKT BOOTS, THE LITTLE MERMAID, and more!

The Pirates of Penzance--opera or operetta? The answer to that question seems important to some opera lovers who believe a 'serious' opera company doesn't do operettas. Too bad for them if their doubts made them miss out on San Diego Opera's hugely entertaining production. A nearly sold-out audience laughed frequently as Gilbert and Sullivan made fun of inept but kind-hearted pirates, cowardly policeman trying their best, and even Queen Victoria, who made a non-singing appearance with the signature rotation of the raised royal hand. While musicologists, historians and purists at home argued about the correct classification of the work, excellent operatic singers delivered clever lyrics and threw themselves into the light-heartedly silly plot.

Austin Pendleton and Barbara Bleier return to downtown's hideaway, Pangea, in September and October, with BEAUTIFUL MISTAKE - The Songs of John Bucchino and Amanda McBroom. There are two performances scheduled: September 26th and October 3rd at 7:00pm.

Austin Pendleton and Barbara Bleier return to downtown's hideaway, Pangea, in September and October, with BEAUTIFUL MISTAKE - The Songs of John Bucchino and Amanda McBroom. There are two performances scheduled: September 26th and October 3rd at 7:00pm.