Trying 2004 - Articles Page 6

Airswimming is a part of Dragon Productions Theatre Company's 2017 Main Stage Series.

Airswimming is a part of Dragon Productions Theatre Company's 2017 Main Stage Series.

On the heels of announcing dates for their upcoming Pabst Blue Ribbon -sponsored North American tour (which runs from Sept. 26 to Oct. 25), Mastodon has released a new behind-the-scenes tour video written, produced and directed by Newmerica in conjunction with PBR Music.

The Broward Center for the Performing Arts presents the Broadway Across America production of the musical Finding Neverland featuring music and lyrics by Gary Barlow and Eliot Kenned, and a book by James Graham. The musical stage adaptation is inspired by the 1998 play The Man Who Was Peter Pan by Allan Knee, and his 2004 film adaptation Finding Neverland.

As theaters across the country embrace spectacle, one production dares to go smaller. This June TheatreFIRST brings you the Bay Area's newest immersive event. Car Play: A Motor Performance is an exciting new show performed for just three audience members a night inside a 2004 Chevy Impala.

TIMON OF ATHENS opened at Stratford Festival's Tom Patterson Theatre on Friday night. It is probably one of the more relatable cautionary tales that Shakespeare has produced, which explains why the Festival continues to have it set in modern times. Director, Stephen Ouimette takes this production on for a second time, as he also directed it in Stratford in 2004. I did not have the opportunity to see his previous production, but this one is impressive.

Today, we introduce you to PSM Cecilia Lighthall, one of Tennessee's finest: My first SM assignment in college was Selkie. I had been an ASM before that. But, that was my first one as lead. My first professional show was Cabaret at Chaffin's Barn in 2004. My most recent show was Posterity with Nashville Repertory Theatre.

Hubbard Street Dance Chicago, under the artistic direction of Glenn Edgerton, announces today, programming for Season 39 Summer Series, June 8-11, 2017 at the Harris Theater for Music and Dance. The program features a look at Hubbard Street through the decades, featuring The 40s and Georgia by Lou Conte, Twyla Tharp's The Golden Section, an excerpt from Resident Choreographer, Alejandro Cerrudo's One Thousand Pieces as well as pieces by Jim Vincent, Crystal Pite, William Forsythe, and Lucas Crandall.

Hubbard Street Dance Chicago, under the artistic direction of Glenn Edgerton, announces today, programming for Season 39 Summer Series, June 8-11, 2017 at the Harris Theater for Music and Dance.

The Old Globe today announced its 2017-2018 Season, which will kick off with the world premiere musical Benny & Joon, with book by Kirsten Guenther, music by Nolan Gasser, and lyrics by Mindi Dickstein.

Spring is here! Why doesn't my heart go dancing? Well, Mr. Lorenz Hart, personally, we are too damn busy with creating the magic of live theater: We're directing a show (Daddy's Dyin'…Who's Got the Will? opens next week - April 20 - at The Larry Keeton Theatre in Donelson, thank you very much) and trying to make it out to see as much theater in Nashville as possible before old age takes its toll - it's tough out there for a theater critic!

Three suburban couples desperately trying to lead perfectly happy lives are at the heart of cul-de-sac by John Cariani which opens Saturday, April 29 at Half Moon Theatre.

A charming though perplexing adaptation of the 2004 film, FINDING NEVERLAND jets into too many erratic directions at any given moment and doesn't gel completely as a whole. And for all its gorgeous, visual splendor, it is surprisingly lacking in honest-to-goodness stage magic. The touring version of the 2015 Broadway stage musical adaptation continues at OC's Segerstrom Center for the Arts in Costa Mesa through April 2, 2017.

Will Ackerman's 2005 Grammy award winning recording, Returning: Pieces for Guitar 1970-2004 is being released for the first time on 180g vinyl by Marshall Blonstein's Audio Fidelity.

Factory is proud to present the triumphant return of BANANA BOYS, adapted from Terry Woo's game-changing novel by Leon Aureus, and one of the hit shows from Factory's Naked Season. Factory Artistic Director Nina Lee Aquino will close the current season with her highly inventive reimagining of BANANA BOYS, which she first directed in 2004 for fu-Gen Asian Canadian Theatre Company.

EDWARD ALBEE'S AT HOME AT THE ZOO combines Albee's groundbreaking 1959 short play The Zoo Story with his acclaimed prequel Homelife, written in 2004. Together these short plays tell a more complete story of publishing executive Peter, his wife Ann, and Jerry, the volatile stranger Peter meets in the park. The production marks the first major Albee production in Los Angeles since the 2016 passing of the legendary American Playwright, with Coy Middlebrook directing a cast that includes deaf and hearing actors working in perfect unison.

The Gay Men's Chorus of Washington, DC's LGBT themed production of the classic musical 'How To Succeed In Business Without Really Trying' will premiere at the Lincoln Theatre in DC on March 10, 11 & 12, 2017 at located at 1215 U Street NW. This is the first LGBT production of 'How To Succeed' to date. Famous songs like 'I Believe in You,' 'Happy to Keep His Dinner Warm' and 'Brotherhood of Man.' all appear in their original composition, just with a little more glitter! How to Succeed in Business Without Really Trying tells the story of J. Pierrepont Finch and his rise to the top of the corporate ladder with the aid of a simple self-help book. Along the way, he learns how to find your name on the executive door and win the secretary's heart quicker than you can say "nepotism." I had an absolutely wonderful conversation with the show's director and the organization's artistic director Thea Kano about her background and why this production is so important.

To say that the musical version of Finding Neverland is a real charmer is an understatement. The book by James Graham retains all of the sweetness of the 2004 film and adds on a delightful theatricality for the stage that just will not quit. One surprising element is the musical score by Gary Barlow and Eliot Kennedy that includes some wonderfully poignant and moving ballads. With sweeping direction by Diane Paulus and a dynamite cast this national touring production is bound to please just about everyone, the young and the young at heart. It plays at the Hollywood Pantages through March 12.

Wallis Annenberg Center for the Performing Arts and Deaf West Theatre (DWT), the performing arts organizations behind the Tony Award-nominated and Ovation Award-winning revival of Spring Awakening, reunite to bring multiple Pulitzer Prize-winning playwright Edward Albee's At Home at the Zoo to life in an innovative and new production. Edward Albee's At Home at the Zoo begins previews on March 7 and will open in the Lovelace Studio Theater at The Wallis on Friday, March 10. It will run through March 26. This production is made possible by the generous support of Meeghan and Michael Nemeroff.

It's 2017 and we're going to Hollywood! Or at the very least, bridging the gap between theatre and film as we sit down with the man responsible for the look of the Academy Awards, the NBC Live Musicals, and over 35 Broadway shows, it's Scenic Designer Derek McLane!

Curated by former BAX Artists In Residence Jillian Peña (2011-13) and Fernando Maneca (2004-06), the 2017 Upstart Festival ushers in fresh talent with an intriguing festival of performances and roundtable discussions. This festival gives creators of dance, theater and performance works, who have no more than three years of experience showing their work in New York City, an opportunity to show work and to facilitate networking opportunities that pave the way for fruitful artistic careers.

WICKED is flying into Orlando this week and those familiar with the story know that it's a story about friendship, acceptance, and connection. I had the opportunity to chat with Drama Desk winner and Tony Award nominee Isabel Keating, who is currently playing Madame Morrible on the WICKED tour. From the moment we began talking, I felt a radiating kinship that made me think twice about Madame Morrible as the 'bad guy' of the show.

Louis Viljoen's OH BABY, I'M A WILD ONE is a character study of a first-year teacher trying to sift through the psychological debris that a confluence of key events has bulldozed into her life. It is theatre that offers some food for thought about how society constructs morality and how individuals seem geared to deconstruct and contravene those norms.

I'm so thrilled to say that on Thursday evening one of my biggest inspirations, Gavin Creel, along with Seth Rudetsky will be presenting a concert at the New Orleans Center for Creative Arts. I'm even more thrilled to say that I had the unique opportunity to hold him hostage on the phone for nearly half an hour to talk about his life, career, and some burning questions that I just had to have answered.

Audiences first became aware of Jaston Williams as half of the citizens of Tuna, Texas with the debut of Greater Tuna in 1982. The saga continued with A Tuna Christmas, Red, White and Tuna and Tuna Does Vegas. The plays have been performed on and off Broadway at the Kennedy Center, the Edinburgh International Arts Festival, the Spoleto Festival U.S.A. and all over America. He has received Washington DC's Helen Hayes Award nominations for A Tuna Christmas and Red, White and Tuna as well as the San Francisco Bay Area Critics Award for Greater Tuna. He also received the L.A. Dramalogue Award for both Greater Tuna and A Tuna Christmas. A Tuna Christmas was published in 'Best Plays of 1995.' For several years, Jaston toured in Larry Shue's The Foreigner, for which he received a Helen Hayes Award nomination for Best Actor. He performed in The Fantasticks at Washington DC's Ford's Theatre and directed the musical Bad Girls Upset By The Truth at Atlanta's Alliance Theatre. A recipient of the Texas Governors Award for Outstanding Contribution to the Arts by a Native Texan he performed at the White House on three occasions. His hometown of Austin, Texas has seen him perform at the State Theatre in Eugene Ionesco's The Chairs and at Zachary Scott Theatre in Jay Presson Allen's Tru, for which he received the Austin Critics Table Award for Best Actor in a drama. He has appeared at Zach Theatre in The Laramie Project and next month is joining their production of A Christmas Carol as Scrooge. His play, Romeo and Thorazine, work-shopped at Zach in November 2001. He work-shopped his autobiographical one-man show I'm Not Lying to critical acclaim at the State Theatre and returned it there for a full production in February of 2004 as well as a benefit performance at Washington DC's Kennedy Center. His autobiographical play Cowboy Noises premiered in Austin in February 2008 to critical acclaim. Broadway World recently sat down with Jaston for a Q & A session during the run of his latest play A WOLVERINE WALKS INTO A BAR.