Now Is the Time for All Good Men 00/00/0000 - Articles Page 4

Rehearsals are set to begin on Tuesday, July 25 for the Playwrights Horizons New York premiere production of For Peter Pan on her 70th Birthday, a new play by two-time Pulitzer Prize finalist and Tony Award nominee Sarah Ruhl (Stage Kiss, Dead Man's Cell Phone at Playwrights; In the Next Room, or the vibrator play; The Clean House).

Broadway stars, live musical presentations and a high school theater department-themed drama series are all on tap for the upcoming 2017-18 primetime television season. Check out the exciting programming slate below!

The New Group has announced four productions for its 2017-2018 Season.

Rose Theatre Kingston today announces its autumn 2017 and spring 2018 season.

GOOD MORNING, THEATERATI! It's May 17, 2017, and summer - or a reasonable facsimile thereof - has arrived in Nashville, with temperatures already climbing toward the 90s! When prompts the musical question: What's on your agenda for the summer of 2017? Anything we should know about and, more importantly, write about?

Playwrights Horizons begins accepting entries today, Monday, May 8 at 12 Noon, for the LIVEforFIVE online lottery for $5 tickets to their world premiere production of BELLA: AN AMERICAN TALL TALE, a new musical with book, music and lyrics by Obie Award winner Kirsten Childs (The Bubbly Black Girl Sheds Her Chameleon Skin at Playwrights, Miracle Brothers).

The Watermill Theatre announces the cast of Alan Ayckbourn's duo of comedies, House and Garden, two major productions at the heart of the theatre's 50th anniversary celebrations.

The Rubin Museum has announced its March programs.

The Rubin Museum has announced its March programs.

Sundance Institute will convene 24 experts in film, art, culture and science to award feature-length work shown at the 2017 Sundance Film Festival

The Public Theater has announced a final extension today for the first major New York revival of PLENTY, written by David Hare. Directed by five-time Tony Award nominee David Leveaux, the show began performances on Tuesday, November 4 and was originally extended through Sunday, November 20. It will now run through Thursday, December 1, with an official press opening Sunday, October 23.

Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) has announced complete casting for RANCHO VIEJO, the world premiere of a new play by Dan LeFranc (The Big Meal at Playwrights, Sixty Miles to Silver Lake, In the Labyrinth) and directed by three-time Obie Award winner Daniel Aukin (Placebo, This at Playwrights; Fool For Love; Bad Jews; 4000 Miles; [sic]).  Commissioned by Playwrights Horizons, RANCHO VIEJO will be the third production of the theater company's 2016/2017 Season.   

The Public Theater announced today that PLENTY, written by David Hare, will extend two weeks through Sunday, November 20.

Steppenwolf Theatre Company launches its 41st season, the first curated by Artistic Director Anna D. Shapiro, with the moving and enthralling world premiere of Visiting Edna by renowned American playwright David Rabe (Streamers, Good for Otto).

The Lyric Stage Company of Boston announces the cast & creative team for COMPANY, with Music and Lyrics by STEPHEN SONDHEIM and Book by GEORGE FURTH. Directed by Spiro Veloudos with music director Catherine Stornetta and choreography & musical staging by Rachel Bertone, COMPANY will run September 2 - October 9, 2016.

Playwrights Horizons has announced complete casting for A LIFE, the world premiere of a new play by Obie Award winner Adam Bock (A Small Fire and The Drunken City at Playwrights, The Receptionist, The Thugs, Swimming in the Shallows). Directed by two-time Obie Award winner Anne Kauffman (Marjorie Prime, Detroit, Maple and Vine at Playwrights; You Got Older; Belleville; This Wide Night; Smokefall), A LIFE will be the second production of the theater company's 2016/2017 Season.

The Lyric Stage Company of Boston announces the cast & creative team for COMPANY, with Music and Lyrics by STEPHEN SONDHEIM and Book by GEORGE FURTH. Directed by Spiro Veloudos with music director Catherine Stornetta and choreography & musical staging by Rachel Bertone, COMPANY will run September 2 - October 9, 2016.

Steppenwolf Theatre Company launches its 41st season, the first curated by Artistic Director Anna D. Shapiro, with the moving and enthralling world premiere of Visiting Edna by renowned American playwright David Rabe (Streamers, Good for Otto).

American Theater Company (ATC) has restructured its 2016-17 Season and will present three of four previously announced plays, with an updated production schedule.

The Film Society of Lincoln Center announces Ava DuVernay's documentary The 13th as the Opening Night selection of the 54th New York Film Festival (September 30 - October 16), making its world premiere at Alice Tully Hall.

Are you ready to ROCK, Pittsburgh? Pittsburgh CLO is proud to announce casting for the Pittsburgh premiere of THE TOXIC AVENGER, September 22 - December 18 at the CLO Cabaret. This cult film-turned musical smash is a toxic love story with an environmental twist you won't want to miss! Featuring a rock score with instant hits such as: "Who Will Save New Jersey," "Thank God She's Blind," "My Big French Boyfriend" and "Evil is Hot," THE TOXIC AVENGER is sure to satisfy musical theater and movie lovers from the 'Burgh and beyond.

American Theater Company (ATC) proudly announces Season 32, led by its newly appointed Artistic Director Will Davis and continuing the theater's dedication to developing new works. The 2016-17 season kicks off this September with the world premiere of Dan Aibel's T., an exploration of the competitive ice skating saga between Nancy Kerrigan and Tonya Harding, directed byMargot Bordelon, Sept. 23-Oct. 30, 2016. In the New Year, ATC presents Jaclyn Backhaus' Men On Boats, making its regional premiere at ATC Jan. 6-Feb. 12, 2017, under Will Davis' direction after he remounts his acclaimed New York production Off Broadway at Playwrights Horizons this summer. Next spring brings another world premiere at ATC, Basil Kreimendahl's We're Gonna Be Okay, March 17-April 23, 2017. The production is directed by Bonnie Metzgar and was originally developed at ATC in collaboration with The Araca Group during AracaWorks: Chicago 2015. The final production of ATC's 2016-17 Season is a reimagined classic, Pulitzer Prize winner Picnic by William Inge, under Davis' direction May 19-June 25, 2017. Season subscriptions are on sale now and range from $60-$150, with special pricing available for advance purchases before July 31, 2016. To purchase a subscription or for more information, visit www.atcweb.org or call the ATC Box Office at 773-409-4125.

? OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce the latest recipients of Discovery Grants and Commissioning Grants from the Opera Grants for Female Composers program, made possible through the generosity of The Virginia B. Toulmin Foundation.

In THE SECRET LIFE OF THE AMERICAN MUSICAL, Jack Viertel takes about musicals, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love with the art form all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next-by design or by accident, by emulation or by rebellion from OKLAHOMA! to HAMILTON and onward.

On September 9, 1971, two weeks before Fenton Johnson left his home in Nelson County, Kentucky, for college, the state police kidnapped and murdered a local renegade and pot grower from neighboring Marion County whom they had been unable to convict. No autopsy was performed. About the same time, his small hometown acquired its first doctor in years—a Muslim woman from Pakistan. Though Johnson was only seventeen, both events left an indelible impression. The murder of the marijuana grower fed questions about conflict between the free spirit and the constraints of the law—whether imposed by state or church—and the hiring of the doctor led him to wonder what it would mean to be a Muslim woman practicing medicine in the insular Roman Catholic Knobs of Central Kentucky.