On the verge of death for the umpteenth time, Anna (Linda Lavin) makes a shocking confession to her grown children: an affair from her past that just might have resonance beyond the family. But how much of what she says is true? While her children try to separate fact from fiction, Anna fights for a legacy she can be proud of. With razor-sharp wit and extraordinary insight, Our Mother's Brief Affair considers the sweeping, surprising impact of indiscretions both large and small.
The play is filled with attempts at wit, like the one Mom delivers about her son being a 'string terrorist.' Or statements that 'the potato chip is nature's most perfect food,' which Lavin delivers as if she's quoting Oscar Wilde. The actress is a real trouper. 'Affair' is nearly a drama-less drama. Nearly every conflict presented is resolved by someone on stage telling us how it is resolved...Likewise, character traits are thrown out and dismissed.
If the playwright Richard Greenberg didn't write the role for Linda Lavin, he might as well have, so perfectly does it suit and flatter her. It may in fact suit and flatter her too well; sometimes one would like to see Lavin clawing her way out of a role instead of slipping so smoothly into it. Here, she wears Anna as fetchingly as Anna wears the perfectly cut Burberry trench coat she imbues with talismanic powers of mysterious romance. It is just such a romance that forms the central (and really the only) plot of this entertaining but threadbare play...If I had to guess, I'd say that Greenberg got trapped (much as Anna does) by what must have felt like a daring idea.
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