Jacobs and Jackson embrace this idea with a vengeance. As severed-tongue-in-cheek as Teeth may be, it takes sexual violence and retribution seriously. Jacobs and Jackson’s version of Dawn incarnates a goddess called Dentata, risen from the cthonic depths of ancient legend to reboot her crusade to dismember every man. As our antiheroine moves further down this path, the production ramps up to a climax of fire and rain, and Alan matches it with her performance. No stranger to strong women—she was Hillary Clinton in 2019’s Soft Power—she moves from trembling worry to trembling fury with fearsome abandon, backed by a female chorus of six that ably mirrors her transformation.