Zarah Mahler News

The age-old tradition of matchmaking takes a contemporary twist in San Jose Repertory Theatre's world premiere of Love in American Times, by Philip Kan Gotanda. Love in American Times is directed by San Jose Rep's Artistic Director Rick Lombardo, and will close June 5, 2011.

An experienced, talented cast takes on the age-old tradition of matchmaking with a contemporary twist in San Jose Repertory Theatre's world premiere of Love in American Times, by Philip Kan Gotanda. Love in American Times is directed by San Jose Rep's Artistic Director Rick Lombardo, and will run from May 12 through June 5, 2011.

The age-old tradition of matchmaking takes a contemporary twist in San Jose Repertory Theatre's world premiere of Love in American Times, by Philip Kan Gotanda. Love in American Times is directed by San Jose Rep's Artistic Director Rick Lombardo, and will run from May 12 through June 5, 2011. Press Opening Night is Wednesday, May 18 at 8 p.m. Proceeds of the company's iconic 'Pay What You Will Night' on Thursday, May 12, will benefit victims of the Japan Earthquake and Tsunami Disasters.

The age-old tradition of matchmaking takes a contemporary twist in San Jose Repertory Theatre's world premiere of Love in American Times, by Philip Kan Gotanda. Love in American Times is directed by San Jose Rep's Artistic Director Rick Lombardo, and will run from May 12 through June 5, 2011. Press Opening Night is Wednesday, May 18 at 8 p.m. Proceeds of the company's iconic 'Pay What You Will Night' on Thursday, May 12, will benefit victims of the Japan Earthquake and Tsunami Disasters.

An experienced, talented cast takes on the age-old tradition of matchmaking with a contemporary twist in San Jose Repertory Theatre's world premiere of Love in American Times, by Philip Kan Gotanda. Love in American Times is directed by San Jose Rep's Artistic Director Rick Lombardo, and will run from May 12 through June 5, 2011.

The age-old tradition of matchmaking takes a contemporary twist in San Jose Repertory Theatre's world premiere of Love in American Times, by Philip Kan Gotanda. Love in American Times is directed by San Jose Rep's Artistic Director Rick Lombardo, and will run from May 12 through June 5, 2011. Press Opening Night is Wednesday, May 18 at 8 p.m. Proceeds of the company's iconic 'Pay What You Will Night' on Thursday, May 12, will benefit victims of the Japan Earthquake and Tsunami Disasters.

Bonita Friedericy, Robert McCracken, Edward Tournier and Zarah Mahler will star in the upcoming world premiere production of Jordan Harrison's 'Futura' at The Theatre @ Boston Court. 'Futura' will be presented in collaboration with the Portland Center Stage and the National Asian American Theatre Company. The production is helmed by Jessica Kubzansky and will run from September 30 to November 7.

BroadwayWorld TV's Los Angeles correspondent Michael Sterling, got up close and personal today with the cast of RENT at rehearsals for the Hollywood Bowl presentation of the groundbreaking musical August 6 through 8, 2010. Sterling spoke in detail with the show's star-studded cast and director about the upcoming performances at one of the world's most renowned venues.

RENT, written by Jonathan Larson, will be performed at the Hollywood Bowl for three performances only, Friday and Saturday August 6 and 7 at 8:30pm, and Sunday August 8 at 7:30pm. Neil Patrick Harris will direct the production, with musical direction by Tim Weil and choreography by Jamal Sims. The cast includes Skylar Astin, Wayne Brady, Vanessa Hudgens, Telly Leung, Collins Pennie, Nicole Scherzinger, Tracie Thoms, and Aaron Tveit.

Celebrated performer Neil Patrick Harris will direct the premiere of RENT at the Hollywood Bowl this summer. Responding to the mixed reactions of his casting Vanessa Hudgens as Mimi, Harris has now spoken out in support of the High School Musical actress.

The casting of the premiere of RENT at the Hollywood Bowl is completed; Nicole Scherzinger, solo artist, lead singer of The Pussycat Dolls, and this season's winner of Dancing With the Stars, will play Maureen.

Run. Do not walk. Run to Oakbrook Terrace-or, at least, run to your car, train, bus, taxi or helicopter-in order to get to Chicago's western suburbs. There you will witness an extraordinary night of theater, Jim Corti's staging of 'Cabaret,' which is seamless, courageous and frequently state-of-the-art.

The international smash hit musical CABARET, directed and choreographed by Jeff Award winner Jim Corti, who also understudied Joel Grey on the National Tour of the Broadway revival, previews August 13, opens August 19 and runs through October 11 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace.

The international smash hit musical CABARET, directed and choreographed by Jeff Award winner Jim Corti, who also understudied Joel Grey on the National Tour of the Broadway revival, previews August 13, opens August 19 and runs through October 11 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace.

The international smash hit musical CABARET, directed and choreographed by Jeff Award winner Jim Corti, who also understudied Joel Grey on the National Tour of the Broadway revival, previews August 13, opens August 19 and runs through October 11 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace.

The international smash hit musical CABARET, directed and choreographed by Jeff Award winner Jim Corti, who also understudied Joel Grey on the National Tour of the Broadway revival, previews August 13, opens August 19 and runs through October 11 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace.

The international smash hit musical CABARET, directed and choreographed by Jeff Award winner Jim Corti, who also understudied Joel Grey on the National Tour of the Broadway revival, previews August 13, opens August 19 and runs through October 11 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace.

The international smash hit musical CABARET, directed and choreographed by Jeff Award winner Jim Corti, who also understudied Joel Grey on the National Tour of the Broadway revival, previews August 13, opens August 19 and runs through October 11 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'