Rebecca Kaplan - Page 7

Leavel, known for her roles in hit musicals The Drowsy Chaperone and The Prom, has a rare ability to employ the impressive singing voice of a serious traditional nightclub act while also being wholly comedic, switching back and forth between the two at the drop of a hat and occasionally somehow managing to embody both at once.

Powerhouse Carole Bufford is back at 54 Below again with a tribute to great women of the 1960s like Carole King, Janis Joplin and Tina Turner. Catch her next performance on January 24th, 2024 and see photos of her January 3rd show here.

At one point, someone seated in front of me kvelled, “We don’t deserve this” over and over again. I couldn’t agree more.

Ekmeles’ rich vocals harmonized and blended beautifully, reverberating against the walls of the crypt.

Beneath the arches of the medieval-style crypt, without distracting screens, the concert was truly transported into a timeless space.

Last Tuesday night at the Green Room 42, LA TI DO Productions put on an enormous show of talent to benefit victims of the fires in Maui.

On November 13th at 7 pm, members of the Hadestown orchestra took their one night off to dazzle Birdland with a selection of songs performed by current and former cast members.

The Frogs is a humorous piece of fluff, with great character songs, and lush choral works. MasterVoices hit it out of the park with this exquisite staging of an interesting work that’s unlikely to get a revival like this anytime soon.

The show was a loving tribute to the home Lozano and Cuenca left behind in Mexico, and their newfound “family of choice” in New York.

It’s not often you get to see someone with a true rocker’s spirit do an evening of Broadway, and though he did many well-familiar songs, his performances felt truly unique.

Filled with wonderful music and anecdotes both amusing and informative, this was a lovely installation of Deborah Grace Winer’s series

The opening night crowd for his new solo show, “Middle Aged Ingenue,” was electric.

Broadway Sessions is fun, engaging, theatrical – and celebrating its 15th anniversary.

How can you fit Broadway composer Charles Strouse’s entire career into a 90-minute show?

To hear the score of the century-and-a-half-old comic operetta live was an unparalleled treat.

Some inventive puppetry brought the sparse production of GOLEM OWNED A TROPICAL SMOOTHIE a little added fun.

Linda Eder's latest show was such a bit hit that, even before its conclusion, her next appearance at 54 Below was announced.

Who needs the Oscars for a movie-themed night when Eva Noblezada is doing her MOVIES show?

It was a treat getting to see a glimpse of six different Broadway shows in one night, especially the ones that have since closed.