I'm Still Here...Damn It! 1998 - Articles Page 7

We want the same songs we (or our parents or grandparents, as the case may be) grew up with, every note of the horn arrangements, and the original singer's voices, imparting each smidgen of intonation and pacing that the original singe added to the song. A historical frame for the musical is perfect for catering to that simple but demanding taste: You want to see Otis Redding singing (Sittin' On) The Dock of the Bay? Fine, we've reached 1967 in the story, so here he is! And damn, doesn't he sound good?

There are many, very obvious spectacular things that stand out while watching LOVE NEVER DIES, Andrew Lloyd Webber's infamously, uh, troubled 2010 musical follow-up to his long-running global hit THE PHANTOM OF THE OPERA, now continuing its two-week engagement at Segerstrom Center for the Arts in Costa Mesa through May 5, 2018. While, sure, the show is stunning in its visual artistry and musical performances, the rest is repetitively frustrating. Unless you're a huge PHANTOM fan already or are perhaps maybe morbidly curious as to what the fuss is all about---LOVE NEVER DIES, sadly, doesn't offer much else to audiences beyond its superficial surface beauty.

I like, many musical theatre nerds get excited every time a world premiere musical comes to town. Arena Stage is providing that fix right now with an Alaskan-rooted premiere of Snow Child. Today's subjects Christiane Noll and Matt Bogart are currently living their theatre lives as the leads in this production, which runs through May 20, 2018.

DAMN YANKEES is one of those fun, classic musical comedies with no message and familiar tunes. The show is a bit too long, and many of the lyrics are dated. Still, in the hands of a company such as Palm Canyon Theatre, a community theatre with the expertise to present large-cast musicals, the feel-good, dance-intensive show will leave the audience smiling and humming. 

Rehearsals are in full swing for The 5th Avenue Theatre's production of Kiss Me, Kate, which begins performances next Friday, April 6.

CNBC Transcript: Icahn Enterprises Chairman Carl Icahn Speaks With CNBC's Scott Wapner On FAST MONEY HALFTIME REPORT

Today, BroadwayWorld is excited to help reveal the cover to MOONLIGHT SEDUCTION by #1 New York Times Best Selling Author Jennifer L. Armentrout. It is a companion novel to MOONLIGHT SINS, the first book in the romance series featuring the de Vincent brothers. In addition to the cover reveal, BWW is also sharing the summary AND giving you the first chapter to read in celebration!

FIORE BARBINI is bringing his hit solo cabaret show I'M STILL HERE: My Story. The Songs of Leading Ladies. to the Don't Tell MamaCabaret in New York City Friday, March 9th, 2018! The show is co-produced by cabaret mainstay Joseph Macchia Events and Productions with musical direction by Yasuhiko Fukuoka. He made his NYC cabaret debut with this show to rave reviews last year at 53 Above Broadway. He's performed selections from I'm Still Here at NYC venues including The Duplex and The West End.

Last month, BroadwayWorld reviewed brand-new fantasy novel LULLABY by L.R.W. Lee, the first in The Sand Maiden series. Today, L.R.W. Lee sat down to dish secrets about her new novel and share an excerpt as a special Valentine's Day treat!

DIY Psych-Rock Prodigy Ty Richards Premieres New Single MERRY GO-ROUND

Buddy Guy will be taking the stage at the Morrison Center Thursday, June 21st at 7:30 pm.  At age 81, Buddy Guy is a Rock and Roll Hall of Fame inductee, a major influence on rock titans like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, a pioneer of Chicago's fabled West Side sound, and a living link to the city's halcyon days of electric blues. Buddy Guy has received 7 GRAMMY Awards, a 2015 Lifetime Achievement GRAMMY Award, 37 Blues Music Awards (the most any artist has received), the Billboard Magazine Century Award for distinguished artistic achievement, a Kennedy Center Honor, and the Presidential National Medal of Arts. Rolling Stone Magazine ranked him #23 in its '100 Greatest Guitarists of All Time.'

HBO Real Sports: Year-in-Review Debuts Tonight at 10:00pm ET/PT on HBO

With each year, Grammy Award nominations bring about emotions of excitement, surprise and some times, rage.

CAPA presents Buddy Guy at the Palace Theatre (34 W. Broad St.) today, October 11, at 7:30 pm.

Artistic Director of Sheffield Theatres Robert Hastie today announces his new season for 2018.

I have seen Scott this year in two different productions of Gypsy. He played the character Herbie in both of them. I'm inordinately fond of that show and have been a little in love with Herbie since I first saw the film sometime in the late '60s, with Karl Malden in the role. There have been many fine Herbies along the way, but none hit as many of the character's emotional and dramatic notes as did Scott in both productions, even surpassing Malden, in my view.

Today, we shine our spotlight on Vanderbilt University junior Michael Maerlender, a native of New London, New Hampshire, who is back in Nashville to pursue his dreams of a life in the theater while working as a production/writing intern with K-Squared Productions and Tennessee Performing Arts Center's world premiere run of Part of the Plan, a new musical that features a score from the catalogue of American singer/songwriter Dan Fogelberg, which opened at TPAC's Andrew Johnson Theatre on Sunday night, following two preview performances that started last Friday.

CAPA presents Buddy Guy at the Palace Theatre (34 W. Broad St.) on Wednesday, October 11, at 7:30 pm.

Kira Turnage aka Lola Boutee, the CEO, Director and 2008 Founder of The Dollface Dames promises her troupe of Burlesque entertainers is the best L.A. has to offer with their high-class, show-stopping live entertainment for any occasion, whether you're looking for the best burlesque shows in town or to book choreographed full stage shows, cabaret dancers, burlesque soloists, singers, aerialists, fire performers, hoop artists, contortionists, variety acts, or magicians. My curiosity got the best of me, so I sat down to chat with her about her career and how she decided to get into the world of burlesque.

Strong and energetic - some even show-stopping - performances from a youthful, fresh-faced cast, choreography that will have you dancing in the aisles and sprightly direction that moves the plot along at an astonishing pace…if you aren't already a fan of Bring It On the Musical, then Circle Players' production will make you one in short order.

Following her strut down the red carpet at the Grammy Awards and her newest release "Blue Again," soul-blues star Janiva Magness will be debuting her new material live on her Blue Again Tour. Magness will demonstrate how her robust and soulful voice can seamlessly shift from swampy blues to funky soul as she performs songs from her 2017 Grammy nominated album and 12th release Love Wins Again as well as her entire repertoire on Saturday August 12 in Pawling, NY at Daryl's House at 8 PM.

To open its historic 97th season, Orange County's Laguna Playhouse is presenting an admirable new production of the Tony Award-winning 2002 hit musical comedy HAIRSPRAY, which via popular demand has now been extended through August 5. Filled with spirited performances, memorably cheeky songs, and an undeniably infectious story, this stage musical adaptation of John Waters' 1988 cult movie classic---even here in Laguna Beach's scaled-down regional production---still manages to be just as likable as it would be seeing it in a larger theater.

Shawn Whitsell's Destiny Theatre Experience celebrates its tenth anniversary starting tonight with the opening of Stephen Adly Guirgis' The Motherf**ker With the Hat at Nashville's iconic Darkhorse Theater. Directed by Kurt Jarvis and featuring a cast of local stage favorites, along with some intriguing newcomers, including Michael Carlo, Megan Blevins, Matt N. Smith, Amie Lara and Tony Insignares.

The folks who gave you Manhattan Monologue Slam are going national with The National Monologue Slam, the latest creation from the minds of Philip and Robert Galinsky.  The brothers have been serving the acting community since 2003 with their groundbreaking monthly competition The Manhattan Monologue Slam, an opportunity for emerging actors to perform for industry professionals each and every month by providing a panel of judges consisting of agents, casting directors, producers and the like, offering valuable advice and critiques of the performers.   

One of the country's most vibrant eras in music, in general and especially for women, was the 1960s, filled to the brim with girl groups like The Chantels and The Supremes, folk pioneers like Joan Baez, and songwriters so influential that, decades later, that musical written about them keeps filling its Broadway house to capacity for close to four years (Carole King, of course). In the midst of political and public unrest, in a male-dominated world and industry, these women made space and carved out their own spots in music history. Who better to spotlight these singers and songwriters than Carole J. Bufford, who has carved out her own spot within the New York cabaret scene as an enthusiastic and rich interpreter of the Jazz Age songbook, and returned to the circuit with something a little different: YOU DON'T OWN ME: THE FEARLESS FEMALES OF THE 1960S, a celebration of the 'bold and daring women [who] planted their flags and ensured their voices were heard.' And as it turns out, it's not only Bufford's most fearless show, but also one of her best.