Lyric Opera of Chicago presents the fiery melodrama Tosca by Giacomo Puccini (1858-1924) conducted by Dmitri Jurowski in a new production by John Caird. The new cast opens on Friday, February 27 with 5 performances remaining through Saturday, March 14. Performance dates are Feb. 27, Mar. 3, 14 at 7:30pm; and Mar. 8, 11 at 2pm.
CHICAGO – Lyric Opera of Chicago presents the fiery melodrama Tosca by Giacomo Puccini (1858-1924) conducted by Dmitri Jurowski in a new production by John Caird. It opens on Saturday, January 24 with 10 performances through Saturday, March 14. Performance dates are Jan. 24, 27, Feb. 2, 27, Mar. 3, 14 at 7:30pm; and Jan. 30, Feb. 5, Mar. 8, 11 at 2pm. Check out a first look at the production below!
The Jewish Museum and the Film Society of Lincoln Center are presenting the 24th annual New York Jewish Film Festival at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, January 14-29, 2015.
CHICAGO – Lyric Opera of Chicago presents the fiery melodrama Tosca by Giacomo Puccini (1858-1924) conducted by Dmitri Jurowski in a new production by John Caird. It opens on Saturday, January 24 with 10 performances through Saturday, March 14. Performance dates are Jan. 24, 27, Feb. 2, 27, Mar. 3, 14 at 7:30pm; and Jan. 30, Feb. 5, Mar. 8, 11 at 2pm.
Lyric Opera of Chicago presents the fiery melodrama Tosca by Giacomo Puccini (1858-1924) conducted by Dmitri Jurowski in a new production by John Caird. It opens on Saturday, January 24 with 10 performances through Saturday, March 14. Performance dates are Jan. 24, 27, Feb. 2, 27, Mar. 3, 14 at 7:30pm; and Jan. 30, Feb. 5, Mar. 8, 11 at 2pm.
Tommy Tune, Colin Donnell, Danny Gardner, Jeff Hiller, Erin Mackey, Patti Murin, Richard Poe, Jennifer Laura Thompson and Kirsten Wyatt will star in George and Ira Gershwin's Lady, Be Good, the opening production of New York City Center's 2015 Encores! season, running for seven performances, February 4 - 8, 2015. Lady, BeGood will be directed by Mark Brokaw and choreographed by Randy Skinner. Founding Encores! Music Director Rob Fisher will return as Guest Music Director, and has supervised the restoration of the Gershwins' original score.
The Modern Theatre at Suffolk University announces the programming lineup for its 2014-2015 season, featuring conversation, film, and new and classic plays.
The Modern Theatre at Suffolk University announces the programming lineup for its 2014-2015 season, featuring conversation, film, and new and classic plays.
From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.
Principal casting has been announced for the upcoming world premiere production of AN AMERICAN IN PARIS. The cast will include Robert Fairchild as Jerry Mulligan, Leanne Cope as Lise Dassin, Veanne Cox as Madame Baurel, Jill Paice as Milo Davenport, Brandon Uranowitz as Adam Hochberg, and Max Von Essen as Henri Baurel.
This spring, Amore presents Madama Butterfly by Giacomo Puccini (1858-1924) in a JapaneseKabuki inspired production. Conducted by Douglas Martin with stage direction by Nathan Hull, Madama Butterfly opens tonight, May 9, at The Connelly Theater in New York City and runs for twelve performances through May 25, 2014.
As the oldest performing arts organization in Palm Beach County, The Lake Worth Playhouse is pleased and proud to announce its 62nd season.
The Film Society of Lincoln Center announced today the details for Fassbinder: Romantic Anarchist (Part 1), May 16 - June 1. Divided into two parts, the retrospective will be the most extensive presentation of Fassbinder's films in New York since 1997, with Part 1 including almost all of his work leading up to 1974 and Part 2 (screening in November) to pick up from 1974 through 1982. The ambitious two-part series will include all of his theatrical features, much of his television work, films he starred in, films that influenced him, and films that were influenced by his work.
This spring, Amore presents Madama Butterfly by Giacomo Puccini (1858-1924) in a JapaneseKabuki inspired production. Conducted by Douglas Martin with stage direction by Nathan Hull, Madama Butterfly opens on May 9at The Connelly Theater in New York City and runs for twelve performances through May 25, 2014.
This spring Japan Society continues to honor the late Donald Richie, whose criticism, commentary and advocacy contributed incomparably toward making Japanese art and culture, especially its cinema, revered throughout the world. As the second and final leg of the ongoing series, again curated by noted film scholar Kyoko Hirano, A Tribute to Donald Richie (1924-2013), Part 2: Richie's Electric Eight: The Bold & the Daring encompasses eight films that reflect the complexity, nuance, and brilliance of Japanese society, as seen through Richie's unflinching and insatiable eye.
This spring Japan Society continues to honor the late Donald Richie, whose criticism, commentary and advocacy contributed incomparably toward making Japanese art and culture, especially its cinema, revered throughout the world. As the second and final leg of the ongoing series, again curated by noted film scholar Kyoko Hirano, A Tribute to Donald Richie (1924-2013), Part 2: Richie's Electric Eight: The Bold & the Daring encompasses eight films that reflect the complexity, nuance, and brilliance of Japanese society, as seen through Richie's unflinching and insatiable eye.
The Film Society of Lincoln Center announced Edgar G. Ulmer: Back From The Margins, a spotlight on the near-forgotten émigré filmmaker, taking place January 10, 11, 17 and 18.
The cradle of French civilization in North America, this city of inviting cobblestone streets, memorable restaurants and fascinating history is a mere hour-and-change by air from New York City.
Bang the Lion has lost his beat. How will he find it? The Lolli-Pops gang, guest conductor James Judd, and audiences will help him, as The Little Orchestra Society (LOS) presents, WHO'S GOT THE BEAT?, today, February 9, at 10:00 a.m. and 11:30 a.m., and Sunday, February 10, at 1:00 p.m. and 2:30 p.m., at The Kaye Playhouse at Hunter College (68th St. between Park and Lexington Aves.).
Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.
Bang the Lion has lost his beat. How will he find it? The Lolli-Pops™ gang, guest conductor James Judd, and audiences will help him, as The Little Orchestra Society (LOS) presents, WHO'S GOT THE BEAT?, on Saturday, February 9, at 10:00 a.m. and 11:30 a.m., and Sunday, February 10, at 1:00 p.m. and 2:30 p.m., at The Kaye Playhouse at Hunter College (68th St. between Park and Lexington Aves.).
It is with both heavy hearts and deep gratitude that the staff, board, and community of artists of Symphony Space honor the memory of Founding Artistic Director Isaiah Sheffer, who died on Thursday evening of last week from complications after a stroke. He was 76 years old.
Beginning this month, the University of Cincinnati College-Conservatory of Music (CCM) will celebrate the iconic work and enduring legacy of composer Kurt Weill with an unprecedented series of events. Opening on Friday, Oct. 19, and running through Tuesday, March 12, CCM's Kurt Weill Festival will incorporate the renowned theatre composer into a broad range of both public performances and classroom exercises.
For the sixth consecutive year, the Philharmonic and its Global Sponsor, Credit Suisse - whose partnership began at the start of the 2007 season - will offer a Free Dress Rehearsal of the Opening Night concert Wednesday, September 19, 2012, at 9:45 a.m.
Nigel Redden, Director of Lincoln Center Festival, announced the Festival's line-up, which runs from tonight, July 5 through August 5, 2012. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.
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