Emily Neves News

Stages Repertory Theatre will present MARIE ANTOINETTE by David Adjmi, today, October 8 - November 2, 2014. Produced in cooperation with the University of Houston School of Theatre & Dance, the play will be directed by Leslie Swackhamer and stars Emily Neves in the title role.

I was lucky to get so much of Barry Doss' time. He is resident Costume Designer for Dance at Sam Houston State University and Stages Repertory Theatre's upcoming production of MARIE ANTOINETTE. When I called, he was in his workshop in Huntsville patterning and cutting. Fresh off Broadway, by way of Fort Worth, Texas, he came home to Houston last spring - February to be exact - and immediately got to work on the anachronistic beauty that is MARIE ANTOINETTE.

Stages Repertory Theatre will present MARIE ANTOINETTE by David Adjmi, October 8 - November 2, 2014. Produced in cooperation with the University of Houston School of Theatre & Dance, the play will be directed by Leslie Swackhamer and stars Emily Neves in the title role.

Since its World Premiere performance on February 14, 1895, Oscar Wilde's THE IMPORTANCE OF BEING EARNEST has been an enduring favorite of audiences. Critics recognized the play for its wit and popularity with audiences. In 2014, those same attributes hold up well. Currently, Houston's Classical Theatre Company is producing THE IMPORTANCE OF BEING EARNEST and earning many hearty laughs with their take on the classic.

CTC will present the last installment of their season of English language masterpieces by way of The Importance of Being Earnest. Oscar Wilde's final, and most masterful, play, The Importance of Being Earnest deals with a common theme in Wilde's work: the leading of double lives. Socialite Jack Worthing and dilettante friend Algernon Moncrieff create fictitious alter egos for themselves in order to buck society's stifling restrictions placed upon them. Hilarity ensues when their love interests, Gwendolen Fairfax and Cecily Cardew, fall in love with their false personas. Full of witty repartee and scathing social commentary, The Importance of Being Earnest, will bring down the house with laughter.

CTC will present the last installment of their season of English language masterpieces by way of The Importance of Being Earnest. Oscar Wilde's final, and most masterful, play, The Importance of Being Earnest deals with a common theme in Wilde's work: the leading of double lives. Socialite Jack Worthing and dilettante friend Algernon Moncrieff create fictitious alter egos for themselves in order to buck society's stifling restrictions placed upon them. Hilarity ensues when their love interests, Gwendolen Fairfax and Cecily Cardew, fall in love with their false personas. Full of witty repartee and scathing social commentary, The Importance of Being Earnest, will bring down the house with laughter.

While Thanksgiving is right around the corner, holiday festivities are commencing in full force. For many Houston theater goers, the highlight of the holiday season is the Alley Theatre's infamous production of A CHRISTMAS CAROL - A GHOST STORY OF CHRISTMAS. Michael Wilson's imaginative stage adaptation of the Charles Dicken's classic A Christmas Carol in Prose, Being a Ghost Story of Christmas, is celebrating its 24th year and continues to be a spectacle that is hauntingly delightful and heartwarming. With family-friendly thrills, chills, and a hearty dose of laughter, this festive production remains a holiday favorite.

Houston's seasonal favorite A Christmas Carol - A Ghost Story of Christmas returns to light up the Holiday Season downtown on the Hubbard Stage November 15 to December 26.

When it comes to American Theatre from the 1930s, one of the leading writing duos was George S. Kaufman and Moss Hart. This pair is integral in the development of Modern American Theatre. They are often studied in survey courses that chart the progression of the art form, as most agree that together they wrote some of America's favorite comedies. Their hilarious and heartwarming 1936 play YOU CAN'T TAKE IT WITH YOU premiered at the Booth Theater on December 14, 1936 and ran for 837 performances. It also won the 1937 Pulitzer Prize for Drama. When it was adapted for film by Frank Capra and Robert Riskin in 1938, it won Oscars for Best Picture and Best Director. Now, in 2013, The Alley Theatre is reviving the classic and hysterical masterpiece about an eccentric family that is happily surviving the Great Depression. It's 1936, and their key to bliss is embrace the love they have for one another, their hobbies, and to find ways to simply enjoy the life they've got.

Alley Theatre Artistic Director Gregory Boyd presents You Can't Take It With You. Sanford Robbins returns to direct this new production after directing last season's November. Robbins also directed the Alley Theatre's 2003 production of You Can't Take It with You. You Can't Take It With You, by Moss Hart and George S. Kaufman, directed by Sanford Robbins, opens tonight, September 25, and runs through October 20, 2013 on the Hubbard Stage. BroadwayWorld has a first look at the cast in action below!

Alley Theatre Artistic Director Gregory Boyd presents You Can't Take It With You. Sanford Robbins returns to direct this new production after directing last season's November. Robbins also directed the Alley Theatre's 2003 production of You Can't Take It with You. You Can't Take It With You, by Moss Hart and George S. Kaufman, directed by Sanford Robbins, began performances Friday, September 20 opens officially Wednesday, September 25, and runs through October 20, 2013 on the Hubbard Stage. BroadwayWorld has a first look at the cast in action below!

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for You Can't Take It With You. Sanford Robbins returns to direct this new production after directing last season's November. Robbins also directed the Alley Theatre's 2003 production of You Can't Take It with You.

Tradition is often a beautiful thing, especially when it invites Houstonians and tourists alike out of the summer heat and into the splendors of air conditioning. Mix in delightful, sometimes even frightfully chilling, entertainment, and you've got the recipe for the Alley Theatre's annual ExxonMobil Summer Chills series. This summer's offering is Agatha Christie's ever-suspenseful and surprisingly humorous THE HOLLOW, which is the 22nd Agatha Christie show the Alley has produced in their 66-year history.

Beginning in July 2013, the Alley Theatre will produce Agatha Christie's The Hollow during its popular ExxonMobil Summer Chills series. Under the direction of Gregory Boyd, the Alley's resident company of actors will bring to life the colorful cast of characters in Agatha Christie's The Hollow.

Alley Theatre presents Sherlock Holmes and the Adventure of the Suicide Club. Based on Robert Louis Stevenson's 'The Suicide Club' and featuring beloved characters created by Sir Arthur Conan Doyle, Jeffrey Hatcher (Mrs. Mannerly, 2010) crafts a smart new Sherlock Holmes mystery. Having played Sherlock Holmes in The Crucifer of Blood (2009) and Sherlock Holmes (2003), Alley Theatre Company Artist Todd Waite will again play the iconic and illustrious detective in a spectacular, lavish production. BroadwayWorld has a first look at the cast in action below!

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Sherlock Holmes and the Adventure of the Suicide Club. Based on Robert Louis Stevenson's "The Suicide Club" and featuring beloved characters created by Sir Arthur Conan Doyle, Jeffrey Hatcher (Mrs. Mannerly, 2010) crafts a smart new Sherlock Holmes mystery. Having played Sherlock Holmes in The Crucifer of Blood (2009) and Sherlock Holmes (2003), Alley Theatre Company Artist Todd Waite will again play the iconic and illustrious detective in a spectacular, lavish production.

Last night, The Alley Theatre hosted the press opening night of Bernard Pomerance's well-known 1977 tragic drama THE ELEPHANT MAN. The nearly 100-minute one act production is a fascinating look at the life of Joseph 'John' Carey Merrick, who began developing severe bone and skin abnormalities by age two. The play takes place from 1884 to 1890, focusing primarily on the parts of Joseph Merrick's life when he was acquainted with and studied by Dr. Frederick Treves, a surgeon in London. Throughout Joseph Merrick's life these abnormalities worsened, significantly increasing the physical strain these deformities subjected his body to. Joseph Merrick passed on April 11, 1890, at the age of 27. The official cause of death is asphyxia.