YOUR KIND OF MUSIC. YOUR KIND OF MUSICAL.
For five years, BEAUTIFUL, the Tony and Grammy Award-winning Carole King musical, has thrilled Broadway with the inspiring true story of one woman's remarkable journey from teenage songwriter to the Rock & Roll Hall of Fame.
From the string of pop classics she wrote for the biggest acts in music to her own life-changing, chart-busting success with Tapestry, BEAUTIFUL takes you back to where it all began- and takes you on the ride of a lifetime.
Featuring over two dozen pop classics, including "You've Got a Friend," "One Fine Day," "Up on the Roof," "You've Lost That Lovin' Feeling," "Will You Love Me Tomorrow," and "Natural Woman," this crowd-pleasing international phenomenon is filled with the songs you remember- and a story you'll never forget.
Certainly, its prime attraction is the marvellous Jessie Mueller, avoiding impersonation, but otherwise perfectly channeling the contradictions of King (neé Klein), as she goes from precocious 16-year-old tunesmith in the late fifties to singer/songwriter star with the release of her seminal album Tapestry in 1971. Jake Epstein, the Canadian talent who first rose to fame onDegrassi: The Next Generation, ably co-stars as her husband/lyricist Gerry Goffin with whom she wrote chart toppers like Some Kind of Wonderfuland The Locomotion for artists like The Drifters and Little Eva...With a spotty script by Douglas McGrath, Beautiful often feels like an extended (and somewhat sanitized) episode of TV's Behind the Music...King, in this version of the story anyway, handles her husband's affairs and breakdowns with admirable restraint and understanding. This doesn't quite work as drama, though Mueller is such a scene stealer, so charming in her self-deprecation, that Beautiful never falls entirely flat.
'Beautiful,' a sentimental and sympathetic biography led by a poignant, extremely winning performance from breakout star Jessie Mueller, is slickly staged, genuinely touching and very enjoyable...It lacks the sin and sex appeal in 'Jersey Boys,' or the restless momentum of 'Motown,' and relies on feel-good nostalgia. Nevertheless, 'Beautiful' is unusually coherent, character-driven and sincere for a jukebox musical. And who can resist those songs? So how can this not be a hit?
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